Title: Keygeneration
Released: 2 June 2014

℗ 2014 Beard Monster Records 
distributed by Warner Music Sweden AB

To The Moon (ft. FantomenK)

I wrote this track in 2 nights on a presentation deadline for a game project.  I'm not sure if this will end up being used do to some restructuring and change of direction of the project, but it was a fun tune.  I was going for a post-chiptune sound using gameboys, modern electronic drums, and guitar.  The 2nd verse was meant to be a *beastier* version of the first playthrough.

Codename: Wormhole battle

▷ My presets & patches - https://PeteLepley.com/store

▷ My music on Spotify - https://open.spotify.com/artist/4psLgnlvpmDqTcUI63G1Ag
▷ Bandcamp - https://petelepley.bandcamp.com
▷ Twitter - twitter.com/PeteLepley
▷ Instagram - www.instagram.com/petelepley.com/
▷ Inquiries - phlepley@gmail.com

As heard in Metronomicon :)

This was my track off Celt-Tunes = WIN (FREE DOWNLOAD - https://chiptuneswin.bandcamp.com/), a compilation of Celtic-inspired chiptunes

This started off as a joke track, but even so, I'm pretty pleased with how it turned out.  All basses were made with FL Studio 11's default synths (!), except for the Sega Genesis slap bass.  Use GMS, FL people

Mastered by Stemage
Artwork by Nate Horsfall
Curating by President Hoodie

Find me on Twitter or Facebook!
twitter.com/PhoneticHero
facebook.com/PhoneticHero

PUBSTEP

dl: https://kbld-hvy.bandcamp.com/album/khi-demos-2025

tm d1000 working properly as a 0db limiter insert effect on the main desk's master bus. penne with the good sauce i know how to really bring that shit.  trick is to do your sauce in the oven, get your olive oil nice & hot, fry off your minced garlic, i add 3 capers per can of tomatoes at this point also.  u can add some red wine if you're goin w a red meat, lemon juice if you're doin fish, balsamico for your all purpose.  do this now cuz it reduces quickly and the flavour comes out.  plum tomatoes in, drain the juice away first (i drink it).  tear up basil leaves throw them in.  1 hr per can low and slow.  few other secrets im not telling hehe but trust me on this i am the sauce boss

khi - jumpscare acid [demo] sep4 2025 12:09

FOLLOW PR0XIMA:

https://soundcloud.com/pr0xima

Break The Floor (Pr0xima Remix)

My contribution to µWIN, buy & download the whole 29-track compilation here:  http://ucollective.bandcamp.com

'µWIN' is a collaborative compilation between µCollective and Chiptunes = WIN, featuring 22 'Volume 4' submissions + 7 tracks curated by µCollective. We hope you enjoy this blast of a comp as much as we do!

SpaceRage

Buy!

The spiritual successor to Past to Present, I Dream in Pixels is the second collection of 8-bit and Hybrid tracks by EliteFerrex.

I Dream in Pixels

Let it Burn (8-bit Blaze Redux)

Didn't realize I haven't posted these here!

Check out tiasu: https://soundcloud.com/tiasu

Dual/Duel

Popskyy & tiasu - Duel

this might actually sound like shit, I'm barely awake right now and have no idea why I felt the need to do this lmao.

Listen on NG for better quality: https://www.newgrounds.com/audio/listen/782964

Sawdust Angels (Part 1)

Call Me Katla, Baby

A Tiny Spaceship's Final Mission

EliteFerrex is a legacy gaming and electronic musician based in Southern California. He composes 8-bit and 16-bit, electronic, and orchestral music.

He first started producing music in 2006 at age 17, using FL Studio 6, and began uploading content on the Audio Portal of user-created content giant Newgrounds.com in March of 2007, creating video game music covers from classic series such as Mega Man, Sonic the Hedgehog, and Donkey Kong Country. He attributes his desire to create music in legacy gaming style to childhood experience with the NES, Super Nintendo, Sega Genesis, and other platforms whose music has become the stuff of retro gaming legend.

The primary form of his work stems from the creation of "limitless" 8-bit and 16-bit music, which uses retro synthesizers to utilize classic 8-bit and 16-bit sound with the expanded capabilities of modern production software to overcome the traditional hardware audio limitations of classic gaming consoles, allowing expansion of the genre, and achieving a more diverse spectrum of musical composition.