;;;;;;;;;New EP out SOON;;;;;;;;;

Tick, tock, tick, tock, squawk..

From the scum of the great water, after the dredge, in the sludge, shiny happy little toys did remain.

Many years passed. ..

Disguised as just another plaything, the toys arrived, in boxes, sweet little glittery pills, shiny, sparkling, addictive.. Here a chorus from a Boston séance. There, a boxcar shampoo hook, sleepy Athens, Georgia style. Everywhere, cold Wire synth washes, sprinkles, jabs and prefab lilts sprouting. Stories from before, during and after the days of the great plains. Decidedly New Wave..

Executives played with the toys, they played and played, soon they became alive and broke rank, exploding with mischievous energy, sparking, fizzlin, and taking the suits down with 'em.

"Infectious, bizarre, wonky tunes" - MCR Radio

“This is a cracking track” Rob and Callum – If There’s Hell Below podcast on ‘Hiawatha’.

'A big big tune from a great band' - Matt Barnes - Haggerston radio DJ on 'Didn't do'.

"A melting pot of musical fusion that is just as tasty as it sounds" - Dale, Peanut Mixtape
www.nicenightsrecords.com
www.instagram.com/rosstoys
www.twitter.com/executivetoys
https://www.facebook.com/ExecutiveToysBand/

Composer, performer, programmer from Moscow, Russia. Graduated from School of Modern Art (of Russian State University for Humanities), Theremin-centre of Moscow State Conservatory (http://www.theremin.ru/). Styles: electro-acoustic, experimental, noise, live electronic. Interested in: algorithms and stochastic in precomposed and improvised music, using different types of sensors in live performance and sound installation. Participant of Cyber Orchestra (laptop orchestra of Theremin-centre, http://cyberorchestra.com/), Resident of LoveLiveElectronic  (http://loliel.tk/) and SoundArtist (http://www.soundartist.ru./projects/acousmatist/). Curator of workshops in Theremin-centre (programming environments in precomposed and improvised music).

Festivals and expositions:
Abracadabra Fest (35mm, Moscow, 2007) - live set
Peace and quiet (Bogolubovs's library, Moscow, 2008) - live set
Acusmatic Theatre at the 3rd International Festival of Sciences
(Moscow State University, Moscow, 2008) - workshops and live set
Audio-visual reports (National Centre of Contemporary Art, Moscow, 2008) - live set
AbraLive (Winzavod Moscow Contemporary Art Center, Moscow, 2009) - Installation
Electronic Night B-Side/ Lopatepye pre-party (Vozdukh, Moscow, 2009) - live set
National Centre of Contemporary Art (Ekaterinburg, 2008) - Installation "Life as particular case of discrete cellular automaton."
Podgotovlenniye Sredi 2012 @ mmoma (Msc, 2012) - Radu Malfatti's «Kid Ailack 5» performance (http://cm.tgizd.ru/?p=523)

Various electronic ensembles directed by Joo Won Park

A.k.a DJ Peter Perplexe - 
half-slave for the Vaatican Records net-label since sept 2006 - 
Peter is a percept & Vaatican artists are great -

▓▒░==== ...... :::::::::::::::::::::::::::::::: :::::::::::::: ...... :::::::::::::: :::::::::::::::::::::::: ...... chain d.l.k.------------------------- webzine, italy, september 2003----------------- ------------------------------- First of all,------- a great psychedelic layout featuring artwork by Mathieu Desjardins - ----------------------------- the front cover shows two wicked children -------------------------- on their way to amputate the leg of an oozing frog - and I suspect it's a Bufo Alvarius, judging from the content of this CD. ------------------------------------------------------------ --------- Sure Andréas Marchal/Peter Percept has some lysergic plug in stuck somewhere.----------------- --------------------- ---------------------- -------------------- "Pilgrimini" sounds, to desperately try a description, like Residents recorded by Stock, Hausen & Walkman or People Like Us - then Aphex Twin shows up with his tank and throws some goofy rhythm here and there. ---------------------- ------------------------- --------------------- This is some very out there, surrealistic collage of beats & bleeps, cheesy vintage key sounds and found voices scattered all over. ------------------------------ --------------------------------------------- Sometimes it's as subtle as a nursery rhyme, sometimes it's hangover-heavy. -------------------------- -------------------- ------------------------ This is the typical CD I end up liking though I don't really like it, mostly because I boast of good taste. ----------------------- ---------------------------- ---------------- But come on, how can you lose with titles like "I got the prolapsus", "Christ me baby" or, better still, "Mon amour de mierda" (best track, by the way)? ---------------------- ------------------------- ------------------------- ------------------- ----------------------- ------------------------- -------------------- Be prepared for indigestion and foul breath after listening, though. ----------------------------------- ---------------------------------- ----------------------- -------------------------------- ---------------------------- [Eugenio Maggi, 2001] --------------------- ----------------------- ---------------------- --------------- ------------------- ----------- ::::::::::::::::: ...... :::::::::: ::::::::::::::::::: =========== ...... ==== ======= ...... ====== ========:::::::::::::: ...... :::::

Certains morceaux sont voués à s'entendre.

Certains morceaux sont voués à s'entendre

Electronic Ensembles is following