Sonido Trópico is a Label & Event Producer rooted in São Paulo & Berlin

sonidotropico@gmail.com

!!!Our 1st LP is OUT!!! Order -Green Juice- here bit.ly/1U3Ms1G

GIVING UP AIR OUT NOW
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Being part of the iconic Drumcode team with a lot of releases on the label, the last years have been certainly the most productive for Veerus.

The Track "Heavy" has been on the Beatport podium for more than 2 months, becoming one of the 10 best-selling techno tracks on Beatport in 2018 after only 5 months, remaining in the Techno Top 100 for a year, gaining fame as one of the most wanted DJ producers of the moment, respected and supported by artists like Adam Beyer, Eric Prydz, Sam Paganini, Sven Vath, Amelie Lens, Carl Cox.

During these years, he released some EPs on the historical labels Terminal M and Truesoul, Octopus, and Filth On Acid reaching the top 10 techno of Beatport at the same time with 2 tracks several times.

But Veerus is not new to these achieved results. In 2007 he joined the forces with Maxie Devine and in a few years, they signed remixes for an impressive handful of top artists including Fatboy Slim and Steve Angello, just to name a few...

We need to analyze his strength-building killer tracks. Let us add to this list tunes such as “My Beat”, "The Sound”, “Cars” released on Suara, and “My Train” on his own label Le Club. All of those have collected thousands of downloads from the major online digital music platforms, including 3 tracks on Beatport's top 10, at the same time in 2014.

“My Beat” actually is going to reach 13 million views on Youtube and it’s for sure one of the most wanted Tech House track on the planet. We can’t also forget the iconic set by Solomun at Bolier Room (Tulum) when he dropped “My Train”. On top of that, during the DJ MAG poll, he got a nomination by Sasha as Best Producer in 2008, which testifies to his growing popularity.

Veerus has been providing high-quality electronic dance music to clubs from all over the planet. And there he is touring and “rocking the decks” to the present day achieving year after year a larger global recognition. With such an impressive pedigree under his belt, this Venetian guy sets out to blast dance floors with an eclectic and edgy sound crossing between muscled Tech House and sparkling Techno music.

His skills, in the studio and on the DJ booth, are always in continuous evolution.

Huun-Huur-Tu (Tuvan: Хүн Хүртү Khün Khürtü, Russian: Хуун-Хуур-Ту) is a music group from Tuva, a Russian Federation republic situated on the Mongolian border.
The most distinctive characteristic of Huun Huur Tu’s music is throat singing, in which the singers sing both the note (drone) and the drone’s overtone(s), thus producing two or three notes simultaneously. The overtone may sound like a flute, whistle or bird, but is actually solely a product of the human voice.
The group primarily uses native Tuvan instruments such as the igil, khomus (Tuvan jaw harp), doshpuluur, and dünggür (shaman drum). However, in recent years, the group has begun to selectively incorporate western instruments, such as the guitar. While the thrust of Huun Huur Tu’s music is fundamentally indigenous Tuvan folk music, they also experiment with incorporating not only Western instruments, but electronic music as well.

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