A Winged Victory for the Sullen - 'ATOMOS'
Double-Vinyl/CD/Digital out on Erased Tapes/Kranky on October 6, 2014

PRE-ORDER the album now!

Worldwide (excl. North America):
via Erased Tapes: www.erasedtapes.com/store/index/ERATP061
or via iTunes: http://snip.ftpromo.net/atomositms

In North America:
via Kranky: www.kranky.net
or via iTunes: https://itunes.apple.com/us/album/atomos/id894692856

TOUR DATES: 
https://www.facebook.com/awvfts/app_123966167614127

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.  

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.  

“As a wise man once said, one who procrastinates their own choosing will inevitably have their choice served to them by circumstance. We had virtually no time for second guessing ourselves. That being said, we tried to balance the discordance between being creative, and fulfilling our duties for a commissioned soundtrack with a very strict deadline, and all the while staying true to our collective melancholy.‘’ – Adam Bryanbaum Wiltzie  

“We never imagined 2013 would be such an explosively creative year. The first record took us two years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating.” – Dustin O’Halloran

OFFICIAL WEBSITES:  awvfts.com · erasedtapes.com · kranky.net

Atomos VI

DEBUT ALBUM OUT NOW – AVAILABLE ON CD/LP/DOWNLOAD.

ORDER DIRECTLY FROM ERASED TAPES and receive a FREE POSTER with each CD/Vinyl order*:
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AMAZON:
http://www.amazon.co.uk/Winged-Victory-Sullen/dp/B005BV5DOQ/
iTUNES:
http://itunes.apple.com/gb/album/a-winged-victory-for-sullen/id448922166?uo=4

'GEM' ★★★★ MOJO | 'TRIUMPH' ★★★★ UNCUT | 'VICTORIOUS' – GUARDIAN | 'A VICTORY' – BBC MUSIC
'CELESTIAL' 9/10 – DROWNED IN SOUND | 'OTHERWORLDLY' 7.3 – PITCHFORK | 'SUBLIME' – EXCLAIM
★★★★ SPIEGEL | 'EIN TRIUMPH' – DE:BUG | ★★★★ DE MORGEN | 'EEN PAREL' – FOCUS KNACK | 'PRACHTPLAAT' – GONZO 


EXCLUSIVE FULL ALBUM STREAM VIA OUR FRIENDS AT DROWNED IN SOUND:
http://drownedinsound.com/news/4143522**

*as long as stock lasts.
** for a limited time only.

---

CONTENT: ‘A Winged Victory For The Sullen’ is the first installment of the new collaboration between Stars Of The Lid founder Adam Wiltzie and L.A. composer Dustin O’Halloran. The duo agreed to leave the comfort zone of their home studios and develop the recordings with the help of large acoustic spaces, hunting down a selection of 9ft grand pianos that had the ability to deliver extreme sonic low end. Other traditional instrumentation was used including string quartet, French horn, and bassoon, but always juxtaposed is the sound of drifting guitar washed melodies. The recordings began with one late night session in the famed Grunewald Church in Berlin on a 1950s imperial Bösendorfer piano and strings were added in the historic East Berlin DDR radio studios along the River Spree. One last session on a handmade Fazioli piano in a private studio on the Northern cusp of Italy, before the final mixes took place in a 17th century villa near Ferrara with the assistance of Francesco Donadello. All songs were then processed completely analogue straight to magnetic tape. Their secret to harvesting new melodic structures from the thin air of existence was for the duo to push themselves to dangerous territory, realising that clear thinking at the wrong moment could stifle the compositions. The final result is seven landscapes of harmonic ingemination. In ‘Requiem For The Static King Part One’ – created in memory of the untimely passing of Mark Linkous – they have taken the age-old idea of a string quartet and then shot it out of a cannon to reveal exquisite new levels of sonic bliss. Of the 13 minute track ‘Symphony Pathétique’, Wiltzie says ‘after almost 20 years of struggling to create interesting ambient drone music, I feel like I have finally figured out what I am doing’. Notable guest musicians include Icelandic cellist Hildur Gudnadottir, as well as Erased Tapes label comrade Peter Broderick on violin. A Winged Victory For The Sullen is not a side project – it is the future of the late night record you have always dreamed of.

CONTEXT: On May 24th 2007, in Bologna, Italy, Adam was on tour and playing with the late Mark Linkous & his beloved Sparklehorse, on what would be their final European tour. That night Adam invited friend and colleague Francesco Donadello to see the concert, and Francesco's guest this evening was composer Dustin O'Halloran (Sofia Coppola’s ‘Marie Antoinette’ O.S.T.). Through a strange twist of backstage conversations surrounding passport cache conundrums, and love of Italian gastronomy, a curious friendship began that now has brought forth an offspring of truly curative compositions for the world to savour.

As announced by Pitchfork and Drowned In Sound the self-titled debut album of A Winged Victory For The Sullen will be released worldwide on September 9, 2011 via Erased Tapes Records (except for North America where it will be out on Kranky).

A Winged Victory For The Sullen - Steep Hills Of Vicodin Tears

Immerse yourself in the mystical and serene world of Chinese culture with our exquisite collection of 10 ambient music tracks. Each piece in this compilation is a harmonious blend of ambient sounds and musical compositions, carefully crafted to encapsulate the essence of Chinese traditions and the soothing elements of rain, water, and wind. Specifically designed for game developers, this collection offers an authentic auditory journey that will enrich any gaming experience with a touch of Chinese elegance and tranquility.

Features:

    Chinese Cultural Harmony: These tracks are infused with the rich heritage of Chinese culture, incorporating traditional musical instruments and melodies that resonate with centuries-old traditions.

    Nature-Inspired Soundscapes: The collection features the calming and diverse sounds of nature such as gentle rain, flowing water streams, and the whispering wind, all integral to Chinese artistic expression.

    Atmospheric Depth: Each track offers a range of moods and atmospheres, from the serene sound of a rain-kissed bamboo forest to the vibrant energy of a wind-swept mountain range.

    High-Quality Sound Production: Produced with the utmost attention to detail, each track ensures crystal-clear sound quality, enhancing the immersive experience without overwhelming gameplay.

    Versatility for Game Development: These tracks are ideal for a wide array of game genres, particularly those seeking to create a reflective, peaceful, or culturally rich setting.

    Seamless Integration: Designed with game developers in mind, the tracks are ready for smooth integration into various gaming platforms and engines.

This collection is more than just music; it’s an auditory passage into the heart of China, offering players a chance to experience the profound beauty and serenity that rain, water, and wind bring to the Chinese landscape and spirit.

3 - Phat Phrog Studios - China Ambience 3

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Leveled

from the album 'cinderland' available 3/10

Cinderland

high plains 'cinderland'

Bersarin Quartett - Oktober

Taken from 'Horizon' by Christopher Willits, out May 19, 2017.

Order Links:
The Ghostly Store: goo.gl/iD00zE
Retailer of your choice: Ghostly.lnk.to/horizon

Horizon

Christopher Willits - Simplicity

from the original soundtrack of the same name released by Matthew Cooper on Temporary Residence Limited 2011

Some Days Are Better Than Others

By the look of it everyone is identical....

'Long May It Sustain' will be released on Erased Tapes' 10th-anniversary compilation: 1+1=X, on April 21st as part of Record Store Day UK. We hope you enjoy...

A Winged Victory for the Sullen - Long May It Sustain (ET, 2018)

With Bird Ambience coming out on May 28, Masayoshi Fujita makes a lateral leap from his signature instrument the vibraphone to the marimba, which takes centre stage on his new album alongside drums, percussion, synths, effects and tape recorder. The balletic arabesques of his third single ‘Morocco’ show both instruments unite and dance from twinkling filigree, to a cascading crescendo.

“The way of playing the marimba is similar to the vibraphone, so it was kind of a natural development for me and easier to start with, yet it sounds very different”, explains Masayoshi. “The marimba bars are made with wood and it has a wider range than the vibraphone, which gives me a bigger sound palette with more possibilities. I play the instrument with bows and mallets, and sometimes manipulate it with effects.”

Bird Ambience brings several fresh changes for the artist. Until now, Fujita would separate his acoustic solo recordings, the electronic dub made under his El Fog alias, and his experimental improvisations with contemporaries such as Jan Jelinek. The new album sees him unite all these different facets for the first time into one singular vision.

Arranged with a perfect Kanso-like balance, the unhurried pace of Bird Ambience allows each sound and phrase enough time to be mindfully absorbed and savoured. This subtle but affective work carries ethereal remnants of Midori Takada’s minimalism, the static atmospheres of Mika Vainio, To Rococo Rot’s organics and the bucolic electronics of Minotaur Shock. Fujita vaporises contemporary and classical, ambient and dismantled dub, controlled noise and fragments of jazz into an atmospheric, static mist, which he skilfully coerces into new forms.

Bird Ambience will be released on Erased Tapes in 2LP, CD and digital formats on May 28.

Bird Ambience

Morocco

Stream & pre-order

Masayoshi Fujita - Morocco

Track taken from the new album 'Rites', released via Subtext Recordings.

Read it:

www.fluid-radio.co.uk/2013/04/paul-jebanasam-rites/

Buy it:

www.subtext.bigcartel.com/product/paul-jebanasam-rites

Some Days Are Better Than Others

eluvium