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All modular live set featuring the new Morphagene module by Makenoise

Modular Immersions

Live in Olympia 3/9/17 (PT.1)

uodou

Umbrella

Having a margin or contour with shallow, usually rounded notches and projections; finely notched or scalloped and a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognizable constellations in the night sky.  It is said that two bright stars in the front and two bright stars in the rear are The hunting dogs, the one comparatively less bright star in the middle and ahead of two front dogs is The hunter and three aligned bright stars are in the middle of all four hunting dogs is The Mriga.

crenulated orion

Night Of The Living Trap

Help yourself to some sweet new sonic ingredients for your Model:Cycles with this excellent Sound Pack by Jake Miller, creator of krautrock-flavored Digitakt super-pack Vitamin C.

There are 64 flavors, ranging from deliciously quirky to quarky, offering you a delightful mix of building blocks with which to put together whatever magnificent monstrosity has the urge to pump out through those fingertips.

Purchase at https://www.elektron.se/soundpacks/odd-quarks/

Odd Quarks (Demo #2)

The human brain processes emotion by categorizing all input according to two responses: sympathetic and parasympathetic (i.e. “fight or flight”). Imagine a graph with two axes: one axis representing a state of stimulation (from excited to calm), the other depicting stimuli as being negative or positive.

In his book The Man Who Lied to His Laptop, the late Clifford Nass refers to these two plots respectively as “arousal” and “valence.” Whether an emotion makes us feel angry, humiliated, serene, jubilant, frightened or something else, the brain’s job is to determine what level of valence or arousal is appropriate for a given situation. Although Nass’s book doesn’t go into the Goldilocks Zone as such, the author does explore how the brain constantly resets itself chemically in an attempt to keep us “just right.”

For this weirdly industrial-sounding piece, Suss Müsik attempted to capture the polarities and nuances between valence and arousal. The main pounding riff (the “arousal” side) was created with a pitch-shifter applied to acoustic guitar. The “valence” side is an analog synth wash combined with audio scans of two-dimensional artwork. The two sides meet somewhere in the middle, thanks to some liberal digital-delay phasing and a Ditto looping pedal.

The piece, entitled Nass, was recorded live to 8-track with no overdubs. The image was created by visual artist B.G. Madden.

More on this 461st weekly Disquiet Junto project, Goldilocks Zone (The Assignment: Navigate a sonic space between the hospitable and the inhospitable), at:

https://disquiet.com/0461/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Nass [Disquiet0461]

NOISE INVADE apresenta a segunda edição do seu PODCAST.
Trazemos desta vez uma seleção super especial sincronizada com o conteúdo da primeira edição da Revista Eletrônica Colaborativa NOISE INVADE, ambos lançados simultaneamente na programação do Congresso Virtual da UFBA 2021. Assim daremos continuidade ao projeto de fomento da rede de experimentações visuais e sonoras que se entrelaçam à poética digital tendo como fio condutor o ruído expandido em práticas artísticas presenciais e virtuais. Desejamos a todas, todes e todos uma boa escuta!

Odd Quarks (Demo #2)

Elektron