I absolutely love the crunchiness of distorted acoustic guitar. Oh man and it just became so chill and soothing. Awesome awesome percussion rhythm.

ahh, now that is a sexy texture. sexture.

There will never be another day like tomorrow
there will never be another day like tomorrow
when the expectations never have been higher
and the expectations never were too high

You have never been more beautiful than you are right now
You have never looked as beautiful as you do right now
You've never been so pleased, I've never been more discontent
But then your expectations never were too high
    
And February fades without even fighting
and you shed your winter suit
And spring, it comes with an arm like lightning
like a bolt out of the blue
I've never been more in love with you

It has never been as dark out as it is right now
It will never be much darker than it is right now
I wanna see the sun, bathe me in its burning light
And be reborn with bright new eyes again

I have never been as nervous as I am right now
I have never been more nervous than I am right now
I wanna make you proud, but I just never did learn how
Good thing your expectations never were too high

And Summer cries with a voice like thunder
and you crawl out of your den
The sun it rises, and never makes us wonder
If it will continue to
I'll never be more in love with you

There will never be another day like tomorrow
there will never be another day like tomorrow
when the expectations never have been higher
and the expectations never were too high

And the sun will come
and melt away
the ice on both our hearts
and the wind will come
and freeze them over again

Shed

Despite the aesthetics, this isn't Vaporwave. Prank'd.

mp3 - https://mega.nz/#!KtA3BTRD!m9wBP4orlRbOzZetHb7nqv0e1fhHZtbb5BZI487Py3Y
flac - https://mega.nz/#!qhJA1Srb!120755rBk1y665oWloaRJYD8yM9NMuvjRM_wK0RCXNI

Samples obtained from Vinesauce's hilarious "Play with the Teletubbies" stream - https://www.youtube.com/watch?v=4lZjNAFo7n4
Check out Vinesauce here - http://vinesauce.com/

Avalanche is respin and Vastonik.
respin - https://www.youtube.com/user/respinmusic
Vastonik - https://www.youtube.com/channel/UC8pXW84VL0ClpjKKBLYViyA

T R A I N W A V E

T R A I N W A V E (ft. Vinny)

Zamboni's Lament

why did i do this

download mirror since i can't afford SC pro right now
mp3 : https://mega.nz/#!HppXHY7b!WXGJ14OLzQL1JlxNSelVLVnbB-w8muk0DdG5WgNQsAE
flac : https://mega.nz/#!zwwSXIRD!Ofmr4xm6_p9wCtMbQEOSFyfH2p0bAFXTdLHRq_4huF0

instrumental version
mp3 : https://mega.nz/#!KkxDDaQT!_ICJrnF5ygDDAZhNf6uXjKqvSSkCqMxPulDdzyJm5R4
flac : https://mega.nz/#!m1QHXYJY!suReHMHPx6cKeufgwVMr6RXFIoqz9pRPKnXvDc9THxM

Yung Steven made a great video using this song
https://www.youtube.com/watch?v=n0L7bqnBVH8

Vocals taken from vinesauce's "VinesauceLand" Planet Coaster video.
https://www.youtube.com/watch?v=tOPUFC8JlsY

Do the MaCHrio Time

Sad and Drunk Mario Sings Mad World

TEMPORARY!
SECRETARY!
TEMPORARY!
SECRETARY!

Paul McCartney ~Temporary Secretary (GBC 8-bit)

Roll Credits!

Nodus Tollens (2018)
for orchestra (2222-4331-timp-strings)
Winner of the 2020 ASCAP Rudolf Nissim Prize

noun. the realization that the plot of your life doesn’t make sense to you anymore—that although you thought you were following the arc of the story, you keep finding yourself immersed in passages you don’t understand, that don’t even seem to belong in the same genre - which requires you to go back and reread the chapters you had originally skimmed to get to the good parts, only to learn that all along you were supposed to choose your own adventure.

John Koenig, The Dictionary of Obscure Sorrows

The composition of Nodus Tollens was motivated by John Koenig's online work, The Dictionary of Obscure Sorrows. Our socioeconomic and political climate is deeply divisive and partisan today, and suffers immensely from criminal injustice and strife. One can simply go online or turn on a television and learn of countless stories of death, war, hunger, natural disaster, and any amount of unending turmoil. The continued self- imposed ignorance and lack of desperately needed change will eventually lead to disastrous consequences. We are all in the same car barreling down the highway at breakneck speeds, and it will only take one small bump to end in a fiery demise. If we cannot grasp onto what is important and work towards a common good, we will bury ourselves in the graves we have already begun to dig.

Nodus Tollens alternates between tense anger and frustration and introspective moments of clarity. It represents my confusion and struggle to find where my life's path is taking me. This struggle may define others' moments of insecurity as they progress through their lives. The work begins with a solo cello playing over a slowly growing background of rumbling low strings, icy harmonics, and winds echoing the cello's ideas. The cello's beginning melodic fragments comprise every piece of the evershifting foreground and background of the piece. The rhythmic conversation of two against three is also used as a quasi anchor, to which sections constantly return before new sections occur. Bits and fragments of ideas float intangibly past the listener, seemingly important at the moment, but appear after the fact to not be important at all. We may be meaningless creations of a dead world, but that does not take away from the importance of self-discovery, and documenting and cataloguing our journey.

Premiered by the Metropolitan Orchestra of St. Louis on 03/31/2019

Nodus Tollens (for orchestra)

I write songs as Weatherfield, and compose as Elijah Counts.
https://weatherfieldmusic.bandcamp.com/album/every-hour-of-every-day

Shed

Elijah

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