Emerson, Lake & Palmer - Pictures At An Exhibition-2

Pink Floyd - Live in Atlanta, Nov. (3-5) 1987 - A New Machine/Terminal Frost

ROY BUCHANAN  When A Guitar Plays The Blues

Recorded at SigmaProd - Saint-Juery (81)

JC Manchot : Keyboard
Audrey Le Bail : Vocal
Phil Berteau : Bass
Pascal Pelletan : Drums & Percussion
Cédric Cavenaïle : Guitar

Silvain Goillot : Sound Engineer and Mix


Never Let Go - Camel (cover by eleventh moon)

Talkism is a good term for my work. By merging the verb talk with the ‘ism’ postfix, I find it perfect to define the global feeling of my surrounding world where too many people and machines talk with very little action to follow. Whether the talk comes from a biased AI, threatening social media, conspirators, or politicians, the goal is usually the same. The words serve the talker’s interests despite potential collateral damages. Therefore, talkism becomes the science of those who are trying to shape the world with their speeches, putting science and human-based social intelligence at risk.

Stone in a River

I recorded all the guitars following original Guthrie parts.
Hope you'll enjoy.
Sound from Garage Band, Guitar Rig 5 and my Bruno Traverso Joy Fire Guitar.

3 Years Older - Steven Wilson/Guthrie Govan

este mundo

trouble

Recorded Live in Sheffield, UK
NIN, Trent Reznor, Johnny Cash

Hurt (Sheffield, NIN/ Johnny Cash)

From the debut album Light.  Available June 1, 2018 from Western Vinyl.

Bandcamp https://julianadaugherty.bandcamp.com/
iTunes: https://itunes.apple.com/us/album/light/1352432904?ls=1&app=itunes
WV http://westernvinyl.com/shop/wv148

It’s hard to imagine that Juliana Daugherty’s softness and subtlety could materialize amid the tumult of current-day Charlottesville, VA, but every mode of being continues in the people of Charlottesville, as it does elsewhere, despite the impressions headlines might give. Despite the societal ills that dominate our screens, private struggles still exist, and Daugherty’s debut Light gives them palatable, manageable, and satisfying form.

“I wrote this record partly to strip mental illness of its power,” Daugherty says. She adds, “There is nothing useful or beautiful to be gleaned from the experience of depression.” Though this statement seems contrary to the romantic tone of Light, it’s refreshing to hear an artist speak of their own depression with objectivity, unwilling to be charmed by the gloom. Daugherty wields her songcraft like a sword, not a diary to be buried in a drawer.

As one listens, it becomes clear that Light was not a title chosen despite the gravity of its subject matter-- romantic struggle, abject depression, and throbbing vulnerability-- but rather in service of it. Light, so to speak, comes when we give shape to what haunts us.

Light  

Juliana Daugherty - "Light"

The Dead Brothers - The Story It's Always The Same

Eleventh Moon is a cover band of Seventies progressive rock.
The meaning of this formation is to bring you back into the musical atmosphere which was reigning on this scene during an amazing decade.

For ten years, from 1969 to 1979, many bands endlessly pushed back the limits of differents musical styles and made a whole generation dream.

With Eleventh Moon, you will listen to groups such as Pink Floyd, Genesis, King Crimson, Yes, Camel, Gentle Giant, Supertramp, etc.
Come discover again seventies progressive rock, live, on stage, before your very eyes and for the pleasure of your ears.