Over There - Guit 1

Steven Francis, pro keyboard player. 
 From age 9, I played small keyboards and by ear.
and no training, a 1 in 10,000 rare perfect pitch
and play in 432Hz for the warmer, smoother sound.
MY MUSIC IS EXCLUSIVE. 
I never stream my music
But I do
sell online

CD ALBUMS AND VINYL AVAILABLE 
WORLDWIDE POST

https://elasticstage.com/djstevefrancis

MY 2 FANS' MECH ONLINE SHOPS

https://djstevefrancisfanshop.dizzyjam.com/
and 
https://streamlabs.com/djstevefrancis1/merch

my LINKS 

STEVEN FRANCIS

ON HERE SOUNDCLOUD,
 I WILL PUT ON 1 SONG,  AND THIS WILL REPRESENT THE BEST OF THAT 10-TRACK ALBUM 
IF YOU LIKE THAT SONG, THERE WILL BE A LINK TO LISTEN TO  ALL THE TRACKS . AND TO BUY THE TRACK OR THE ALBUM IN A DIGITAL FORMAT
YOU ALSO HAVE A CHANCE TO BUY THAT ALBUM IN HARD FORMAT . IE  CD AND VILYL  FROM OTHER LINKS ON THERE 
ENJOY
STEVE  

PS, also, I don't pay for any advertising, so don't try it
As you will be reported and blocked 
steve

Making AI Music & Songs about Love to Grand Kids Frank & Hilma.

Please Check Me, Follow Me or  Keep Follow me @ My Main Account https://soundcloud.com/specialececilia
This Page is to be able to Follow All My Followers 
& for  Playlists with My Songs by Topics & Styles

(Don't follow me here, best on my main page ;)

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Elements of Synergy is : Chris Dargay & Scott Tumino 
Collaborations Welcome!!!        
                                                               Cash Filled Inquiries Only @ : Greffult@aol.com

Special Page with New Choice of Acappellas FreeDL for Who Want do Original Mixs with it. 
THANKS TO LIKE THE COLLABS REPOSTED :) <3

New Vocals  Free download for Collabs & Remixes
& Playlists by Topics with WorldWide SC Friends Tracks, as well as some of my Songs ...
 I put Heart, Soul & Mind & take Time to Select Sounds Worthy to be Shared & Discovered... 
Hope You Enjoy. Thanks for all Support.

Guitarrista ,cantante. Me gusta crear arreglos para guitarra y componer. .Desde los 5años de edad,empece a tocar la guitarra.Gracias por sus comentarios y todo su apoyo todo este tiempo,su amigo Jesús  Flores Guitarrista 

Disco balls, neon lights and groovy bass lines...

New Album: 2552
Available on SoundCloud, Bandcamp and Elastic Stage (vinyl copy) now.

"Sugarstealer’s 2552 is a bold statement record - one that seems to straddle the line between immersive listen and club-minded machinery. On one hand, it rewards deep, repeated listens; on the other, many of its sonic decisions clearly consider how tracks might live in a DJ’s crate.

What’s immediately striking is how the album embraces contrast: atmospheric soundscapes versus propulsive rhythm. It doesn’t commit fully to one lane (e.g. purely ambient, purely dancefloor), but instead leverages tension between those poles.

For fans, 2552 offers thematic depth, mood shifts, and textural surprises. For DJs, it offers usable sections, transitions, and some floor-ready energy without sacrificing musical integrity.

One of the biggest strengths of 2552 is its sound design  -subtle but intentional. The production is not overstuffed; there’s room for echoes, negative space, and gradual build. Sugarstealer favors evolving textures: pads swell, unusual percussion elements flicker in and out, reverb tails stretch, and field recordings or ambient noises occasionally creep into the mix.

From a DJ perspective, this is gold: intros and outros are often forgiving, giving you room to mix in or out without jarring jumps. The use of filters, delays, and modulation make many of the transitions feel organic.

The pacing of 2552 is deliberate. It tends to open up space before building tension, rather than dropping into full force immediately. This suits fans who like slow burns and subtle emotional arcs.

There’s a sense of cinematic storytelling: tracks shift in mood, sometimes even mid-track. You might start in something minimal and brooding, and then a sub-melody or rhythmic shift kicks in halfway, recontextualizing what came before.

For DJs, some of those shifts can be leveraged: a breakdown might make a great moment to drop in another track, or to filter out drums and layer in something complementary.

Lyrically or thematically (depending on how much vocal content is used), there’s a feeling of looking both forward and backward - futuristic but haunted, mechanical but human. That duality gives the album emotional weight beyond just sonic experimentation.

Sugarstealer avoids leaning so far into experimentation that the tracks become unusable in mix contexts. Yet, he also resists the trap of making purely functional club tracks. That hybrid is delicate, and 2552 largely succeeds.

The album evokes moods - spaces, memories, tension -not just beats. It draws the listener in emotionally.

It’s not static. There are shifts in density, tone, rhythm, instrumentation. That keeps repeat listens fresh.

Because of thoughtful intros/outros and modulation, a DJ can blend in or out more gracefully than in many other albums of similar scope.

Fans should approach 2552 not just as a background or dance album, but as a journey. Pay attention to details: how textures morph, how silence is used, how emotional peaks and valleys emerge. Let it grow on you on repeated plays.

DJs should identify the “usable zones” in each track: the parts with clean beats, intros/outros with more space, breakdowns or drops that align with other tempos. Experiment with layering -sometimes combining a minimal segment with an external percussion loop or synth can unlock new possibilities.

2552 by Sugarstealer is an album that stands in that sweet spot where listening and mixing potential overlap. It’s not just an experimental side project -it's got real utility. It rewards deep listenership while offering tangible building blocks for DJs.

If I were to give it a rating (in relative terms within its niche), it lands high: a work of vision that doesn’t sacrifice usability. It’s the kind of album that can become a hidden backbone in a set or a late-night playlist that lingers in the mind long after the final fade."

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞