Little Bear are a four piece band from Northern Ireland playing emotionally literate rock, and are made up of Steven McCool (Bass and vocals), Mark O'Doherty (Drums), Ryan Griffiths (Guitar), and Conor Mason (Piano).

After releasing "I'd Let You Win", a preview to their debut E.P, Little Bear received some fantastic reviews - Including both "Flavour of the Month" and "Ones to Watch" from BBC introducing. 

Some extremely well-received live shows followed, including an appearance at Dublin's Hard Working Class Heroes festival and the Derry juncture of Other Voices. Soon after, the band was asked to play at the first Other Voices event in London’s timeless Wilton’s Music Hall, along with acts like Villagers, John Grant and Imelda May. The summer has been filled with festivals, including the last Glasgowbury, Indiependence, Castlepalooza, Stendhal and they are now looking forward to playing Electric Picnic.

Little Bear have seen tracks playlisted on BBC Radio 1, Rte 1, Downtown and City Beat.

The band have just released their first single with Smalltown America records, a double A-side of “Night Dries Like Ink” and “Killer”. 


"Excellent" - Caspar Llewellyn Smith (The Guardian)

"poignant lyrics, beautiful songs… a band worth falling in love with" Rigsy (BBC Across The Line)

"I'd Let You Win is one of the most beguiling tunes we've heard in quite some time" - Jim Carroll (Irish Times)

Me gusta cantar. No me sale tan bien, pero tampoco tan mal. Solo por gusto 😁

New album
Manual Override out now
Out now www.saskwatch.com.au

Management:
sam@verdigrismanagement.com

BOOKINGS: 
ed@freetradeagency.co.uk

North America, South America, Canada 
averymctaggart@gmail.com

DJ BOOKINGS:
UK, Europe, Asia
ali@warmagency.com

US & LATAM
bowen@paradigmagency.com
Press:

nikki@orienteer.us

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


'Hit Parade', released 08 September 2023 on Ninja Tune: https://roisin-murphy.lnk.to/hit-paradeSo

Róisín Murphy is a pioneering force in electronic pop. With a career spanning three decades, she fearlessly pushes boundaries and captivates audiences with her unique artistic vision. Taking inspiration from her early years in the Irish town of Arklow and immersing herself in the vibrant club scenes of Manchester and Sheffield, Murphy’s discography is a hypnotic blend of diverse sounds and genres. From her early days in Moloko, known for the hit “Sing It Back” to her critically acclaimed solo albums like Róisín Machine, Murphy consistently surprises and delights listeners. Now signed to Ninja Tune, Róisín is collaborating with DJ Koze on her forthcoming album Hit Parade. With notable tracks like “CooCool” and “The Universe”, the album invites listeners to explore a hyper modern record that melds disco, soul, house, and techno. Murphy continues to surf her own musical waves with utter aplomb, as she’s done throughout her entire career. Renowned for her enigmatic stage presence and show-stopping wardrobe, Murphy is ready to captivate audiences with her electrifying live performances at upcoming shows, including Blue Dot, Melt Festival, Secret Garden Party, and more. Later this fall Murphy’s live reputation is set to soar even higher, as she will embark on a series of US dates, including shows at Terminal 5, The Wiltern, and the eagerly anticipated Portola Festival. In February 2024, Róisín will captivate London’s legendary Alexandra Palace, renowned for monumental performances.

Ella Chambers is following