Girl From The North Country

Live At The Rush River 10 - 16 - 22

Sunkissed psychpop - full of soul and lo-fi bliss. "Can of Worms" is the delicious debut single from Norwegian psych pop band GOLD CELESTE. Debut album out this fall through Riot Factory.

http://www.riotfactory.no/goldceleste.php
http://www.facebook.com/goldcelesteband
http://www.instagram.com/goldceleste

GOLD CELESTE - Can Of Worms

stay awake and stay aware
said a rock I saw in Nevada
I think about it all the time 
and my friends of mine

I try to love everyone
even if they don't love me back
staying true to yourself
no one can take that away 

the treasure of life (the treasure of life)
the beauty of it all (the beauty of it all)
I want to be alive (want to be alive)
with open eyes (with open eyes)

have you ever seen the sky?
after the sun's gone away
pink and blue and purple haze
puts me in a funny daze

have you ever smelled the woods?
after the long summer rain
ferns and mossy rocks and leaves
I never want to stray
never want to stray

the treasure of life (the treasure of life)
the beauty of it all (the beauty of it all)
I want to be alive (want to be alive)
with open eyes

you might just realize (might just realize)
how lucky we all are
you might just realize (might just realize)
how lucky we all are
you might just realize (might just realize)
how lucky we all are
you might just realize (might just realize)
how lucky we all are

the beauty of life

Domik na plyazhe

Devonté Hynes, aka Blood Orange, had an incredible 2019. He dropped the mixtape Angel's Pulse; scored the critically acclaimed film Queen and Slim; released a classical album with Third Coast Percussion; directed a music video for Beck; and, as a fan, finally saw the brilliant composer/vocalist Beverly Glenn-Copeland live. Glenn-Copeland (as he prefers to go by in his day-to-day life) had his own amazing year: At the age of 74, he had his first international tour, released the new LP Primal Prayer, and saw his previously obscure, decade-spanning seven album catalog finally embraced in music communities around the world. And he met Dev, whose music he adores.

We introduced Dev and Glenn right here on the Talkhouse Podcast, and the ensuing convo was warm, vulnerable, funny, and potent. The two sat on a sofa at Hook and Fade Studio in Brooklyn, and instantly formed a world all their own; they stared into each other's eyes, and spoke so softly that it was difficult to hear them from even a few feet away. In their wide-ranging conversation, Glenn and Dev discuss discovering parts of themselves by traveling out of their home countries; the way they each approach their songwriting; and the story behind Glenn’s seminal 1986 album Keyboard Fantasies. We also learn the importance of nature and its role in their music; how recently Dev began to honor music as the foundation of all his creativity; and the trick Glenn’s mother used to make him a musician while still in utero.

Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.
—Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn

Today's show was engineered and co-produced by Mark Yoshizumi. Additional editing by Katie Lau. Research by Reese Higgins.

The Talkhouse Podcast’s theme song was composed and performed by The Range.

Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com

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Dev Hynes (Blood Orange) with Beverly Glenn-Copeland

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Check out Catherine's book here: https://www.upress.umn.edu/book-division/books/virtue-hoarders

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