HOWEVER

However

Landing on Venus is a French Electronic/Cinematic duo formed by Thibaud François & Jamy Ben.

check my main account for other music: 
https://soundcloud.com/elijax

Bio:
I have composed music for documentaries, short movies, advertising and dance halls.
The short movie Moto perpetuo (directed by Camillo Valle) resulted prizewinner in several competitions: Premio Montano (Verona, 2015), Blackbird Film Festival (New York City, NY, U.S.A., 2015), Clorofilla Film Festival (Grosseto, 2015), and nominated at the David di Donatello short movies (2014). Elia’s music for film resulted prizewinner also at “Visioni Ambientali” Cineteca di Bologna (2017, third prize), and finalist at the Video Concorso Pasinetti in Venice (2017). 
More about my background: I am a conductor, composer, pianist and musicologist. I hold a Ph.D. in musicology from the University of Bologna (Italy), and master’s degrees in pianoforte, conducting and composition. I studied conducting in Fiesole and Pescara (Italy), and at the Tanglewood Music Center (Lenox, MA, USA).
I have held scholarships at the Fondazione Cini, at Harvard University, at the Library of Congress, at the Paul Sacher Stiftung, at Yale University.
I have conducted orchestras such as Orchestra del Teatro Comunale di Bologna, Accademia Filarmonica di Bologna, Orchestra Giovanile Santa Cecilia, L’viv Virtuosos.
My repertoire ranges from Baroque to contemporary symphonic, operatic and balletic music. My compositions include a variety of genres, from Neoclassical to Electronic, and are used as soundtracks. As a pianist I am specialized in the Italian operatic repertoire, and in the Italian 20th Century piano music. My musicological research includes Neoclassical Music, Serial Music, 18th and 19th Century Opera, Ballet Music, Performing Practice, Music and Fascism.
I have reconstructed and edited Paisiello-Respighi, La Serva Padrona, Schott Music GmbH (2014), an opera-ballet I recently discovered and premiered in Bologna in 2014.

I create seamless fusions of just about everything. All visceral, atmospheric and psychedelic with hidden depths upon closer inspection. The flow is also important. It exists on a continuum with micro-variations and subtle evolutions along the way.
The music can range from low down heavy darkness to softer and more positive, higher-vibrational new age. Yet even at it’s most crushing and industrial never succumbing to nihilism and instead feeling warm and inviting.
Very often humorous (in the form of deliberate cinematic pastiches), freaky and surreal. Inspired by dystopian sci-fi. Retro-futuristic.
I often wear my influences on my sleeve like Kraftwerk and Tangerine Dream but at my core I’m still self-referential with my sound. It operates at my own personal frequency.

DJ - Producer & Beatmaker



Music for a better world !

The electronic side of my musical mind.
For other releases by me check: https://soundcloud.com/eliacorazza

Emy Bernecoli is an Italian violinist who, in recent years, has become well known in the musical world for her dedication to the Italian musical heritage of the last century.

WHERE I STUDIED
Accademia Nazionale di S. Cecilia a Roma
Accademia di Alto perfezionamento musicale ‘’Romano Romanini’’ di Brescia
Accademia Musicale di Firenze
Europäische Akademie für Musik und Darstellende Kunst Montepulciano 
Conservatorio Statale di Musica ‘’Antonio Buzzolla’’ di Adria (RO) 
...and a lot of Masterclass

MY TEACHERS
Domenico Nordio, Mariana Sirbu, Rocco Filippini, Alessandro Specchi, Gunter Pichler (Alban Berg Quartett), Istvan Parkanyi (Orlando Quartet and Parkanyi Quartet), Andrea Vio/Luca Morassutti (Quartetto di Venezia), Luca Simoncini (Nuovo Quartetto Italiano)

CD
Giorgio Federico Ghedini, The complete works for violin and piano, Naxos, 2013
Ottorino Respighi, Complete works for violin and piano vol.1, Naxos, 2014
Ottorino Respighi and Riccardo Pick-Mangiagalli, Complete works for violin and piano vol.2, Naxos, 2014

MAGAZINES TOP REVIEWS
Gramophone , The Strad, Highresaudio, Musica, Amadeus, Ritmo, American Record Guide, BBC Music Magazine

AWARDS
Nomination a International Classical Music Awards 2014
Nomination a International Classical Music Awards 2016
Land Mark Recording 2016

CRITICAL EDITIONS AND RECONSTRUCTIONS
Ottorino Respighi, Giga e Allegretto vivace, Ed. Suvini e Zerboni, 2014
Fiorenzo Carpi, Concertino per violino e pianoforte, Ed. Suvini e Zerboni, 2014
Ottorino Respighi, Fuga for string quartet, Ed. Ut Orpheus, 2015
Georg Philipp Telemann, 12 Fantasie per violino solo senza basso, Ed. Armelin, 2016
Ottorino Respighi, Minuetto per archi, Ed. Armelin, 2017
Ottorino Respighi, Sarabanda for violin and piano, Ed. Schott Music, 2017 
Mario Castelnuovo-Tedesco, Concerto n.3 per violino e pianoforte op. 102, Ed. Curci/CIDIM, 2017

I WRITE FOR
Musica magazine ( story and reviews )
Rem magazine ( column Opzione musica )
Cultweek blog ( story and interviews )

BEEN ON AIR 
RaiRadio3 - ‘La stanza della musica’
RSI (Radio Svizzera Italiana)
Radio Diva
Delta Radio
IMD music and web 
Radio Vaticana

I play on two beautiful violins:
Giovanni Pallaver, Verona, 1966 defined by The Strad as splendid.
Luca Mazzetti, Roma, 2017

I PREFER  DON'T TALK ABOUT ME I LEAVE MUSIC DO THIS

However

Elijax