For bookings pls contact ESP Agency: info@esp-agency.com

Storm has always been one of the most influential DJs within drum & bass, known for tight mixing skills and an exclusive selection. Affectionately dubbed the ‘First Lady of Drum &Bass,’ she represents Metalheadz at their residencies, label nights and tours as well as countless solo gigs. Having been involved from the very start of the label alongside her great friend and DJ partner Kemistry, Storm’s contribution has been immense and critical in helping to build the reputation Metalheadz has today. She has toured the world over and continues to enthral crowds wherever she goes and has also linked with other like-minded female drum & bass artists to form Feline. Recipient of the best female DJ award 4 years running from 2009 - 2012 at the National Drum and Bass Awards, Storm’s powerful and professional style remains a strong favourite with true Drum and Bass fans around the world.
With a reputation stretching back to the foundations of drum & bass, Storm’s early career was built alongside that of her great friend and DJ partner, Kemistry. Sharing a passion for music and clubbing, they were inspired by the emerging breakbeat sound championed by the likes of Fabio and Grooverider at legendary club night Rage. Determined to become involved in this new and exciting scene, they set out on a path to become DJs and bought their first decks together in October 1991. Around this time they met an aspiring young artist by the name of Goldie and began a regular show on London pirate Touchdown FM, with Goldie host- ing on the mic for the two upcoming DJs. In 1994, Goldie founded Metalheadz with Kemistry & Storm at the core: recruiting new artists, building it’s reputation through press and promotion as well as representing as the label’s Blue Note residency.
The duo became highly respected as DJs through their hard work, determination, respect and kindness, and of course their skills. They travelled across the UK and Europe and further afield with visits to Australia, New Zealand, Japan and the USA among others. Frequently playing in Germany, the girls really felt a strong connection there and in 1998 released a high profile mix CD through German label !K7. Their ‘DJ-Kicks’ mix proved to be one of the most popular in the series but sadly, soon after the promotional tour for the CD ended and at the height of their career, the girls were involved in a motorway accident and Kemis- try was tragically lost. Storm carried on with the music beside her, continuing the passion they had shared for drum & bass and leading the way as a role model for aspiring young female artists to break into what is still a male-dominated scene. She has since travelled the world over, with regular appearances taking her everywhere from Norway to New Zealand, and continues to do so whether performing solo or alongside the Feline and Metalheadz crews.
In 2004, Storm helped to set-up the monthly Feline club night at London club Herbal. Bringing together the finest female talent in drum & bass the collective proved that the Feline formula is no gimmick in what is still a male-dominated scene. Storm has also appeared regularly for Red Bull Music Academy, lending her experience to up-and-coming artists and giving presentations at workshops in Sao Paolo, Vienna and Zurich. First and foremost, however, Storm is involved with her longtime affiliate, Metalheadz touring the globe, and hosting the monthly Metalheadz Show on Ministry of Sound Radio from 2010 - 2013.
As a club DJ, Storm continues plays all across Europe and beyond, from Shanghai to Singapore and Glastonbury to Sun and Bass, where she represents her beloved Drum & Bass music with the passion and integrity she has always had and that continues to confirm her as one of the scenes integral guiding lights.

I love music I grew up listening to all kinds of music. hip-hop, r&b, country, soul, pop, rock, trap, rap, oldies, modern, alternative. My profession is in writing Lyrics. I Hire people to sing my lyrics in the studio how I invision. They also mix and master beats for the music. I would like to write lyrics for famous artist that need a writer such as myself. This the only way how I can get myself out there by networking and, collaborating with others.  I changed my stage name because I see there's a lot of people claiming the same stage name (Rose Blossom), so I'm changing my stage name to (Rose Blossom7s) so, nobody won't think I'm copying.  I don't want nobody copying me either. Create my own ideas. (Rose) came from my last name which is (Blossom) when you think of (Blossom) you think of a flower. That's how I adapted the name (Rose) from my last name. It means the same flower, flower in English means the same in Spanish. flor flor. (Rose Blossom7s) stands for 7 siblings with all last names (Blossom). I'm original and, I want the public to know I come up with my own creations however, if there are copy cats out there going behind me. this will differentiate the difference. I am the only original (Blossom) with all siblings with that last name (Blossom) To all the supporters keep listening. Thank you for your likes, views and, comments. I'll continue to keep  you posted on new tracks.

El’s amazing musical and life journey started at five years old, listening to vinyl records given to her by her mum’s friends and falling in love with the likes of Patti Smith, Beatles, Tracy Chapman, Pink Floyd, Musical Youth and 80s pop.
Aged 9 she went along to her brother’s band rehearsal at Oxford’s Jericho Tavern and was immediately spotted as a singer, invited to learn one of their songs and sing a gig. From that day she got hooked on singing and performing. Her and her brother started recording music in a friend’s analogue studio, and by age 12 she started writing songs. A big turning point was discovering dance music. “Null of the lines” was the tune that hooked Ellie into Jungle and at her first rave at age 14 she was immersed in Jungle, Drum’n’Bass, Ragga and Reggae.
She describes herself as ‘the usual crazy teen’ – at 15 her family moved to France but she hated it and ran away back to Oxford, where she lived in a coach and travelled to raves. By 17 she was homeless and living in a caravan when a friend set up the Catweazle Club and she was taken under their wing, given a guitar and encouraged to learn it. She worked random jobs, sofa surfed, raved a lot, learned to DJ, and when she met Croissant Neuf family she literally joined the travelling circus, touring Glastonbury and more!
El became part of Afro-Celt outfit Baka Beyond, recording two albums and touring with them all over the world; the band becoming like a family to her. In 2005 she had her first son and after 2 years of being a single mum Ellie met Kate Garrett, who really influenced and nurtured her solo career. She was devastated when Kate died of breast cancer at 37 but found a way to continue to explore her musical journey and keep Kate’s encouragement alive. El eventually found Townhouse Studios in Shepherd’s Bush to record her music; she joined and performed with the Confidential Collective featuring MC/Rapper Riz Ahmed, and with the Country Gents wrote ‘See No Evil’ which was later remixed by Crazy P. In 2009 she got married and had twins, meaning a break from gigging and writing music until they went to nursery. In 2013 her EP ‘See the World’ was released and her solo career continued, supporting artists like Ethan Ash, Emily Maguire, and George Ezra.
Another great break included her songs being sent to the legendary Amy Wadge who at the time was working with Ed Sheeran – loving the songs, Amy invited her to spend three months recording with her. Finally Ellie’s debut album “This Time Around” was released in 2016 but life was taking its toll - exhausted, dealing with troubles at home and trying to raise a young family, Ellie struggled with a nervous breakdown and had to put music on the back burner for six years. She’d fallen out of love with music, never thinking she would write or tour again.
Dance music proved pivotal once more and was the thing that got her back on her feet, especially liquid drum’n’bass which reminded her of her youth. She discovered artists like Etherwood and Degs as inspiration for drum’n’bass singing and songwriting.
In autumn 2021 she by chance found out about the Hospital Records ‘Women in Drum and Bass’ event and turned up with some of her CDs “just in case”. “The vibe was amazing! It was like a light switched on and me and I was 18 again, back in love with life and dance music“. El met Slim and Silv from #remarQabl and felt she’d met instant friends. “I haven’t stopped buzzing since then and I’m really looking forward to the next chapter of this musical journey and excited for what the future will bring; making music again but this time with fresh sounds, merging soulful folky vocals with drum’n’bass and working with people and a label I believe in.”

Talk about music
welcome, wunderland.

The patterns.
The maths.

The digital space.
The instruments.
The names.

Ways of doing things are useful.
Yes.
But not the point.

On a personal level,
this is my safe space.

On the other hand,
it doesn’t need explanation.

Self-exploration.
Instinct overrides.

Vinyl still slaps.
Machines still bite.

Like everything else,
we are instruments.

There’s noise.
Rhythm.
Pressure and play.

Imperfection stays.
Imperfection decays.

Call it something.
Go on, label it.

What matters is intent,
energy,
and emotion.

This is my documentation.
A blip.
My diary.

Markers of sonic milestones.

Latest Release - https://cygnusmusic.link/2eqagb3

Zent is a Manchester-based artist and DJ known for his versatile drum & bass sets that span the full spectrum, keeping crowds locked in from start to finish. Off-stage, his humble energy extends into teaching, audio engineering, life coaching, and work against generational racism and addiction.

He’s played across the UK, Amsterdam, Cyprus, and Italy for brands like Flex FM, Bloc2Bloc, Rough Tempo, Innovation, and Code Red Radio, and has released on labels including Co-Lab Recordings, Four Corners Music, and his own Dreambassuk Records.

NoriZee is a brand new direction for both Zent & TherapyDNB his wife and co producer. They are bringing spirituality and words of wisdom to their new sound staying true to the filthy vibey nature of Drum & Bass.

Starting out mixing garage and jungle vinyls at 16, Zent left a career in electrical contracting in 2017 to pursue drum & bass full-time. His productions are sharp, rolling, and diverse, with a strong lean toward tech—whether jungle tek, gritty rollers, liquid, or experimental.

Support/Collabs: Jayline, Harley D, Filthy Habits, MC Fearless, Natty D, Dave Colombo Jenkins (1 More Thing), Data Transmission DnB.

🔗 linktr.ee/ZentDnb

Deep, Tech & Liquid DnB DJ/Producer

If you pass me a mic you might regret it


Like/Follow for news/updates. 

Releases on FX909 Music/Heart Twice Records/C Recordings

Liquid Assets Radio Show 
1st Friday of each month 6-8pm
www.differentdrumz.co.uk 

For bookings and guest mixes DM me.

Ellie Jamison is following