Bookings or Requests: info@psychemagik.com

Audio from: ATP Recordings releases, archive artists performing at ATP Festivals, or performing at ATP Concerts.

All Tomorrow's Parties  is an organisation based in London that has been promoting festivals, concerts and records throughout the world for ten years. It was founded by Barry Hogan in 1999 in preparation for the first All Tomorrow's Parties festival, the line-up of which was curated by Mogwai and took place in the unusual setting of Pontins Holiday Camp, Camber Sands. Since then the festival has appeared every year, and continues to set itself apart from festivals like Reading or Glastonbury by staying intimate, non-corporate and fan-friendly. Another vital difference is that the line-ups are chosen by significant bands or artists, resulting in unpredictable and exciting events which combine performances by legendary and influential acts with appearances by the latest crop of experimental artists from any (and every) musical genre. The All Tomorrow's Parties festival has become more successful with every passing year, moving in 2006 to a larger holiday camp. It has taken place in the UK, USA and Australia

ATP Recordings is a record label started in 2001 by London concert promoter Barry Hogan, who heads the All Tomorrow's Parties organisation, which has been promoting its world renowned festivals and concerts since 2000. The label was originally created to bring out a compilation CD featuring artists from the line-up of a Tortoise curated All Tomorrow's Parties event. As well as further compilations released to coincide with their festivals, the label soon expanded, signing bands and releasing their records: sometimes for the European market where their records had no distribution, but also on a worldwide basis with artists old and new.

The label has notably released the first album by the reunited Magic Band, and also acclaimed albums from Bardo Pond, Deerhoof and Australia's The Drones. The label develops new home-grown talent such as Alexander Tucker and Fuck Buttons, and has also worked to release records by such varied luminaries as Apse, Autolux, Spiritualized, Built To Spill, Sleepy Sun, Death Vessel, Fursaxa, Jackie-O Motherfucker, The Scientists, Threnody Ensemble and White Out (with Jim O'Rourke). For more info on the ATP Recordings label including information on all new and archive releases, please visit our website at atprecordings.com

You can reach me at danceisafeeling@gmail.com.

Music isn't something you listen to, it's something you feel.

Danny Dance started out as a house dancer on Youtube in 2008 while learning how to DJ. By 2010 he had started producing his own music and developing his sound. He has amassed over 800K views on his Youtube channel through his carefree, outdoors, sometimes-tutorial dance videos, but his true love lies in making underground Funk-, soul-, and Hip-Hop inspired house music.

The sounds of all things Electric Elephant, End Of Year Riot & beyond...

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

embacon is following