Høres Ut Som Hitler

Бэдынокъуэ чынтхэм зэрезэуар – Как нарт Бадиноко сразился с чинтами. Нартская песня. Исполняют Х. Жилокова, Владимир Барагунов, А. Урусов и хор (на кабардинском языке).

www.baragunvladimir.com | Vladimir Khatizovich Baragun(ov) (Бэрэгъун Владимир) (31 December 1939 — 13 October 1997), Kabardian singer, musicologist, People’s Artist of the Kabardino-Balkar ASSR (1981), Honoured Cultural Worker of the Russian Federation (1996), and Laureate of the State Prize of the Kabardino-Balkar Republic. In 1969 he graduated from the Sobinov State Conservatory in Saratov. From 1969 to 1977 he was a soloist for the Kabardino-Balkar Theatre. He sang 19 opera-roles. He recorded hundreds of songs, ballades, romances for radio and television and on disc. He was awarded the ‘Golden Hatchet’ (highest grade) at the International Folklore Festival in Poland. He was one of the authors of the 3-volume ‘National Songs and Instrumental Works of the Circassians’, which has become a classic of Circassian musical folkloristics. Soloist and artistic director between 1977 and 1987 at the Kabardino-Balkar State Philharmonia, he served as its director between 1987 and 1997. He was one of the best singers of the 1970s and 80s in Circassia. Although he recorded many fine and memorable traditional and modern songs, his powerful operatic voice was best suited to ancient anthems.

He documented and recorded a number of Pantheonic chants, including ‘Mezguashhe’ («Мэзгуащэ»; ‘Forest-Lady’). His wide Nart repertoire included an emotive rendering of ‘Nartizch Wered’ («Нартыжь Уэрэд»; ‘Song of the Ancient Narts’), which causes tingling sensations in the back of one’s head, ‘Ashemez yi Pshinalhe’ («Ашэмэз и пшыналъэ»; ‘Ashemez’s Melody’), ‘Badinoque yi Pshinalhe’ («Бэдынокъуэ и пшыналъэ»; ‘Badinoque’s Melody’), ‘Sosrique Maf’e Qeih’ («Сосрыкъуэ МафIэ Къехь»; ‘Sosrique Fetches Fire’), and many others. His heroic/historical repertory included ‘Senjeley yi Wered’ («Сэнджэлей и уэрэд»; ‘The Song of Prince Sanjalay’), in which he evokes the heroism of the mediæval prince-warrior.

Бэрэгъун Владимир (1939-1997) Адыгэ уэрэджыIакIуэ цIэрыIуэхуэм я нэхъыщхьэу еплъытэ хъунущ. Абы и макъ гъуэзэджэ лъэщгуэрэм удихьэхауэ уодаIуэ. Абы игъэзэщIат пасэрей нарт уэрэд зыбжанэ, псалъэм папщIэ «Ашэмэз и пшыналъэ», «Нартыжь Уэрэд», «Бэдынокъуэ и пшыналъэ», «Сосрыкъуэ МафIэ Къехь» жыхуиIэ уэрэдхэр. ЛIыхъужьыгъэ теухуа уэрэд куэд зыгъэзэщIа Бэрэгъуным, псалъэм папщIэ Пщы Сэнджэлей (Жылэгъуэт Идар и къуэ Къанкъылыш и къуэщ) зи гугъу ещI уэрэдым «Сэнджэлей и уэрэд».

Бэдынокъуэ чынтхэм зэрезэуар | Performed by H. Zhilokova & V. Baragunov

The introduction into Dr. Abou El Fadl's halaqa series on marriage. Why is marriage important and what are the different levels of marriage? Dr. Abou El Fadl introduces two types, Mulk and Malakut marriages. One which is a functional marriage, and the latter being a spiritual union and balance radiating from one's own soul into the partnership between two people reflecting the harmony within God.

Marriage: Chapter 1

Осетинские мелодии

Хонга

Frontbrief

Robot Unicorn

Bad Robot

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Back To Ecstasy

Energy

ELXR brings you future gothic sound! Through a computerized artistic approach, ELXR takes you 100 years in the future where technology has risen yet darkness remains. Be a part of the journey. Take the ELXR!

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Futuristic electronic music with a smooth 60 FPS 4K visualizer. Follow me on Instagram for daily behind the scenes content!

No Emotion

Pour ce dixième hors-série du podcast Passion Médiévistes je vous propose de sortir un peu de l’Europe Occidentale et de faire un voyage dans le Maroc médiéval. Et comme guide j’ai l’honneur d'aller enregistrer et rencontrer à Rabat Mustapha El Qadery, chercheur et professeur d’histoire à l’université Mohammed V de Rabat. Vous pouvez l'entendre aussi dans le podcast sur l’histoire marocaine Radio Maarif, animé par Réda Allali.

Dans cet épisode, vous allez découvrir que la période médiévale au Maroc recouvre celle de trois grands empires et d'une succession de dynasties, de la conquête des musulmans jusqu'à la conquête portugaise.

▪ Infos sur le podcast

Créé et produit par Fanny Cohen Moreau depuis 2017.

➡ Soutenir le podcast > passionmedievistes.fr/soutenir/
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📩 Si vous êtes intéressé(e) pour être invité(e) dans l’émission envoyez un mail à passionmedievistes@gmail.com avec un résumé de votre sujet.

Enregistrement, montage et mixage : Fannny Cohen Moreau
Générique : Clément Nouguier

Chanson de fin : « Marock’n Roll II » du groupe marocain Hoba Hoba Spirit

Hors-série 10 – Le Maroc au Moyen Âge

Cosmic adventurer✨
Future Gothic sound through computer visual.
Close your eyes ✶ Take the ELXR.

Listen to early access track versions here.