Le souffle de l'apparence ()

monomonoi - 50weUf

This is a TidalCycles jam I recorded for TOPLAP Düsseldorf's 1st compilation »_EXECUTE Vol​.​1 - A Compilation Of Contemporary Algorithmic Music«. The whole thing and some more information can be found here: 
https://toplapduesseldorf.bandcamp.com

This is the code I used:
```
setcps (157/60/2)

let panner spd = pan (fast spd $ range (-1) 1 $ saw)
    in d1
        $ whenmod 30 28 (slow 2)
        $ whenmod 20 16 ((fast "[0.5|1]") . slice 4 ("[0|3]!6")) 
        $ whenmod 24 21 (linger 0.5)
        $ whenmod 27 24 (scramble 3)
        $ someCyclesBy 0.5 (jux rev)
        $ stack [
              whenmod 10 8 ((# room 0.25) . (# size 0.25)) $ 
              whenmod 22 18 ((|- n 12) . (# panner 3)) $ whenmod 9 6 ((0.5 ~>) . (# up ("[-2|-1|-3]"))) 
            $ s "[null:27*3?]" 
            # cut 0 # shape 0.6 # gain 0.9 # fshift (20) 
            , hurry 0.5 $ randslice 6 $ every 2 (# accelerate "<[-4 4], [-8 8]>") 
            $ s "[~!7 undefined:17*18 ~]" 
            # cut 2 
            , loopAt 3 
            $ s "{~!5 undefined:15 ~!3}%3" 
            # gain 1 # binshift 0.25 # fshift (2500) # shape 0.7 
            , whenmod 7 5 (linger 0.125) $ somecyclesBy 0.2 (hurry 4) $ hurry "[0.25|0.75]" $ loopAt 2 
            $ s "undefined:6" 
            # amp (slow 6 $ range 0 0.9 $ tri) # cut 3 
            , hurry "[0.25|1/3|0.5]" $ loopAt 1 $ s "~!8 undefined:7" 
            # shape 0.7 
            , s "[~!5 undefined:3]/2" # shape 0.5 # waveloss 80 
            # shape 0.6 
            , somecyclesBy 0.5 (|- n (irand 4)) 
            $ s "null*6" # up "<[1, -9] [-10, 4]>" 
            # shape 0.75 
            , s "undefined*9" # fshift (slow 4 $ segment 16 $ range (-1000) 10000 $ perlin) 
            # shape 0.8 
            somecyclesBy 0.5 (jux rev) $ whenmod 21 17 (# panner 6) 
            $ note "-1 2 3 -4 5 6" 
            # s "undefined:5" # gain 1.4  
        ]
```

Staxl ┊Account Suspension Notice┊જ

Program Notes:
Listen for the subtle,  short, interrupted sine waves within electronics that cause the speakers themselves to emit ‘pops’ and
crackles, interrupting the acoustic instruments and tape playback. We’re not hearing the sine wave but rather the effect of the sine wave on the speaker’s mechanics turning the speaker itself into an acoustic element; thus giving these objects an active role rather than accepting them as a passive (playback) tool. Usually this treatment is avoided and seen as a mistake but in this piece it functions to address the physical mechanics of the speaker, of its own body, and demanding it to become more. To add to this, the percussionists are playing custom made “speaker-instruments:” subwoofer speaker cones transformed into an open air (and in a sense, large contact) microphone. This configuration allows the percussionist to physically perform low resonant tones and high washes of live filtered noise not possible outside this setup, with the hope to merge electronic and acoustic instruments into one composite organism, dependent on this merging to become more than just an extension of itself. The live processing portion of the work is that of rapid panning of the live acoustic instruments between two stereo speakers. This panning reaches audio rates and thus from this rapid oscillation causes its own square wave-like tone: the electronics sounds blooming from the acoustic in a symbiotic, intertwined creature like lichen.
This piece engulfs two prior pieces of mine that I’ve been working on for the past few years, “Harbinger” and “Speaker Spit.”

Instrumentation: Amplified vln, vc, piccolo, trumpet, e. gtr, midikeys, b-flat clarinet and live processing

Premiered and Performed by Nadar Ensemble
Mastered by Murat Colak
Mixed by Kelley Sheehan

Creature Like Lichen (2022)for chamber ensemble

Sensen - Quicio

Island Grgur in the morning 
Too bad in distance sound of ferry

Recorded with Zoom F6 and Sennheiser MKH40

My youtube channel:
www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

Instagram: www.instagram.com/gregorv_field/

Morning on island with birds near by some insects and ferry in distance

Recorded in London in two sessions during 2016

www.danielthompsonguitar.com
lucas.earshots.org
credits
released September 26, 2018

Edward Lucas / trombone
Daniel Thompson / acoustic guitar

Recorded in 2016 by Daniel Kordik
Mixed and mastered by Edward Lucas
Photograph by Edward Lucas
Design by Earshots/Dept2

EAR011 - Edward Lucas & Daniel Thompson - Six By Two And Three By One [sample]

Suomen Lähi-idän instituutin ja Helsingin yliopiston tutkija Antti Tarvainen keskustelee Timo Harjuniemen kanssa Israel-Hamas-konfliktin historiallisista syistä sekä Israelin innovaatiotalouden yhteydestä palestiinalaisalueiden miehitykseen. Miten siionistinen ideologia siivitti Israelin valtion syntyä yhdessä eurooppalaisen kolonialismin ja antisemitismin kanssa? Entä mitä on israelilainen asutuskolonialismi? Mikä on riskipääoman ja teknologiateollisuuden suhde konfliktiin ja sen hallintaan?

Antti Tarvaisen teksti "Innovaatiotalouden moderni/koloniaalisuus" Tiede ja edistys -lehdessä: https://tiedejaedistys.journal.fi/article/view/109608

Jakso 62: Gazan konflikti, Israelin valtion synty ja innovaatiotalous (feat. Antti Tarvainen)

Morgan Hall is the main project of experimental artist Stelios Katsioperis, based in Greece. Slowly being formed behind the curtains of the electronic/industrial and the hardcore/crust scene since a young age (thus the experimentation with those genres out of various instruments and analog gear/equipment), Morgan Hall tends to bind forensic poetry & human nature’s extreme tendencies and sexual impulses and more, with sound & image, either in terms of noise or ambient. 
He’s also the host of the monthly web-radio show “F.B.I. Pathology Report” on Athens-based Fade Radio.

More from Morgan Hall & Chronic Illness:
www.instagram.com/morganhall_hna
www.instagram.com/chronicillness_sewage?igshid=OGQ5ZDc2ODk2ZA==
~~~~~
Listen live: www.threadsradio.com
For more shows: @threadsradio

Chronic Illness w/ Morgan Hall (*Holloway Road) - 06-Dec-23

Digitone is a very special eight voice digital synthesizer. It combines a modernized FM implementation with a classic subtractive synthesis signal flow, making it a powerful source of highly unique tones and timbres. The FM sound generators have been optimized for a clean and efficient sound design process. Turn a few knobs, and something interesting and musically relevant is bound to happen.

Naturally, the world class Elektron sequencer is an integral part of Digitone. Four tracks are available for the internal sounds and four dedicated MIDI tracks stand ready for controlling external gear. Use the sequencer to quickly add chords or create melodies adhering to a specific scale. Add probability settings to individual notes. Create tracks with different lengths. Digitone makes it easy to create intricate and musical patterns.

Dark Wav

Elektron

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