magnífico, já venho com espectativas altas e não me decepciono

Whispers

The Death Lurker

Sergei Rachmaninoff: Prelude in C Sharp Minor, Op. 3 No. 2. 

Played by me with my Korg SGProX digital stage piano controlling Yamaha Montage 8. The piano preset: Yamaha Montage CFX Stage. It sounds even better than my 2005 Motif ES synthesizer's piano sound which was already quite impressive. 

Played substantially slower than many pro players and e.g. the honourable Mr. Rachmaninoff himself on one recording (it may be also that I prefer this piece to be played a little slower than it is usually played). I got some speed however somewhere in the middle part.. I played it a lot faster however when I was young and didn't have to think about tomorrow. Because that's what this Prelude is about (much like the Scriabine etude Op. 8 No. 12): you really have to play it like there would be no tomorrow, so to speak, meaning, among other things, that you cannot think about some "secondary" things like hand injuries..

I learned this prelude initially in the 1990's at the time when also the piano movie "Shine" was released (the movie definitely was an inspiration). I practiced it countless hours with my Korg M1 synthesizer which was indeed not the best machine for this kind of piano music.  This was one of the first classical piano pieces I ever learned and, since I have learned it by myself without receiving any formal piano training whatsoever, this warrants the following conclusion: Anything is possible, remember that!

Sergei Rachmaninoff: Prelude in C Sharp Minor Op. 3 No. 2

Link to Book (English):
http://getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
https://getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

"Theme of Lucinda Arvid, betrayed by her king, singing her lament in a vow of vengeance for the death of her White Knight, Rodnir."

Letra (Lyrics):

Served zealously
But you betrayed me
Just because I loved

I was faithful
But you betrayed me
Just because I loved

Saved your children
But you betrayed me
Just because I loved

My white knight
You didn't deserve it
I will never love again

I will come back
Like an explosion
And I will Take your souls

Luci

A many years ago I’ve improvised a little and simple piano piece which called “For You”. And tonight I’ve improvised this melody anew in a new extended version. I think that now it sounds a bit more emotional, more unstable but also more interesting and sophisticated. Hope you enjoy this new version of “For You”!

Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

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All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

For You (Rebirth)

Spotify

Ashot Danielyan - For You (Rebirth)

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

"I'm Home" is a song of pure joy, sung when Luci realizes she has returned to the place where she grew up — protected and loved by the father who once saved and welcomed her when she was still little. An overwhelming sense of safety fills her heart as she sings a few lines in Katrialco, savoring the sensations that awaken sweet memories and soften her spirit, until she feels like a child once more."

Lyrics

(Katrialco)
Mennethi leth iuki eth'an
Thon'tho konno gono-hete
Thokona natho nome'ah
Thonwah konah gono-u'ne

Mennethi leth iuki eth'an
Thon'tho konno gono-hete
Thokona natho nome'ah
Thonwah konah gono-u'ne

Thon'tho konno wusso
Me'nna payoh ooh
Thon'tho konno wusso
Me'nna payoh ooh

Mennethi leth iuki eth'an
Thon'tho konno gono-hete
Thokona natho nome'ah
Thonwah konah gono-u'ne

(English)
Life is here,
The scent of the earth,
The flowers,
And the endless green.
I lived here,
I have come back.[2x]

(Katrialco)
Mennethi leth iuki eth'an
Thon'tho konno gono-hete

Mennethi leth iuki eth'an
Thon'tho konno gono-hete
Thokona natho nome'ah
Thonwah konah gono-u'ne.

--------------English Translation from Katrialco----------------

This place is my home,
It was here that I grew up,
Where I could play,
Be with my father.

This place is my home,
It was here that I grew up,
Where I could play,
Be with my father.

It was here that I heard,
The birds singing,
It was here that I heard,
The birds singing.

This place is my home,
It was here that I grew up,
Where I could play,
Be with my father.

Life is here,
The smell of the earth,
The flowers,
The endless green,
I lived here,
I came back.

This place is my home,
It was here that I grew up.

This place is my home,
It was here that I grew up,
Where I could play,
Be with my father.

Aequus Book Soundtrack Volume III

I'm home

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

After days in Magnamea fighting to prove his innocence, Nathan returns to Albagan with his name cleared and the weight of injustice finally lifted. As he sees Virna and Dilem running toward him, he knows every effort was worth it. In their embrace, he finds what matters most: his home.

Nathan's Return

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

"The Rise of Dilem" tells the silent tale of a boy’s journey, leading to the day he finds the book that changes everything — a relic that stirs within him a forgotten power, long buried in the ancient age of Sihr.

Related songs:
A Mage At The King´s Court - https://soundcloud.com/emersonmarshall/a-mage-at-the-kings-court
A Mage At The King´s Court (No Audiobook) -https://soundcloud.com/emersonmarshall/a-mage-at-the-kings-court-no

The Raise of Dilem

Alone at the window (version soft piano)

Hug & Hold the Ocean (Piano & Strings Version)

Nightvisions

We are all lost

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

This song evokes the memory of a deep friendship, once inseparable, yet marked by an inevitable parting. Dora, the golden owl, embodies the longing and the distance that fear can impose, but also the hope of reunion. The melody moves between silence and light, unveiling the return of a long-awaited presence. Dora’s flight announces a sign of renewal, a bond restored, as if she carried on her wings the symbol of an ancient alliance reborn. It is the celebration of healing, and of loyalty that endures through time.

Related songs:
Dora The Gilded - https://soundcloud.com/emersonmarshall/dora-the-gilded
Dora The Gilded (No audiobook) - https://soundcloud.com/emersonmarshall/dora-the-gilded-no-audiobook
A Mage At The King's Court - https://soundcloud.com/emersonmarshall/a-mage-at-the-kings-court
A Mage At The King's Court (No audiobook) - https://soundcloud.com/emersonmarshall/a-mage-at-the-kings-court-no

Dora's Return

Hey everyone! My name is Emerson Marçal. I’m not a professional musician, but I’ve always loved soundtracks, they’ve been my passion since forever. I play a bit of keyboard and started messing around with some compositions a long time ago, on my first keyboard, a Roland Prelude. That was about 14 years ago! Actually, those old songs are still here on SoundCloud, in a playlist I kept.

Nowadays, I’ve decided to create a few new soundtracks, but it’s all very simple, just to bring some emotion to a story I’m writing together with my friend Rafael R. Oliveira on the Inkspired platform. The book is called Aequus, and it’s a huge saga we’re building together. It’s a long-term project, probably more than 5 years of work. The links to the story are in the description of each song.

Some tracks have small audiobook excerpts, with dialogues and monologues from the story’s characters. But there are also versions without audiobook, for those who prefer to listen to just the music, no narration. However, these audiobook snippets are very short, just a small sample that doesn’t take over the entire track. Usually, they’re only at the beginning.

I really believe in this story and I’m trying to share it with anyone who might be interested. If you enjoy any of the songs, I invite you to check out the Aequus Saga, because these tracks exist because of it.

Thank you so much to everyone who’s been listening and enjoying the songs. And if you can, leave a comment, it helps a lot.

Contact:
Email: emersonmarshall@gmail.com

Dora's Return

Emerson Marshall

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