Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Live Bookings: scumeck@mct-agentur.com 
Management & Contact: management@gusgus.com

BIO:
The Icelandic band Gus Gus originally spawned from a shortcut made by Siggi Kjartansson and Stefán Árni (a.k.a. Arni & Kinski) called “Pleasure”. Initially the band was acclaimed as an avant-garde collective of musicians, producers, filmmakers and performers. They mixed together different mediums to create a unique mixture of sound and vision. Their trademark style is combined with funky bass, streamlined synths and the intelligent use of technology and art. Árni & Kinski did the visual part and the musical side was driven by Birgir Þórarinsson (a.k.a. Veiran), Stephan Stephenssen (a.k.a President Bongo), Magnús Guðmundsson (a.k.a. Herb Legowitz). The live band was fronted by singers Daníel Ágúst, Hafdís Huld and Magnús Jónsson (a.k.a. Blake).

Gus Gus is an electronic soul band formed in 1995. A short break in a making of the shortcut made it possible for the first Gus Gus self-titled album to be born. In 1996 the band signed to 4AD Records that released their widely acclaimed second album “Polydistortion”. "This Is Normal" followed in 1999 and finally "Gus Gus vs T-World" appeared in 2000. During the 4AD years, Gus Gus started touring massively, stirring the music world with their powerful live-show. The touring life was stressful for the nine some and eventually called for changes within the line up. Six original members left and the three remaining producers (Veiran, President Bongo and Herb Legowitz) soon found hope in a new female singer, Earth aka Urður Hákonardóttir. The band has ever since focused on being a musical entity. 

In 2002 Gus Gus re-appeared with their 4th studio album "Attention" which includes their most successful dance floor hit “David”. On the album the band teamed up with the legendary producer Gareth Jones and Finnish multi-instrumentalist Jimi Tenor. The album demonstrates a sharply focused club-band full of creativity and even more energetic than ever. Daníel Ágúst

Gus Gus released there 8th studio album, Mexico, on Kompakt, Germany in June 2014

Techno DJ from Berlin since 1988
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If you want to trace the beginnings of DJ Pete's status in Techno culture, you have to go back a very long way. He emerged as a DJ in the pioneering days of the Berlin scene during the late 80s and joined Hard Wax in 1991.

As a producer he made his name with the first release on Chain Reaction in 1995, a sub-label of the Basic Channel imprint, together with René Löwe aka Vainqueur as Scion. Scion also released the first commercially available CD ever produced with the then newly developed software Ableton Live in 2002 and later continued their collaboration as Substance & Vainqueur on the label Scion Versions. Substance, the acclaimed alias DJ Pete uses for his own productions has a back catalogue of highly influential solo efforts and an impressive string of acclaimed remixes for pivotal Techno artists like Juan Atkins, Regis, Kessell, Orphx, Robert Hood, Rhythm & Sound, Monolake or Shed, among many others.

DJ Pete earned similar respect behind the decks, combining highly individual yet refined mixing skills with both his vast encyclopedic knowledge of Techno history and an unquenchable thirst for new sounds that carry the potential to push all boundaries. Beyond that his energetic sets also incorporate elements of pure Techno, the Hard Wax tradition and powerful House tracks. His seemingly unlimited scope is informed by frequent Dynamic Tension nights at Tresor in the late 90s with Surgeon and his residency at Berghain since its opening, as well as countless successful gigs at the most crucial nights of the scene's international circuit. He is also known to merge Techno with Dubstep and selecting Reggae, particularly while working the mighty Killasan sound system as core DJ member of the seminal Wax Treatment events.

DJ Pete's lauded signature style also benefits from his numerous experiences as part of the cherished live acts TR-101 (an improvisational live act in collaboration with Sleeparchive), Scion (either with or without vocalist Paul St. Hilaire), and gigs with many other likeminded DJ innovators. A typical DJ Pete performance is always delivering an array of programming, sequencing, layering and live effects that goes well beyond a mere presentation of tracks. True to Techno's original claim, innovations in sound and technology are intuitively employed to achieve a floor sensation that manages to involve the crowd on as many levels as possible.

Booking contact: michael.matuschek@triangleagency.com

AUTODAFEH is from the South of Sweden and makes hard pumping
EBM/Electronic Music with glorious sing-along lyrics.

The story began in late 2007 when 2 old friends Jesper and Mika met again after several
years they started to talk about forming a classical EBM-band with a new twist. Mika who
was already working with Anders in another music project, asked him if he wanted to join,
and he did. The three of them then formed AUTODAFEH (ADF).

AUTODAFEH started to make some very cool tunes, and due to the buzz on myspace and
other internet based pages they got in contact with Sigsaly Transmissions who signed
them instantly, and the debut album Hunt For Glory was released in the middle of june 2008.

MEMBERS:
Mika: Lead vocals, computers, keys, percussions
Anders: Vocals, computers, keys
Jesper: Vocals, noise, percussions

Worldwide booking: clara@acheron-booking.com

www.orphx.com
www.orphx.bandcamp.com
www.facebook.com/orphx
www.residentadvisor.net/dj/orphx
www.last.fm/music/Orphx

One of the most highly respected acts in both techno and industrial circles, Orphx (Rich Oddie and Christina Sealey) have been refining their signature fusion of hypnotic rhythms and experimental noise for many years. They began in the early 90s with a raw sound inspired by old school industrial but soon began incorporating elements of dub, techno and electro into their work. Orphx built up an international following as one of the pioneering acts within the European "rhythmic noise" scene. More recently their work has come to the attention of techno fans through a series of acclaimed releases on the Sonic Groove label, collaborative work with the likes of Ancient Methods and Justin Broadrick, and remixes for many artists including Front Line Assembly, Oscar Mulero, Perc, and Conrad Schnitzler.

Oddie and Sealey have performed around the world at celebrated venues like Berghain and Tresor, and festivals such as Berlin Atonal, Movement, Mutek, and Unsound. They are renowned for their improvised performances, combining software with modular synthesizers and other hardware. Building on a sprawling back catalogue that stretches across industrial, ambient, and techno, their recent output has demonstrated that Orphx are both pioneers and innovators in the fusion of rhythm and noise.

Doreen Paul is following