A gentle opening leading to an wild Krautrock finish.

Performed on the following Vst's
Brainstormer
Sonigen Modular
Drum Samples
Produced on Ableton Lite

Springtime Freakout

A song for men's choir (also it's arranged for mixed choir), my debut in choir composing. Unfortunately i'm a bass so i can hardly touch these high notes in tenor. I hope one day it will be performed by a real choir...

Korabli

Neva

When you are ill and not leaving your room, you just look outside at the morning haze and dream about big changes in your life, collect your thoughts and forces and decide to make them yourself.

Tuman

Jazzy synth improvisation saturated by Hammond B-3 and distorted Fender Guitar sounds. Some kind of illustration to impossible adventures of John Zorn in small russian metaphysical town Reutov.

"Reality constantly waylays the artis to prevent the fight. Much cunnig is needed to effect the sublime escape. A reversed Oddyseus, he must free himself from his daily Penelope and sails through reefs and rocks to Circe's Faery." ( Jose Ortega-y-Gasset, Dehumanization of Art)

Digital release, unexpected in some ways for me. This is some kind of blues - dark, psychedelic, uncommon. It's free from any emotional connotations, so it's sort of ultra-blues, inspired by precious ideas of Jose Ortega-y-Gasset, described in his Dehumanization of Art.

Performed(guitar, keys, bass, synths), recorded, mixed by Yuri EllektraJazz Vinogradov in homestudio, Reutov, Russia. March, 2016. Assisted and supported by Lelia Cyclone Faerie Salnikova.

Cover Artwork by Mark Quintana 
www.marcquintana.net

Album is downloadable from BandCamp for free:
ellektrajazz.bandcamp.com/album/dehuma…ion-of-blues

Find us: www.facebook.com/ellektracyclone
and: vk.com/ellektracyclone
Watch us: www.instagram.com/ellektra_cyclone/
Listen us: @ellektrajazz and @ellektracyclone

Extremely Dehumanized Space

Эллектраджаз - Подпольный фанк/Underground funk [SP, 2016]

Dirty, heavy, slow, viscous funk. Somber meditativeness, improvisational melody, sexuality in its tanatous, macabrous manifestation, individualistic aggression, lots of vibrating electropiano and organ, overheated and pulsing like over the road heat haze sound, all of it together make the recipe of this EllektraJazz second release.

Recorded, mixed, composed by Yuri EllektraJazz Vinogradov in homestudio, Reutov, Russia, August 2016.

Find us: www.facebook.com/ellektracyclone
... and: vk.com/ellektracyclone
Watch us: www.instagram.com/ellektra_cyclone/
Listen to us: @ellektracyclone

Underground Funk

Подпольный фанк/Underground Funk

Valkyrja
Part 1 – Divine Princesses/Ladies of Valhalla
Part 2 – Passion of the Battle Fury
Part 3 – Aftermath
Part 4 – Divine Resurgence
Valkyrja is the 4th part of the Odin cycle and deals with the eponymous shield maidens of Valhalla
The biggest obstacle to overcome is the fetishism that started with the Victorian Romantics and which is perpetuated today by pop art images. Images from the Viking Age do not show scantily clad biker babes, but women dressed in the manner of the highest ladies of the elite. Such women were demure, aloof  and of course unavailable to all but those of the most noble rank. The Valkyrja were the divine daughters of Odin and therefore Princesses of the highest possible rank
By contrast much of the imagery today portrays them in a manner that in the Viking Age, would show them as little more than sex slaves; a status of women at the precise opposite end of the social spectrum. Such depiction would of course be taken as highly insulting and (given their nature)very unwise!.
Part one examines their lives in Valhalla as the High Status ladies that they were. 
Part two however examines the most problematic part of their nature. The winged messengers of fury and doom, driven by the will of their father Odin. The Valkyrja were not passive vessels for Odin’s fierce spirit, but were as conquered by it as were its mortal victims in combat. In that sense in the passion of the battle fury, their divine grace is utterly overcome and base passion given vent without let.
Part three is the exploration of how the Valkyrja would need to try (and fail?) to reconcile these two utterly conflicting but core characteristics of their nature and the exhaustion of the conflict.
Part four is a brief reprise of Pt1 and signifies the overcoming of exhaustion and the return of grace and commitment to duty.
It has been a complex piece that has taken me many months to properly conceptualise and realise. I hope you feel it was worth the effort.

This has been performed and produced entirely on Computer using VST's on Ableton Lite
VST's used
Sonigen Modular System
Brainstormer
Voyager
Synth1
Tyrrel N6
plus
Atlantis Filter Block
Logana Ext Effects

Buy via Bandcamp

Valkyrja

This is a lyrical improvisation in 6/8. I was play it on drums, true piano and el. piano.

Dark Times

This tune is lika a tune from music box, but I played it on piano,

Old Music Box

warm snow

Composed, performed & recorded by Yuri EllektraJazz Vinogradov in homestudio, Moscow-Reutov, Russia, 2016-2017.

At the Point A

Contact: philosophobia@gmail.com
One-man band from Reutov, Russia of philosophy historian and multi-instrumentalist Yuri EllektraJazz Vinogradov, co-founder of EllektraCyclone project.