Ferme tes yeux ! Tu parles trop !

Ströer Duo - Vietnam

East meets West for the latest release on Tel Aviv re-issue label @fortunarecords. 'Mezare Israel Yekabtzenu' is the a long lost, super rare 1973 jazz album from Middle Eastern pioneers The Jazz Workshop and comes out 1st December. 

More info at: http://www.gillespetersonworldwide.com/gpww-premiere-the-jazz-workshop-mezere-israel-yekabtzenu/

The Jazz Workshop - Mezare Israel Yekabtzenu (Worldwide Premiere)

Galactic Groove

@samuelorgan 's remix of Haven't Touched The Earth In A While

Download

Haven't Touched The Earth In A While (Samuel Organ Remix)

“Phoenix” is a soaring electro-pop anthem about rebirth, resilience, and finding light after darkness. Blending dreamy synths, cinematic bass, and hypnotic rhythms, it rises from intimate verses into powerful, uplifting hooks. With lyrics that echo both cosmic wonder and human struggle, ‘Phoenix’ feels like an anthem for starting over, burning away the old, and ascending stronger than before.

LYRICS:

Star burst
Supernova
I’ll rise again 
When it’s all over 

Phoenix rise, fire inside
Again and again, magic alive
Since way back when, hidden in sight
Between now and then, time after time

Is this the beginning? 
Or is this the end? Ohhh
Phoenix bright, love will take flight

Can we begin again?

From the ashes, new days ahead
Like a Phoenix, there is no end
Rise again, rise and ascend

We pretend, days aren’t dark now, oh
We defend, we make amends

Lost in the dark now, ohhh
And we are all so proud
We scream out loud, ohhh
The ashes rain down
This is our world now

Did we grow our garden
Did we build to last
Or build walls of stone?
Repeat our past

Ashes whisper… begin again
Can we begin again?

Phoenix rise
Reborn for them
Way back when 
Between now and then 
Untamed, unbroken
Forever within 

Phoenix rise, again and again
Rise and ascend, it’s not the end

Star burst
Supernova
I will rise again 

Never over
It's not the end

Phoenix - MELIZO Mix

Out Now! http://bit.ly/1PYEm7M; iTunes http://apple.co/1JceTlK

From the album "Songs of Paapieye"—Out Now on Awesome Tapes From Africa.

Guun—This is the last song played at a funeral, after all the others have been done. It is meant to get all the dancers on their feet and into a dancing mood. The focus is on women and how they run around the gyil players and off into the surrounding area. It is the hottest, most intense part for the performance, where the player is expressing himself as a xylophonist. Guun is rapid-fire music, and it signals the end of the performance for that particular player. Other players will come and perform as well, from the beginning. And the more people dance, the more the deceased will rest happily.


SK Kakraba — Gunn

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

from the album 'semblance' available on kranky 07/20

Semblance

forma 'three-two'

From the forthcoming self-titled album by Bugge Wesseltoft & Prins Thomas, out July 20th on Smalltown Supersound

Bugge Wesseltoft & Prins Thomas – Furuberget

From the forthcoming Coastal County LP on Preservation records. Pre order available now at https://preservationrecords.kudosrecords.co.uk/release/p0026/coastal-county-coastal-county

https://www.instagram.com/lomasprod/

Coastal County - The Drop

From the V/A album "The Fall Will Probably Kill You" (BS012 - 2010)- Available from i-Tunes, Amazon, Spotify, etc. or here :
http://bearsuitrecords.bandcamp.com/album/v-a-the-fall-will-probably-kill-you

Rhizottome - "Synovie"

First track off Jonas Munk's (Causa Sui) and Nicklas Sørensen's (Papir) new collaborative album, "Always Already Here", out August 16th, 2019!

Preorder available soon from www.elparaisorecords.com

Info:

"Jonas Munk and Nicklas Sørensen team up for a genre-defying record that explores American minimalism, psychedelia, and electronic music – both vintage and contemporary. On a foundation of interlocking guitar and synthesizer patterns, the duo constructs lengthy pieces that are experimental yet welcoming in nature, precisely executed yet with room for soaring improvisation. Always Already Here pays homage to the masters of classical minimalism (Steve Reich, Terry Riley) and the pioneers of electronic music and kosmische (Brian Eno, Manuel Göttsching), still it doesn't sound derivative or retrospective. The type of hypnotic bliss Munk and Sørensen strive for is distinctly timeless."

Jonas Munk & Nicklas Sørensen: "Shift"

Jonas Munk & Nicklas Sørensen: "Always Already Here", out August 16th! CD and LP already shipping now from www.elparaisorecords.com

Album info: 

"Jonas Munk and Nicklas Sørensen team up for a genre-defying record that explores American minimalism, psychedelia, and electronic music – both vintage and contemporary. On a foundation of interlocking guitar and synthesizer patterns, the duo constructs lengthy pieces that are experimental yet welcoming in nature, precisely executed yet with room for soaring improvisation. Always Already Here pays homage to the masters of classical minimalism (Steve Reich, Terry Riley) and the pioneers of electronic music and kosmische (Brian Eno, Manuel Göttsching), still it doesn't sound derivative or retrospective. The type of hypnotic bliss Munk and Sørensen strive for is distinctly timeless."

Jonas Munk & Nicklas Sørensen: "Magnetic"

https://elparaisorecords.com/releases/martin-rude-jakob-sk-tt-duo-dichotomy-control

Martin Rude (Sun River) & Jakob Skøtt (Causa Sui drummer) team up for their 2nd album in 2020, following their acclaimed debut The Discipline of Assent. All basic tracks were cooked up from a new session on July 7th in Causa Sui’s Jonas Munk’s studio. This time around, the duo took it’s time to modulate a few ideas into several takes, but maintaining an “onwards and upwards” attitude, often relying on an original impulse or idea snagged out of the ether.

The result is a meeting of groovy electric jazz, open guitar tunings and buzzing electronics. As one reviewer remarked about their previous outing: “like one of those films where the protagonists fall through walls into completely different sets”, which is fueled by the fact that Martin alternates between double bass & guitars. The session was thoroughly produced by Jakob Skøtt, adding layers of percussion, electronics, samples, edits & effects. A duo rarely sounded this band-like before, yet the telekinetic raw vibes of the basic layers shines through. It’s a deeply layered sound, where opposites are erased:
Organic, yet synthesized.
Chaotic, yet organized.
Dissonant, yet melodic.
Jagged, yet groovy.
Experimental, yet enjoyable.

Jonas Munk & Nicklas Sørensen: "Shift"

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