strings of sorrow

Seda Kon Mara - Persian Music

Shab

İfalar, Vol. 1

Küsüb Getdi

Sam Shalabi & Stefan Christoff - "Flying Street"

Эмоции в звуках армянской музыки

Sayat Nova

Vernal Equinox

Blues Nile

Inca Taqui

Chuncho

Astrakan Café

Astrakan Café (1)

Silk Road Journeys: When Strangers Meet

Persian Traditional Avaz-e Dashti

Cheftak

Tango

A Cordes et à Cris

Hocoka

Muslimgauze - Mullah Said

Force the Hand of Chance

Guiltless

Scattered Memories

Fluid

"Ay Çürüdü" is the second track taken from Anadol's "Uzun Havalar".
We feel honoured to release this extraordinary beautiful music on vinyl. Release date is May 17, pre-order is up: anadol.bandcamp.com/

Now do yourself a favour and buy this record!

Anadol (@altinkasetcilik) is a psychedelic synth folk project by Gözen Atila, a Turkish sound artist and photographer based in Berlin. Her third album Uzun Havalar is based on collective improvisations of middle eastern folk songs called „uzun hava“. They turn out as rich, atmospheric synth ballads. A diverse roster of improvising musicians creates their fascinating complexity. Anadol recorded them during extensive sessions in Istanbul. You can hear drummers laughing and playing guitars, composers howling, announcements in French and screams in no language, record collectors playing oscillators, and trumpets through spacious echoes.
Anadol represents Gözen Atila’s liberation from a rather academic approach to electronic composition which she pursued during her music technology studies in Istanbul. She calls her education the „darkness of serious music“ where she first tried to belong, then to break free with the help of lo-fi synth pop. As a producer of radio plays and an expert field recording artist, she has developed a distinct sense of timing, editing and sound design. Her Anadol project walks in the footsteps of lone synth experimentalists like Bruce Haack and The Space Lady with their childlike curiosity for electronic sounds, pushing the boundaries of minimal equipment. On Uzun Havalar she translates her experimental background into these floating folk ballads.

Uzun Havalar

Ay Çürüdü

Buy LP/digital album

A2 Anadol - Ay Çürüdü [Pingipung 065/KS04]

endless path
luminous land
effervescent afterglow
invisible possibilities
iridescent mist
embracing arms
video screen control

GC#30

Akira Rabelais - 1382 Wyclif Gen. II. 7 And Spiride In To The Face Of Hym An Entre Of Breth Of Lijf. 
２８１４ - 悲哀
Graham Lambkin & Jason Lescalleet - Loss
Omeed Norouzi - Reached
Felix Lee - Slow Decay feat. Oxhy
sentinel - guardian [stealth edit]
Solar Lodge - figures in a landscape
Diamond Black Hearted Boy - tomorrow is not promised [e+e berserk blend]
MSYLMA - Astaqi AlGhamam
dj lostboi - NEWLIFE
Emiranda - Real Life
Nelly Furtado - Maneater (acapella)
MATTI T - LOSS
J.G. Biberkopf - Multiecstasis
Kepla & DeForrest Brown Jr. - Lost My Head (Ft. Embaci)
v1984 - Toxe x Aaliyah (v1984 edit)
Ian William Craig - Rooms
Summer Walker - Girls Need Love
Rabit - TRACK 3 TIRZAH
Kelman Duran - A Conscious
Luc Marianni + Jacques Jeangérard - Faut Rester Groupés

📉

Available now at https://wannamarchi.bandcamp.com/album/-

BEIRUT, Lebanon — a haunted city. The dead look out from the bullet holes which scar the public squares and back streets, presided over by the monumental ruin of the Holiday Inn, overlooking the city from its sea front cathedra.

	Broken Britain Cassettes advances its World Service campaign eastward with an anatopic release from  Frenchman Couronne de Merde, who became preoccupied by the Lebanese Civil War after repeated visits to Beirut. Recorded over a week in Paris, these tracks are an exorcism of the ghosts who followed him back. 

	Spectral voices lurk behind the shell-shocked synths and an urgent battery of percussion. Proceedings move forward and backwards in time - at once observing the event and recalling it afterward. Disparate scenes and incidents are conflated in a trans-historical bloodbath, underscored by a sorrowful ambience which longs for meaning in Sacrifice.

	Couronne de Merde casts an unflinching gaze at theocratic and political contradictions. ﺍﺗﻤﻨﻰ ﻟﻮ ﺍﻥ ﺍﻟﺮﻳﺎﺡ ﺗﺠﻠﻲ ﺍﻟﺮﻣﺎﺩ is a poetic documentation and dramatisation of a modern conflict, this late iteration of ancient struggles between Religion and Secularity, Christianity and Islam, Dominance and Freedom.

.


بيروت ، لبنان - مدينة مسكونة. القتلى ينظرون من خلال ثقوب الرصاص التي تندب الساحات العامة والشوارع الخلفية ، ويترأسها الخراب الضخم لفندق هوليداي إن ، ويطل على المدينة من كاتدرائية البحر المواجهة ...

تقدم Broken Britain Cassettes حملتها للخدمة العالمية شرقاً بإطلاق سراح تشريحي من الفرنسية Couronne de Merde ، التي انشغلت بالحرب الأهلية اللبنانية بعد زيارات متكررة إلى بيروت. مسجلة على مدى أسبوع في باريس ، هذه المسارات هي طرد الأرواح من الأشباح الذين تبعوه.

تكمن الأصوات الطيفية خلف موالفة الصدمات الصدمية وبطارية قرع ملحة. تتحرك الإجراءات إلى الأمام وإلى الوراء في الوقت المناسب - في وقت واحد لمراقبة الحدث واستدعاؤه بعد ذلك. يتم خلط المشاهد والحوادث المتباينة في حمام دم عبر التاريخ ، تؤكده أجواء حزينة تتوق إلى المعنى في التضحية.


تلقي Couronne de Merde  نظرة لا تتزعزع على التناقضات الدينية والسياسية. إنﺗﻤﻨﻰ ﻟﻮ ﺍﻥ ﺍﻟﺮﻳﺎﺡ ﺗﺠﻠﻲ ﺍﻟﺮﻣﺎﺩ هو توثيق شعري ودرامية لصراع حديث ، هذا التكرار المتأخر للصراعات القديمة بين الدين والعلمانية والمسيحية والإسلام والهيمنة والحرية.

يا ليت الرياح تجلي رماد الماضي

Couronne de Merde - ﺗﻌﻴﺶ ﺭﻏﻢ ﺍﻻﺯﺩﺭﺍﺀ

Rashid Beibutov Kuchalara Su Sapmisham 528Hz Ft. Negar Nick [ 3D Binaural ]
Piano: Art TAwanghar
Vocal: Negar Nick Insta: @negar.a.nick
Küçələrə su səpmişəm
کوچه را آب و جارو کرده‌ام
Yar gələndə toz olamasın
تا وقتی که یار می آید، گرد وغبار بلند نشود
Küçələrə su səpmişəm
کوچه را آب و جارو کرده‌ام
Yar gələndə toz olamasın
تا وقتی که یار می آید، گرد و غبار بلند نشود

؛[قسمت اول]؛
Elə gəlsin elə getsin
طوری بیاید و برود
Elə gəlsin elə getsin
طوری بیاید و برود
Aramızda söz olmasın
که هیچ حرف و حدیثی در میان نماند
Aramızda söz olmasın
که هیچ حرف و حدیثی در میان نماند

؛[قسمت دوم]؛
Samavara ot salmışam
سماور را آتش (روشن) کرده‌ام
Samavara ot salmışam
سماور را آتش (روشن) کرده‌ام
İstəkənə qət salmışam
و قند در استکان انداخته‌ام
İstəkənə qət salmışam
و قند در استکان انداخته‌ام

strings of sorrow

outhapath