Magnificent musical construction, in rhythm, harmony and melodies! Really beautiful and pleasant!

Daily Drops

High recommendation of headphones, to fully enjoy sound adds and effects.

Letra / translated lyrics:

África... África...   /   Africa... Africa...
la vieja madre...   /   the old mother...
África... África...   /   Africa... Africa...
la tierra extraña...   /   the strange land...
África... África...   /   Africa... Africa...


Son tus raíces   /   Your roots are
más profundas que el tiempo.   /   deeper than time.
Olvida tu vida   /   Forget your life
que ahora es desierto.   /   which is now a desert.

Tus raíces de sangre se han perdido,   /   Your blood roots are lost
y tu exótico mundo ha envejecido.   /   and your exotic world has got old.
La llamada de la selva ha convertido:   /   The call of the jungle has turned:

tus batallas en guerras,   /   your battles to wars,
y tus bosques en hambre,   /   and your forests to hunger,
y tus hombres en tierra.   /   and your men to soil.

África... África...   /   Africa... Africa...
tus cantos lejanos...   /   your distant singings...
África... África...   /   Africa... Africa...
ahora están muertos...   /   are dead now...
ahora están muertos.   /   are dead now.
África... África...   /   Africa... Africa...


... 1995 E-RUIZZO - 2014 FRANCÉS RECORDS

Google Play

África (Hombres de tierra)

I'm not political, I'M A POLITICAL ATHEIST, I hold humanitarian views, which can easily be mistaken for political views because humanitarianism covers the same issues as politics.
>
I criticise both Democrats and Republicans, LEFT, RIGHT & CENTRE, I'm not fool enough to trust either; nothing I can do about people confusing humanitarianism with politics, but I will never be silenced!
>
I don't respond to likes, I only respond to feedback. Likes mean nothing, they achieve nothing, feedback is by far the best to give support, it increases and maintains the visibility of posts, which results in more visitors come to the page, and that, in turn, results in more feedback. To me a LIKE with no accompanying feedback is saying, your tunes isn't good enough for me to leave a comments, your music isn't as good as mine, so don't waste your time clicking like if you don't think my tunes are worthy of feedback because I will ignore it. 
A like without feedback could also mean, you never actually listened at all; either way, I find it insulting so ignore it, but if you do leave feedback I will show you the same respect, listen to your tunes and leave feedback!

I RECOGNISE THE STATE OF PALESTINE, DO YOU?

Laura is my niece . The two people in the photograph above are my late mum n dad , Tom and Jean .This collaboration has been an emotional journey and our large family will now get to hear this contribution to the musical heritage of our family. She is a talented songwriter and International performer.
Laura's songs can be heard on SoundCloud and on her Website 
"Laura Oaks Music"  here  .........https://static.wixstatic.com/media/b9f94a_3ea687f1cb264bd3b08a3c1abdab4d8a~mv2_d_6600_4400_s_4_2.jpg/v1/fill/w_2500,h_1666,al_c/b9f94a_3ea687f1cb264bd3b08a3c1abdab4d8a~mv2_d_6600_4400_s_4_2.jpg
also on soundcloud here....https://soundcloud.com/lauraoakesmusic

There goes Tommy and Jean ( Collaboration songwriter performer  Laura Oaks a" Family Tree" tribute)

The Smoking Trout's Quest for the Holy Dumpling continues! When we left our travelers they had just been given a tip that they needed to travel from New Mexico to Oaxaca for the next leg of their journey. This latest track is basically an instrumental interlude but it re-samples the holy dumpling ingredient list that was recited during the last episode by a "Sufi sitting on the sidewalk serenely spouting scripture from the Transcendental Dharma of the Holy Dumpling".

I started this one, Jeff infused it with some incredibly creative experimental guitar and electronic touches, Stephen killed it on rhythm and lead guitar once again, and joining us for the second (but not the last) time, Masa a.k.a. Tot reinforced the groove by adding a really nice additional drum beat.

* Stonerjazz @user-911083679 -- Vocals/Lyrics, Ebow & Mellotron

* TexMex Shaman @texmex-shaman -- Lead & Rhythm Guitar

* Tot - @tot-beat -- Drums & 808

* Tea R. Sea -- Synth & Production

-------------
Catch up with the first 5 tracks of our work-in-progress concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q
-------------

Words (HOLY DUMPLING ingredients):

Along with baking soda, salt, wheat and water
A heavy leavening of responsibility ls required ln the making--
and some mushrooms only growing ln Oaxaca

Oaxaca (Smoking Trout's HOLY DUMPLING #8) w/ Stonerjazz, TexMex Shaman, & Tot

Made in #Ableton (February 2024)

https://frozenlab.bandcamp.com/track/better-days

Genres;
#Electronic
#Pop
#Rock

Better Days (as Frozen Lab)

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

Art Expressed in Music – Renoir's Charm
February 2024
Duration: 3:00
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Luncheon of the Boating Party 
Remix of “Afternoon in Paris” by John Lewis with original composition 
Pierre-Auguste Renoir (February 25, 1841 to December 3, 1919) was a French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women. Renoir mastered the ability to convey his immediate visual impressions, and his paintings showed great vitality, emphasizing the pleasures of life despite the financial worries that troubled him. Several of his masterpieces date from this period including Luncheon of the Boating Party.  Renoir had his first attack of rheumatism in 1894, and, as the attacks became more and more frequent, he spent more and more time in southern France, where the climate was better for his health. About 1899 he sought refuge in the small village of Cagnes; in 1907 he settled there permanently, buying the estate of Les Collettes, where he spent the rest of his life. In 1910 he was no longer able to walk. Although his infirmity became more and more constraining, Renoir never ceased to paint; when his fingers were no longer supple, he continued by binding his paintbrush to his hand.  Several months before his death, Renoir was able to go to Paris, where several friends wheeled him for the last time through the Louvre to view the masterpieces that he had venerated throughout his life. Renoir died in Cagnes-sur-Mer on December 3, 1919 at the age of 78.
For strings, piano, harp, accordion, clarinet, alto flute, sound effects and percussion.

Art Expressed in Music - Renoir's Charm

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Siege

The 16th EP of "past is the verse

-Spotify
https://open.spotify.com/intl-ja/track/1rpku0fIqrleFOZkusq9Ec?si=d0ebedc30d1543d5

-Apple Music
https://music.apple.com/us/album/swinging-single/1745278732

-Amazon Music
https://music.amazon.co.jp/albums/B0D3LDJKQX?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_HTWcOZpJgSZYfQsS65gxpcJhw

-bandcamp
https://pastverse.bandcamp.com/track/swinging

Swinging

Download

Tu sais que tu vas faire une grosse bêtise ; mais tu la fais quand même.

Copyright © by Sébastien Bonneau dit OttO DIDAkT.
Paroles et Musique - Tous droits réservés (SACD).

CREDITS : 
Copyright © by OttO DIDAkT.
Paroles et Musique  : Sébastien Bonneau.
Tous Droits Réservés (SACD).

Mea culpa. - (2025)

I continue my musical experiments mixing styles. With this track , I tried to capture the spirit of post-punk rock but with an electro funk touch.  For the text, I let myself be carried away by my irritation against the warrior spirit that is imposed almost everywhere in the world. The lyrics are explicit

Je continue mes expérimentations musicales en mélangeant les styles. Avec ce morceau j'ai tenté de capter l'esprit post-punk Rock mais avec un touche electro funk.Pour le texte, je me suis laissée porter par mon énervement contre l'esprit guerrier qui s'imposent un peu partout dans le monde. Les paroles sont explicites


Punks Against War

All these stupid guys, thinking with their balls
Listen to  politicians and believe their  lies
Hey  You  asshole /   I don't want  take this way  
Hey  You  asshole  /  i'm going my own way  
 
There is no clean war, too many people die
No land, no country  worth the blood / of the child  who play there
 Hey  You  asshole /   I don't want take this way
Hey  You  asshole  /  i'm going my own way 

I am right in my fight/ shut the fuck up, son of a bitch,  
I protect my country and the world  shut the fuck up, son of a bitch,
My people are the chosen of gods  shut the fuck up, son of a bitch,
My enemies are terrorist dogs    shut the fuck up, son of a bitch,

There Are only two sides, Its not the good against the bad
 But Only those who die and those who get rich.  
 Hey  You  asshole /   I don't want  take this way
 Hey  You  asshole  /  i'm going my own way 


The vile flow of news channels makes me sick, makes me vomit
 Fed up with all these people who kill the future  they   makes me sick makes me vomit




En français:

Tous ces types stupides, qui pensent avec leurs couilles
Écoutent les politiciens et croient leurs mensonges
Hé, espèce de connard  Je ne veux pas prendre ce chemin
Hé, espèce de connard  Je vais mon propre chemin


Il n'y a pas de guerre propre, trop de gens meurent
Aucune terre, aucun pays ne vaut le sang Des enfants qui y jouent
Hé, espèce de connard Je ne veux pas prendre ce chemin
Hé, espèce de connard Je vais mon propre chemin

J'ai raison dans mon combat / ferme ta gueule, fils de pute
Je protège mon pays et le monde ferme ta gueule, fils de pute
Mon peuple est l'élu des dieux, ferme ta gueule, fils de pute
Mes ennemis sont des chiens terroristes, ferme ta gueule, fils de pute

Il n'y a que deux camps, Ce n'est pas le Bien contre le mal
Mais seulement ceux qui meurent et ceux qui s'enrichissent.
Hé, espèce d'enfoiré Je ne veux pas prendre ce chemin.
Hé, espèce d'enfoiré  Je vais mon propre chemin.

Le flux ignoble des chaînes d'information me rend malade, me fait vomir.
J'en ai marre de tous ces gens qui tuent l'avenir. Ils me rendent malade, me font vomir.

Punk Against War

Punks Against War (version 1)

SMILE

No One Cries For …

go ahead (tell me what you wanna do) #frawstakwapella 90bpm…

Orchestral Movements In The Dark (2025)

I am anything but a pessimist. I am not depressed either. However, the world is in such a sad state that, when I look for song lyric topics, I can hardly find anything positive or fun. Instead of singing, you just want to cry. Or scream.

I wrote the following song in memory of the immeasurable pain and incredible will to survive of the Ukrainian people – neither as a lament nor as a protest song, just as an almost normal love song.

Although I don't know the basics of the Ukrainian language, I also decided to write this Ukrainian version too with a customized arrangement and the help of DeepL because this language sounds so extra beautiful – one special of so many diamonds of Europe's cultural diversity.

Image: Dmytro Kotenko who died on the third day of the Russian invasion. He was 21.

Music, lyrics, vocal prompt and production by ©Hans-Michael Albers. Vocal performance by suno4.5

Lyrics translation by DeepL:

Will I ever see you again?
Just once more?
Wandering through worlds, spaces and dreams.
No matter where, no matter when.

Losing all time forever
as if we were music.
Only us and nothing else anymore.
As if there were no war.

Coming together like two halves of a whole.
Barely able to breathe with happiness,
Your heart beating as loudly as mine.
In this moment.

Gazing at you silently as you sleep so beautifully.
So indescribably close,
I've never seen anything more beautiful.
And it was all true.

Why can't this continue?
Why are you a ghost?
Will I ever see you again,
Before it tears me apart?

Will I ever see you again,
Before it tears me apart?

Чи побачу я тебе ще колись? (Werd ich dich jemals wiedersehen?)

Composer & Producer.
Always learning.

Thank you for listening!

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

The Siege

Emilio GS

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