October 2024 Artists

un ricordo di mia madre v v v OLÈ

a live cut from our recent Rat Palace Sessions Album Launch. The piece is an improvisation based on a track from the album - which of course is also an improv.  So we are going down the rabbit hole here performing improvs based on improvs, each time changing into something slightly different.

Kirby/Ward LIVE - thumbs

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more.

Que feras tu quand tu m’auras perdue?
(What will you do when you have lost me?) features the following Artists :

Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ambient Annie - Electric Guitar/Electronica/Voice
Axel Weiß - Electric Guitar
Dane Renshaw  - Drums
Oberlin - Eurorack
Paul Miller - Keyboards
Phil Bywater - Saxophones/Voice
Scratch Kelly - Beats
Texmex Shaman - Electric Guitar
Vartch - Tone Drone/Voice
Mat Ward - Bass Guitar/Arrangement

Then She Reaches For The Gun - Que Feras Tu Quand Tu M’auras Perdue?

One of the plays from the Buendiana cycle, based on the plots and images of the novel "One Hundred Years of Solitude" by Gabriel García Márquez.

«Rebeca Buendía». Op.16-08. (2016)

ILP-Conscious Entity Sound - New Babylon Remix
@Conscious Entity Sound // Vocals and Lyrics
https://www.looperman.com/acapellas/detail/10254/ilp-new-babylon-wet-vox-80bpm-hip-hop-acapella
https://soundcloud.com/consciousentitysound
Original Link: https://gate.sc/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DVJbhHxNbFxI&token=b5a4a8-1-1727107360885
@Paploviante // Musik, E Bass, Mix and Artwork
Lyrics:
Picture for a minute the possibility
Livin' n' givin' n' winnin' n' gettin' so free
Witness beginnings and endings n' lettin' thangs be
Let the evil of humanity plunge deep in the sea
Get the noose let it wither away
And today you n' I both know what to say
In the face of destruction that's life reduction
It has only solely one function
Target and attack wack devil on a horseback
Bout to get God-smacked yea how ya like that
Well let the Good Lord carry on
Yea bout' to crush New Babylon
And every hidden thangs gonna be flipped around
From the top of the world to the underground
Yes and there will be justice
That's the word you can trust this
Chorus 2x
Every man has his day everythang flips around
If you look hard enough there's some truth to be found
If you're on another level then you know what I say
You're eternally alive, others fade away
Verse 2
Picture for a minute the insanity
The depth of calamity coupled with vanity
Lost in a selfie sea ain't nobody helpin' me
That's the way it's gotta be gotta seek deep relief
And I find it right here
Find on the inside that my mind gets live
I ain't never gotta hide only hold it down n' ride
Seein' God pick a side pick a fight wrong or right
Forget the hype flashy lights fake people not my type
Got a team and we're tight ILP yea that's right
Another dope track we know you feel that
Put your fist in the air time to hit back
Cuz every hidden thangs gonna be flipped around
From the top of the world to the underground
Yes and there will be justice
That's the word you can trust this
Chorus 2x
Every man has his day everythang flips around
If you look hard enough there's some truth to be found
If you're on another level then you know what I say
You're eternally alive, others fade away

ILP - Conscious Entity Sound - New Babylon Remix

With thanks to Hendrik & Torben !
Bass Sample and Piano, Mix - @cosmic-ratzzz
Guitar - Torben Schnitt
Saxophone - joerxworx

Lunatics 193 / The Same Old Blues / Ratzzz & joerxworx with Torben Schmitt

💦👀👻👻👻👻🚢⁂©All Rights Reserved 10-2024
©Licensed Song Creator: Lady ElectroTrek
***

Salvation To Sanity

Escaping The Spirits Of Darkness

Nimbus (2022) Anthology CD1 Track 12

Heavy Horns 145 BPM

memory of her ( for my mother )

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.