i'm an asshole for being 3 years late to these tracks..

Last One 4now

Rian Treanor - A1 (The Death Of Rave)

Rian Treanor - Pattern Damage (excerpt 1)

Tracklist:

0:00  Need You – Kai Wachi feat. Anna Yvelte
3:32  Shame – Young Fathers
7:27  She Wants Me Dead – Cazzette vs. AronChupa feat. The High
10:46  Fuck Boy – Apashe feat. Kandle
14:58  $10 – Hitchhiker
18:02  L I K E  A N  A N I M A L – Khwezi
20:56  Banana Brain – Die Antwoord
25:40  Gangsta Gangsta – Dr. Fresch feat. Baby Eazy-E
28:53  Sweet Relief – Kimbra
32:05  Lanes – Yuna
35:14  Home – Ailee feat. YoonMirae
39:01  Shut Up & Groove – Heize feat. DEAN
42:17  Using You – Mars Argo
45:35  Veyron – Gameface feat. Mahoy
49:13  The Rain – Ladies Code
52:38  Lone Digger – Caravan Palace
55:27  Måndagsbarn – Veronica Maggio
58:48  1 of 1 – SHINee
1:02:09  We Own the Night – Dance Gavin Dance
1:05:34  Cardboard Castles – Sullivan King & Night Owls
1:08:42  highfiVe – Dynamic Duo, Primary, Boi B, Crush
1:12:41  Silly Man – MOVNING
1:15:57  I’m Fine – Grace
1:18:51  Breathe Again – KSUKE & Amber
1:21:56  Kung Fu – Apashe, Dabin, Kai Wachi

send me links to your favourite artists and maybe i'll feature them in a later mix~~

little saturday

Taken from  the album 'ATAXIA' due out on 15th March
Planet Mu - ZIQ405  - Preorder http://smarturl.it/RianTreanorATAXIA
https://planetmu.bleepstores.com/release/122321-rian-treanor-ataxia

Rian Treanor will release his anticipated debut album ‘ATAXIA’ on Planet Mu this March. The striking full-length follows singles for The Death Of Rave and Warp’s Arcola imprint as well as live sets at Boilerroom x Genelec, Nyege Nyege festival, tours in India and various high profile EU shows.

The title ‘ATAXIA’ means 'the loss of full control of bodily movements' and relates to Rian's music which is “intended to make people’s bodies move in unpredictable ways.” He adds “the angles in the letters, the phonetics seem to mirror the geometry and idiosyncratic patterns in the music.” Rian explains that components of the tracks were made by generating a series of irregular events and re-structuring them, or by destabilising a pattern that is constant.

  When asked how the album compares with his previous releases, he says “My earlier EPs share a similar interest in angular and asymmetrical rhythms that are designed for club sound systems,” adding “they were more improvised, focusing on sequencing and pattern modulation, using standard drum sounds and synthesiser patches. ATAXIA is more focused and stricter, it’s more co-ordinated in terms of the track selection and the rhythmic structures. I spent more time refining the synthesis and sound design, pushing it further than the previous releases.” He expresses an interest in exploring opposites in his music: “fluidity and syncopation,” “systematic and unpredictability,” “reduction and extremity,” “irregular symmetry,” “easy listening and brutal”. There’s clear a conceptual backdrop, but the music itself is not overthought. There’s an immediate joy to much of the album – check out ATAXIA_D3 with its wonderful cut-ups and modulations of the phrase “people don’t understand people.”

  The roots of Rian's playful sound are directly linked to his love of the music he grew up with. Coming from Sheffield, you can hear elements of industrial, synth-pop, bleep, extreme computer music and speed garage at play. From Cabaret Voltaire to Warp and beyond; the sound of his city has been, and is, an integral part of his musical development and is still a direct influence.

  Last year, he noted in an interview that "I'm not a computer programmer, I'm not an articulate person in that kind of way. I'm a visual artist." Now he elaborates “I meant more that I’m a visual thinker.” Drawing and visual art have been a fundamental part of his life “since I was a child. I got really into graffiti as a teenager and around the same time I got into mixing and these both developed together.” You can sense the mind of a visual artist at work in his music which is also reflected in the artwork he created for this project. 

  As well as his visual art, installations and multichannel sound works he is involved in numerous collaborations such as with composer Nakul Krishnamurthy exploring the common ground between Indian classical music and electronic music and his work with improv saxophonist Karl D'Silva, plus his time studying with Lupo at Dubplates and Mastering in Berlin (who taught him the “importance of reduction”) have all helped shape and push his sound into other unique and adventurous zones. Treanor is developing on different levels and in different forms all at the same time, re-imagining the intersection of club culture, experimental art and computer music, presenting an insightful and compelling musical world of fractured and interlocking components.

ATAXIA

Rian Treanor - ATAXIA_D1, Taken from ATAXIA out 15th March

Got hooked on this kid from a Lyrical Lemonade video and just had to put a fun flip on it.
Hope yall enjoy <3

DOWNLOAD <3

Jasiah - Crisis (Komuz Remix)

Holidayze 
- want this  - 
a mix by DJ Self Absorbed [todd elkshow]
Dec 2012


featuring:

Ellipse Elkshow
Foxdye. [mashed potatoes]
bing crosby [beginning to look a lot like...]
Eskmo. [i just want. ]
youtube samples [n64 kid, etc]
Cuddi Sadda [pentagrams all up in my bling]
Flying Lotus [sultan's request]
It's always Sunny... {TV show}
Venetian Snares [horsey noisers]
The Bran Flakes [i remember when...]
Mouse on Mars [SOS + Dog]
Swans [alcohol the seed]
Lil White [fucked up]
Delarosa and Asora [paz suite 1]
NAS - [got yr self a gun]
Bird Samples [a manx shearwater]

Holidayze_U-WANT-THIS__MalcomXmasMIX

Tactile

Come Out to Salem

POST-FI post-core Collage-step. 

Featured on/with:

BBTvsMM, Negativland, the Bran Flakes, Ultra-Red, GITAR, Some Assembly Required, SEELAND RECORDS, i cut people, Evolution Control Committee, NATO, Mochipet, DumpStar, Buildings Building ThemSelfVS Media Machine, N.A.B.S., etc

Holidayze_U-WANT-THIS__MalcomXmasMIX

ellipse_elkshow

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