Francesca Lombardo has cultivated a sound of her own via an emotional narrative of dreamy soundscapes, stirring melodies and hypnotic rhythms. Criss-crossing the globe as a DJ and live performer, she's played monumental shows including IMS Dalt Villa, Burning Man, Tomorrowland, Get Lost, Resistance, Circoloco as well as The Royal Albert Hall. In tandem, Francesca has built up a formidable back-catalogue of music on esteemed labels: Crosstown Rebels, Mobilee, Leftroom, Poker Flat, Bedrock, and her own Echoe and Echolette imprints amongst others.

Francesca recently launched her ‘Life of Releaf’ campaign, which seeks to motivate the music industry into supporting global reforestation. Francesca Lombardo’s work isn’t just art alone, but a powerful statement to the world.

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Bookings:
inbal@prismaartists.com (N & S America) 
alex@neptunemusic.net  (RoW)

Press Contact:
info@francesca-lombardo.com

Shapeshifting disco chameleons.

Mgmt: 
whomadewho@effect-mgmt.com
Booking: 
whomadewho@caa.com

Web: https://linktr.ee/david_mayer
Contact: office@thejam.de
IG: https://www.instagram.com/david_mayer
FB: www.facebook.com/SoundsLikeDavidMayer
SC: www.soundcloud.com/david-michael-mayer

David  Mayer is a boundary-defying producer and DJ whose sonic palette has been shaped by an extraordinary multicultural upbringing spanning Germany, Spain, Norway, and ultimately Berlin, where he settled in 2004. This rich tapestry of cultural influences has cultivated his distinctive approach to music—one that refuses to be confined by genre conventions. No matter the genre, his passion for funked-up, pounding four-on-the-floor beats dominates his creative output. When spinning records and producing tracks, he presents his interpretation of catchiness, blending techno and house, and adds a touch of depth, but always keeps an eye on making his audience move and groove.

David’s music has traveled the world, releasing on world-renowned labels such as Connected Frontline, Ouïe, Objektivity, Gruuv, Audiomatique, and Keinemusik.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Dates 2025
30.04 - tanz in den Franz (Frevler Studio/Hannover)
22.05 - Discobox (Hannover)
14.06 - Flows Festival (Croatia)
12.07 - Club Unten (Hannover)
october - ADE deep stories records showcase
29.11 - Frau Tanz (Kassel)






Past gigs
17.08.22 - OXA Beach (Koh Phangan/Thailand)
09.20.21 - Beat Boutique (Hamburg)
07.08.21 - Schlachthof (Düsseldorf)
06.12.2019 - Faust (Hannover)
26.04.2019 - KuFa (Hildesheim)
03.05.2019 - Polygon (Berlin)
22.06.2019 - Fundbureau (Hamburg)
30.03.2019 - Snntg Rave b2b Pascal Pur (Hannover)
15.12.2018 - alte Mälzerei (Regensburg)
16.11.2018 - Waldtreiben w/Bebetta (Landsberg )
23.06.2018 - Schleuse Open Air (Laissez Faire Nürnberg)
15.06.2018 - Konception@ Kulturfabrik (Hildesheim)


♫ already played at ♫
Kazantip Festival    (Krim/Ukraine)
Tantra (Ibiza)
Cafe del mar airport lounge (Ibiza)
OXA Beach (Koh Phagan / Thailand)
Chill Up (Koh Phagan / Thailand)
Windwiesentanzfestival (Germany)
Weidendamm (Hannover)
Faust/Mephisto (Hannover)
Lux (Hannover)
200 Ponies (Hannover)
Kulturpalast (Hannover)
weißer Hase (Berlin)
Polygon (Berlin)
Z-Bau (Nürnberg)
alte Mälzerei (Regensburg)
BKI (Hamburg)
Fundbureau (Hamburg)
Beat Boutique (Hamburg)
Kulturfabrik (Hildesheim)
Schlossklang open air (Fulda)
Kulturstätte Keller  (Berlin)

✯☞ about the Artist ☜✯
Bereits mit 14 Jahren hat the Doubljuh sein erstes DJ Setup bekommen und damit fleißig experimentiert, bis ihm das Mixing mit Vinyl in Fleisch und Blut übergegangen ist. Seine ersten musikalischen Versuche mit Vinyl waren vom  Chicago House (Bad Boy Bill, Richard Humpty vission) Ghetto House/Booty House (Dj Funk, Dj Deeon) und vor allem Funky Disco House (Boogie Pimps, Armand van Helden, Bob Sinclar, Olav Basoski) geprägt. So ergab sich früh ein bunt gemischter House Style mit groovigen Melodien und eingängigen Vocals.
Als Newcomer der Tectrex Crew brachte er das erste Mal eine Partymenge zum schwitzen und war Resident DJ bei der Sendung „Rookie Freaks“ im Tectrex Webstream.
Eine grundlegende Änderung seiner Ansichten über elektronische Musik brachte ihn der Sommer 2013 mit den Besuchen auf den legendären Festivals Fusion- und Kazantip (inklusive Kurzauftritt). Hier lernte er den melodischen Deep House kennen und lieben, der seinen Style seitdem stark beeinflusst.
Die bekannten groovigen Housebeats wechseln sich nun mit ruhigen Parts ab, die eher durch ihre verspielten Violinen- oder Pianomelodien verzaubern und ergeben dadurch einen frischen Sound, der immer noch von starken eingängigen Vocals bestimmt wird.
2015 gründete er zusammen mit Kork das Dj Kollektiv "deep stories", welches mit seiner Podcatsreihe auf Soundcloud, aufgrund des neuartigen Konzeptes, sehr erfolgreich ist. Mit dem deep stories Showcase ist er gerade in Hamburg und Berlin unterwegs.  

At the age of 14 the Doubljuh started to experiment with his first DJ setup until mixing music with vinyl became his second nature. His first attempts were characterized by Chicago House (Bad Boy Bill, Richard Humpty vission), Ghetto House/Booty House (Dj Funk, Dj Deeon) and especially Funky Disco House (Boogie Pimps, Armand van Helden, Bob Sinclar, Olav Basoski). Early on a varied House style with groovy melodies and catchy vocals arose. He impressed his audience first as a newcomer of the Tectrex Crew and performed as Resident DJ in the show „Rookie Freaks“ via the Tectrex Webstream. His opinion about electronic music fundamentally changed in summer 2013 after his visits to legendary festivals such as Fusion and Kazantip, which included a short performance. He got to know and love melodic Deep House, which strongly shaped his music style since that time. Now the familiar groovy House beats take turns with soft parts and enchant the audience with frisky melodies of the violin and the piano. This results in fresh sounds, which are still highly characterized by catchy vocals.

Shoeib Mardani, widely known by his stage name Shebi, a dynamic DJ and producer. Shebi's musical journey is a testament to his passion for electronic music and his unwavering commitment to creating unforgettable experiences for his audience.

Shebi developed a unique sound that seamlessly blends various genres, captivating audiences with his distinctive beats.

Having honed his skills, Shebi found his home in the heart of the Middle East – Dubai. The city's pulsating energy and diverse cultural influences provided the perfect backdrop for Shebi to carve out his niche as a DJ and producer.

Over the years, Shebi has graced the stages of some of the most iconic venues in Dubai, leaving an indelible mark with his electrifying performances. His sets are a fusion of pulsating rhythms, melodic hooks, and infectious energy, creating an immersive experience that transports audiences to a realm where music is the universal language.

Shebi's ascent in the music industry reached new heights as he shared the stage with internationally acclaimed artists, including Alok, Chris Brown, Don Diablo, Oscar and the Wolf, Nervo, DubVision, Dash Berlin, Pink Panda, Vinai, A7S, and Topic. These collaborations not only showcased his talent but also established him as a force to be reckoned with in the global music scene.

Booking: 
Worldwide: mosco@moscoman.com

Mgmt: mgmt@moscoman.com

If you'd like to send me promos or demos please send to promo@moscoman.com

Agents Of Time is the project of Andrea Di Ceglie and Luigi Tutolo. A revered two­man live act, DJs and masters of their sound in the studio. 
Since starting their journey together as Agents Of Time, the two Italians have combined their talents and shared influences to become a globally in­demand dance act, releasing on a number of leading labels along the way. A much­loved debut 12” on Correspondent in 2014, ‘Polina’, marked them out as an exciting new name in the realm of emotional, melodic techno and kickstarted their touring career. 
A hardware­heavy, improvisational live set spanning house, techno and acid is at the heart of what they do. The two members perform around a square table, facing each other, translating a symbiotic energy through the machines and communicating through instinct and gesture. A complex, unique and unpredictable dance between human minds and analog equipment that invariably creates moments of magic. Their live set was partly inspired by an expert of the craft in Mathew Jonson, and it is telling of Agents Of Time’s success that they now count Jonson as a collaborator. ‘Repeating Patterns, Numbers and Letters’, Agents Of Time’s first studio collaboration with Jonson came out in March 2019, following live shows together at Rex Club (Paris) and Movement Festival (Torino). 
The adventurous spirit and heady sound palette is channeled into house, techno and more obscure selections. 
Their work in the studio is a free­flowing ritual, an extension of what they do on stage. ‘Spread The Word’, their debut album came out Stem Records in 2014 and was followed by hit EPs for Maceo Plex’s Ellum Audio, their own label Obscura and Curle Recordings. A relationship with Tale Of Us and multiple appearances at Afterlife events has also led to Agents Of Time signing to Afterlife with the stunning ‘Dream Vision’ EP and 'Paradigm' on the Realm Of Consciousness compilation. 

The Agents Of Time are taking careful steps and showing themselves to be gifted, versatile performers with each one. Whether on record, on stage or at an any event, count on a high­quality output, finely balanced between experimentation and a straight dancefloor vibe.

WORLDWIDE bookings:
alberto@orchid-am.com

Elifcan Gözübatık is following