I think that not anything is possible in performing classical music.

Wonderful...Quite expressive! 🎹🤍🖤🤍🖤

This is nice, the tempo helps give it a nice clarity

Beautiful performance. For me at least regardless if you got or not any formal classical or not training. You nailed it my friend!

Inspired by my Pleyel (the piano of Chopin), C minor and nature, I made this quiet Nocturne. I experimented with the felted sound by using different materials including interfacing and felt.  The chord progression is from a previous violin, piano, and cello work I did called Jing Ye Si (https://sharonchen.bandcamp.com/track/thoughts-on-a-still-night).

Pre-save Eternity Tonite (25 June): https://gyro.lnk.to/EternityTonite
Blissful and Beyond study video: https://youtu.be/XDR9KxeVRk8
https://linktr.ee/sharonchenmusic
Nocturne in C minor performance: https://youtu.be/4FpHHFu5YhY
My computer was in repair for about eight days. I just got it back..

Nocturne in C Minor

Eloquence

Elishea

Piano Melancolía - Eloquence - 03 - Elishea

I leave you here this Spanish Fantasy that aims to translate in the form of a fantastic serenade the spirit of those lands and their people, being on the other hand autonomous music that represents in my imagination many and sometimes indefinite feelings.

Spanish fantasy.

Sergei Rachmaninoff: Prelude in C Sharp Minor, Op. 3 No. 2. 

Played by me with my Korg SGProX digital stage piano controlling Yamaha Montage 8. The piano preset: Yamaha Montage CFX Stage. It sounds even better than my 2005 Motif ES synthesizer's piano sound which was already quite impressive. 

Played substantially slower than many pro players and e.g. the honourable Mr. Rachmaninoff himself on one recording (it may be also that I prefer this piece to be played a little slower than it is usually played). I got some speed however somewhere in the middle part.. I played it a lot faster however when I was young and didn't have to think about tomorrow. Because that's what this Prelude is about (much like the Scriabine etude Op. 8 No. 12): you really have to play it like there would be no tomorrow, so to speak, meaning, among other things, that you cannot think about some "secondary" things like hand injuries..

I learned this prelude initially in the 1990's at the time when also the piano movie "Shine" was released (the movie definitely was an inspiration). I practiced it countless hours with my Korg M1 synthesizer which was indeed not the best machine for this kind of piano music.  This was one of the first classical piano pieces I ever learned and, since I have learned it by myself without receiving any formal piano training whatsoever, this warrants the following conclusion: Anything is possible, remember that!

Sergei Rachmaninoff: Prelude in C Sharp Minor Op. 3 No. 2

Last Waltz In Kracow is a musical track performed on Piano Solo that is perfect for moments of relaxation, reflection and, above all, to conciliate sleep. A magical atmosphere created especially for dreaming, relaxing and not thinking.

Last Waltz In Kracow

Last Waltz In Kracow - Valierre

Petite mélodie dédiée à ma maman 🌹

Le Piano De Ma Mère

A contemplative piano sketch with more movement and harmonic exploration than its predecessor. It  shifts between quiet introspection and searching transitions, weaving melodic fragments into a fluid, evolving journey.

Piano No. 4-3: Shifting Currents

Etudes

Etude No. 32 in G minor

The third piece in my duet set of Songs without Words
A piece in ternary form with lugubrious slow outer sections surrounding a more flowing central passage. The opening theme heard 3 octaves apart returns in the ultra-bass in the final part

SWW24.3

Welcome to Archie Chen's magical nocturnal voyage with Grieg's "Notturno," Op. 54, No. 4 – a gem from the Lyric Pieces that'll whisk you away to a mystical realm of serenity and enchantment! 🌙✨

Inspired by Grieg's rejuvenating trip to the Jotunheimen Mountains and his encounter with the lovely Gjendine Slålien, this "Notturno" showcases the composer's finest expressive and fresh elements. In fact, Grieg himself couldn't resist playing it in multiple concerts! 🎹🏔️

Get ready to be immersed in a twilight dreamscape, painted with shimmering extended chords and captivating harmonic shifts. Feel the gentle chill of autumn and the warmth of tender memories as Archie Chen's performance brings this piece to life. 🍂🔥

A precursor to the likes of Debussy and Ravel, Grieg's "Notturno" whispers a blend of post-Romantic and nationalist tones that resonate through time – so much so that you might even recognize it from popular TV shows and commercials! 📺🎶

So, sit back, relax, and let Archie Chen guide you through this enchanting musical world where the wonders of the past and present intertwine. It's an experience you'll cherish forever – or, as Grieg might have said, "en opplevelse for livet!" 🌌💫

This is a studio recording made for RTE's Arena broadcast on July 20th 2017.

My SoundCloud Channel: @archie-chen
Official Website: www.archiechen.com
Youtube DIPF www.youtube.com/c/PianofestivalIe
Youtube Archie www.youtube.com/c/ArchieChenPianist
Festival Website: www.pianofestival.ie
Teaching Website: www.pianoacademy.ie

Piano: Steinway B
Recorded at RTE Radio Centre, Dublin

Edvard Grieg Notturno op. 54, no. 4

I absolutely adore the Chopin Barcarolle. There are many reasons why I love this piece of music, but some of the main ones are its stunning melody, its rich and complex harmonies, and its emotional depth.

First and foremost, the melody of the Barcarolle is absolutely beautiful. It is both lyrical and expressive, and Chopin's skillful use of phrasing and ornamentation adds to its overall beauty. The melody moves through a range of emotions, from tender and delicate to intense and passionate. I find myself humming along every time I hear it.

In addition to its beautiful melody, the Barcarolle also features rich and complex harmonies. Chopin's use of chromaticism and modulations adds layers of depth and color to the music, and the way he combines different chords and harmonies is truly masterful. I am always amazed by the way the harmonies in the Barcarolle support and enhance the melody.

Finally, I love the Barcarolle because of its emotional depth. This piece is not just a pretty melody with fancy harmonies; it is a deeply emotional and expressive work of art. The music conveys a wide range of emotions, from wistfulness and longing to joy and exultation. I am always moved by the way Chopin is able to convey these emotions through his music.

Overall, the Chopin Barcarolle is a masterpiece, and I could listen to it over and over again. It is a true work of art, and I feel incredibly lucky to be able to experience its beauty from a performer's perspective.

In 1845, the Barcarolle was composed among other mazurkas and songs. It is known for its captivating sound and its fiery, passionate expression. By coincidence or design, the last of the three Mazurkas, Op. 59, ends with a transition to the bright key of F sharp major. Interestingly, the Barcarolle also begins in F sharp major, which is a rare key for Chopin. Throughout the piece, the key of F sharp major plays a significant role, as the music frequently departs from and returns to it.

The exact circumstances under which Chopin came up with the idea for the Barcarolle are unknown. Chopin never visited Venice and only briefly saw Italian landscapes and atmosphere on a boat trip. It is possible that the idea and form of the barcarolle came from existing works in the genre, particularly those by Rossini and Auber. All of these composers' operatic barcarolles were well-known to Chopin and could have influenced his composition.

My SoundCloud Channel: @archie-chen
Official Website: www.archiechen.com
Youtube DIPF www.youtube.com/c/PianofestivalIe
Youtube Archie www.youtube.com/c/ArchieChenPianist
Festival Website: www.pianofestival.ie
Teaching Website: www.pianoacademy.ie

Piano: Fazioli F278
Recording Engineer: David Bjur
Piano Technician: Dave Severence
This track was recorded at Washington State University on June 26th, 2019.

Frederic Chopin Barcarolle in F-sharp major, op. 60

Self-learned piano and keyboard player (pop, classical, jazz). Have also played violin, some drums and bass etc.

I came here to play!

Contact: vintageklavier88(at)gmail(.)com

Sergei Rachmaninoff: Prelude in C Sharp Minor Op. 3 No. 2

VintageKlavier1980s

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