Booking requests:
chris@stilvortalent.de
Management:
music@stilvortalent.de

ZERO CULT is the project of Emil Ilyayev from Israel, who has been producing electronic music for well over a decade. The project was born in 2003 after discovering the new sound of downtempo and chillout music in the underground scene. Emil's music has unique sound,that combines mysterious melodies and vibes with downtempo beats.His debut album "Art of Harmony" was described as a best chill albums of the 2006.During the years,Emil played on the biggest festivals and parties around the world.

Combining carefully designed textures with dreamlike atmospheres and a solid rhythmic structure, Zero Cult sends us on a new journey through his original musical universe. His discography is a collection of contemporary ambient gems, demands frequent listening and will surprise you with new sounds bursting out from nowhere. This is intelligent, emotional and powerful music.
for Booking,Remix Request,Song production and Mixing.
emilzc@gmail.com
info@cosmicleaf.com

As a producer, musician, DJ and serial collaborator, Chris Schwarzwälders distinctive style of deep, restrained house is hard to pin down, but you’ll always know it’s him when you hear it. 

Born in Frankfurt am Main in the 80s, he started playing hiphop in the 90s. While making beats on his MPC2000, he dropped into Offenbach’s Robert Johnson club and fell in love with techno. 

In 2009, Chris moved to Berlin and started DJing at KaterHolzig, where he found a group of people who thought about music in the same way he did. In contrast to the trends of the late 00s, the sounds being made from this little paradise on Berlin’s river Spree were slower, softer, and more soulful than a lot of what was being played in clubs at the time. 

It was here that Chris began to cement his reputation as both a solo producer and collaborator, who was capable of bringing his trademark sounds to a whole number of side-projects - many of which have gone on to play to crowds around the globe. He joined the Feathered Sun collective in 2013, together with a group of friends including Acid Pauli, Nu, Jo.Ke and Raz O’Hara. Dreamy, groovy and often improvised, the collective represented a special kind of musical freedom in which a group of producers came together to create something new in a singular, live moment. 

At the same time, Chris’ friend Mira was making moves of her own, and they started to play back-to-back sets, soundtracking the legendary Monday mornings of KaterHolzig, and now, Kater Blau. The two, who are both residents at Kater Blau, have now been playing together internationally for almost a decade, and have formed a common musical understanding that translates throughout every one of their sets - deep, clubby and melancholic. This partnership has also carried on into the studio, where they have collaborated on numerous hits. 

His most light-hearted side comes out in collaboration with Iannis Ritter, where the two musicians take on a weirder, more melodic & electro approach than Chris’ other proejcts. 

If you were to ask him, Chris would describe himself as reserved, logical, rational, melancholic and humorous. Which is why you’d never hear him telling you about the hundreds of nightclubs and festivals he’s played around the globe, or the number of hits he’s had with his productions. If you’re lucky though, Chris might tell you about his favourite synthesizers, and get lost in a conversation all about electronics and sound. Which is exactly where Chris wants to be - lost in electronics and sound.

16 year old Dublin producer and musician fairly new to it.


Pitch Black are Michael Hodgson and Paddy Free. Having pumped their way through New Zealand’s electronic music scene since their inaugural performance at the annual Gathering New Year's eve festival in 1996, they have spent the subsequent years rousing dance floor punters, generating rave reviews, winning awards and gaining thousands of fans across the world. 

Hard to box into a single audio 'genre', Pitch Black is a combination of musical journeys. Their sound is distinctive; ranging from organic ambient beginnings and layered soundscapes to skanking keyboards, cutting acid riffs and thumping rhythmic grooves, with dub being the glue that holds their sound together. One critic has described them as like "Orbital meets King Tubby, or Rhythm and Sound in Technicolor". 

It is their live show that really makes Pitch Black stand out from the rest of the crowd, both sonically and visually. Their tracks take on an added dynamism and their performances reveal the dialectic behind the band - Paddy wants to do it for the crowd, Michael wants to do it to the crowd. Visually they are in another dimension thanks to Michael's cutting edge visuals.

They have toured the world relentlessly, playing everywhere from Amsterdam to Zagreb and the streets of Las Vegas to the Australian outback, supporting acts such as Coldcut, Skream, Easy Dub All Stars and System 7 along the way.

NZ Bookings: h (at) strikeagency.co.nz
RoW Bookings: info (at) dubmissionrecords.com

Ellie_0 is following