When You're Invisible

Blockin

Coração

Coração by Trancylvania

Song with a mysterious message

Dream Catcher -by.Chris.ZøBro 
(Original Version )

Dream Catcher

JTSunrise Rendition of St. James Infirmary

Slow Blues, 60bpm 4/4

[Refrain]

Dm                    A7              Dm
I went down to St. James Infirmary 
Bb7 A7 Bb7 A7 Dm
To see my Baby there
                        Dm                     A7                 Dm
They had Her stretched-out on a marble table 
Bb7    A7 Bb7 A7 Dm
Asleep, so cold, so fair

[Verse]

             Dm                      A7                Dm
Let her go, You let Her go, God you let Her
Bb7    A7 Bb7 A7 Dm 
Wherever You may be
                Dm                                  A7                 Dm
Couldn’t never look this whole-world wide-over
Bb7    A7 Bb7 A7 Dm
Find a girl half as sweet

[Verse]

            Dm                 A7                     Dm
Gonna bury Her in Her strait-laced boots 
             Dm             A7                 Dm
In Her  walk’n coat and Cloche’ hat
          Dm                    A7            Dm
Put a twenty-dollar bill in Her coin-purse 
        Bb7                    A7   Bb7 A7 Dm
So She’ll know She died standin' pat

An American folk song about going to St. James Infirmary to retrieve a deceased lover. The song evolved over time and potentially from British origins in the 1800s, roots can be traced to the early jazz and blues era in New Orleans. Lyrics and melody were adapted and rearranged by numerous artists over centuries and emerged from a blend of folk, blues, and jazz. It’s popularity grew through oral traditions, diverse interpretations, and legendary performances 

Marble tables were practical for hygiene in morgues due to their white, durable, and non-porous characteristics. The thermal mass of a thick marble stone slab table allowed for temperature retention—ideal for icing in warm climates or maintaining an ambient cool surface in morgues which were typically located in medical facility basements

During the late 1800s and early 1900s, fashionable women dressed in tailored jackets, walking coats, and tailored suits. Garments were designed to be fashionable and practical. Popular was the tailor-made suit, which consisted of a matching jacket and skirt. Suits could have varied styles, including fitted jackets with defined waists and skirts. A walking coat was characterized by its length and suitability for outdoor activities. Women's fashion during this period saw a shift towards more tailored and practical clothing

Unlike higher heels of previous decades, shoes in the 1920s often had lower, practical heels to reflect the era’s active style. Boots had lace-up designs, providing a snug fit around the ankle and calf. This style allowed women to participate in energetic social activities. A stif pointed-toe contributed to a sleek and modern look and had defensive advantages. Boots were made of leather or fabric. Suede and patent leather being also popular

A Cloche (“bell” in French) is a bell-shaped fitted hat that became fashionable in the 1920s, complementing shorter hairstyles of the time

"Standing pat", a poker term meaning to keep one's hand as dealt without drawing additional cards, suggests the idea of a person being content and staying true until the end

In 1927 Fess Williams and his Royal Flush Orchestra were first to record the song under: "Gambler's Blues", crediting Carl Moore and Phil Baxter’s “St. James' Infirmary”. The song became more popular after Armstrong's comedic 1928 recording which mocked more emotionally serious versions. By 1930 at least twenty different recordings had been released. The Duke Ellington Orchestra recorded the song multiple times under names like "The Ten Black Berries", "The Harlem Hot Chocolates", and "The Jungle Band”. In 1933, Cab Calloway's version was released in a classic Betty Boop cartoon and his instrumental version featured Calloway's related hit song - Minnie the Moocher. Irving Mills managed both Calloway and Ellington. Mills Music published both artists 

My version of lyrics. Info from the internet

JTS

St. James Infirmary

Texte dit et écrit par La Gazelle (https://soundcloud.com/amandine-esno.)
Musique HyLGZ22 (https://soundcloud.com/user-618736932) et Damga.

Black Keys Seductive Harmonies

Black Keys Seductive Harmonies (La Gazelle, HyLGZ22 & Damga)

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The youtube video:
https://www.youtube.com/watch?v=-LOR3i0E-sQ
An old song of mine that I've re-recorded recently. Its a tune I've always liked and has some special meaning as it was played at my dad's funeral.
I liked the original recording but this one's a little cleaner and more accurate.
There are four guitar parts, the main lead being played on my Santa Cruz.
Richard :)

This World

雲は流れる

Thank you for listening!
My first collaboration with Wild Christopher, a great songwriter and singer.
Check out the great work of Wild Christopher; https://soundcloud.com/wild-christopher-lyrics
Lyrics and vocals: Wild Christopher.
Lyrics:
Some of us discover early
We’re not quite like the rest
We are set aside
Set apart
Best to forget
We fight to fit in
But the struggle brings you down
We are the shadows
We blow away like the dust
Always on the move
We embrace our wanderlust
We are the shadows (x2)
Who sees the shadows? (x2)
We go on searching
Traveling down deserted roads
Keep on believing
Some where we’ll find our home
We are the ones who put the questions into souls
But who is deceiving who
When the truth is never told?
Who sees the shadows? (x2)
We are the shadows (x3)
Who sees the shadows
Most try to ignore us
In the hopes we’ll just go away
We remind them of the sins
They hide in the light of day
Never to atone
But fear the sideways glances
Who sees the shadows?
We are the shadows
Fade into the dark
Under the street lights 
See the shells of the broken hearts
We are the shadows (x 3)
We fade into the dark

We are the shadows (Feat. Wild Christopher)

Composer & Producer.
Always learning.

Thank you for listening!

We are the shadows (Feat. Wild Christopher)

Emilio GS

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