I like the percussion, so damn good. Very good piece man!

Great feel and nice instrumentation. Great filmscore.

nice sound well done it will be great to do a colab one day :) Francois

lovely syncopized rhythms, love it, Elias:-)) 

amazing blend of everything I wish to dear to do, wow, hats off!!! Cheers:-))

beautiful ....really beautiful oriental sound..

و الله ما طلعت شمس و لا غربت إلا و حبك مقرون بأنفاسي و لا جلست إلى قوم أحدثهم إلا و أنت حديثي بين جلاسي
شعر :الحلاج
انتاج :اسلوب
غناء :ابو غابي
فلوت :نيسم جلال 
باص :زياد صادر 
عود :مهند نصر
جيتار:رائد الخازن 
درامز :حسين قمح 

تصوير:عروة درويش 

lawlak

اسلوب و ابو غابي - لولاك  Osloob feat Abo Gabi  - LAWLAK

غناء : ندى ابو تريكة
موسيقى و توزيع : هشام محمد

ممكن تلاقوا وش بسيط لو عليتوا الصوت :] معلش عندى انا ديه :] هههههههههه

أصابك عشق ندى ابو تريكة وهشام محمد

They've found a flying saucer in my stomach (An international exquiste corpse).

Musicians :

beat4poets
https://soundcloud.com/beat4poets
Cathrinta
https://soundcloud.com/cathrinta
S♨ciété Cantine
https://soundcloud.com/societecantine
No Mates Ensemble
https://soundcloud.com/no-mates-ensemble
Fudisterik
https://soundcloud.com/fudisterik
Paulo Dandrea
https://soundcloud.com/paulo_dandrea
ɳøìŕoŗĭőn
https://soundcloud.com/noirorion
musicaSERJ
https://soundcloud.com/musicaserj-ii
Oever
https://soundcloud.com/oeverstudio
scoxrox
https://soundcloud.com/steve-20-4
THe abSTraCt PaLaTe
https://soundcloud.com/theabstractpalate
elecdistrict
https://soundcloud.com/elecdistrict

Here are the rules :

- The first musician composes a track (1 minute 30 maximum) and sends its only 12 last seconds to a second musician (in choosing in a submitted list).
- The second musician develops his own composition (1 minute 30 maximum) starting from the 12 seconds he has received. Then he sends its 12 last seconds to a third musician… and so on.
- Each track must not include fade in nor fade out. But of course, only the first and the last musicians who will participate can start and end its part with a fade.
Any genres, techniques or instruments are allowed.
The master word is freedom.
At the end, all the tracks are assembled to give you that common song.
Dynamic, mixings and equalizations are preserved intact.

Please, if you comment it, let the pointers names icons visible !!
March 2016.

They've found a flying saucer in my stomach (An international exquisite corpse)

Noise Italia: 4 MATERA

Sorry Pat, i Broke Ya Drums

The Desperate Struggles Of A Bulldozer Slowly Being Engulfed By Quicksand

Pointlessly Trying To Out Run A Storm

Desk Recording from Jan Mona Foma festival. Not sure if this music stands alone as it was written for the 1929 Dziga Vertov classic The Man With The Movie Camera. The movie is the real star, we are just the texture so if you feel like SEEING it here is the link
https://www.youtube.com/watch?v=ii2m9hG0aQc 
Sorry its so long! just kinda suited the visuals : )
Band is
Dani Kirby; Voice/Keyboards
Dylan Banks; Intonarumori, Percussion
Matt Warren; Drums, percussion
Mat Ward; Bass, Slide Bass, Drums, Percussion, Intonarumori

: )

LIVE Film Score - The Man With The Movie Camera: Scene 6 + VIDEO LINK

Friendly When Drunk

وائل الأغا وحسن عباس "الطبيب البشري والصيدلاني " اللذين عزفا الموسيقى كوسيلة للاندماج مع الشعب الألماني بعد هجرتهما من سوريا خلال الحرب

دردشة_ليلية : وائل وحسن ...من سوريا إلى ألمانيا

One of the soundtracks for the film "Makhad - Throes", that will be shown in many film festivals (Cannes, Norway).
a Film is by Wassim Kher.

Victory - Elias Garzuzi ("Makhad - Throes" Film - Soundtrack)

Elias Garzuzi is a soundtrack composer and producer who also specializes in playing Middle Eastern instruments like the Syrian Bouzouk, Oud, Ney, Bandir, and more. Seeking to fuse Eastern and Western styles, his unique approach to World music combines classic symphonic instruments with Asian, African, and Arabic elements.

Victory - Elias Garzuzi ("Makhad - Throes" Film - Soundtrack)

Elias Garzuzi

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