@world-listener @user-340364795 @nature-sounds @naturestimeline @dabasskanas

Lossless

Esta grabación fue hecha un ‎viernes ‎8 ‎de ‎octubre ‎de ‎2021 a las 5 de la tarde (no hay hora exacta ya que no me lo refleja la grabación). Caminaba por la calle canale junto a Damián, conversábamos sobre como es la vida en José Mármol mientras disfrutábamos del rico paisaje sonoro y visual, más que nada la puesta de sol que se estaba armando, mucha luz que irradiaba las calles y también conocer desde lo sonoro quienes lo habitan: vecinxs locales, motos, perritxs y una rica variedad de otras especies: Horneros, Benteveos, Picazuros, Palomas Comunes, Torcazas, Gorriones, Zorzales Colorados y entre charlas y contemplación de la escucha, encontramos unos sonidos provenientes del cielo, no de árboles: Se trataba de un Picaflor Bronceado (Amazilia chrysura es considerado por algunos autores como Hylocharis chrysura). Ese día quedamos maravillados de toparnos con un ser tan único y llamativo por estar paradito a un cable de luz en medio de la carretera y su canto incesante. Lo contemplamos por varios minutos pero creo que este estracto es el más limpio para poder identificarlo y no quitarle protagonismo al paisaje sonoro del sitio. 

Grabación de campo: María Emilia Pérez
Fotógrafo: Diego Trillo (Buenos Aíres - Eco Area Avellaneda) / IG: @tryllodyego 

Agradecimientos a quienes me acompañan siempre en estas nutritivas aventuras y a quienes comparten, difunden y se dedican a la preservación, conservación y enseñanza sobre la naturaleza Argentina y del mundo entero.

Picaflor Bronceado en José Mármol - Provincia de Buenos Aires

Down In The Gold Pit

ASRW

Original Version :
https://soundcloud.com/user-914870356/broken

Toggle The Muse - Broken (Senglar  Per Version)

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

Artwork by Trevor Grimshaw: https://pin.it/4KnPEMk

Mainland

This track is the result of an asynchronous collaboration with @daniel-diaz for the Disquiet Junto Projects (details below): I tried to embellish his wonderful track https://soundcloud.com/daniel-diaz/2022wcgroove-disquiet0572 mainly with the addition of piano and harmonium.
According to my wife this is music for letting the world pass by...

More on this 573rd weekly Disquiet Junto project – Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) – at: https://disquiet.com/0573/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0573-float-mode/

Letting The World Pass By [with Daniel Diaz] (Disquiet0573)

Commissioned and performed by Prague Quiet Music Collective

Part of a project called 'Five Uncertain Situations' with Prague City Gallery. Exhibition and concert at Dům U kamenného zvonu (Stone Bell House), Old Town Square, Prague in December 2022.

Bass clarinet - Anna Paulová
Baritone electric guitar - Ian Mikyska
Violin - Milan Jakeš
Double bass - Luan Goncalves

Mixed by Juraj Mišejka

This piece was written in response to a set of photograms from Aleksandra Vajd’s The Thirty-Six Dramatic Situations, which features two parallel lines, each changing colour halfway. To me this work is about things in flux, things moving toward or away from something else. In my piece, I am interested in how players might focus on periods of instability and change within and between sounds. By leaving the score more open, I hope to provide more space for the players to follow their curiosity and their ears, to be responsive to the sounds and to each other in the moment. - SL

"Sylvia’s piece is a rare occurrence: a simple, relatively undefined score that does not provide instructions for formal development over the entirety of the piece, yet immediately, the first time we rehearsed it, it was clear that the piece had a clear-cut character and a complex web of internal relationships. The simplicity and directness of Vajd’s photograms is here transformed into a focus on all the chaotic and noisy shadows, interferences, and byproducts that appear when players are tasked with exploring well-chosen, fluctuating effects and various transitions between them. Here, instability is always present at multiple levels — perhaps we could even speak of an interaction between instabilities, a dusty sonic layer covering the simple material play of the photograms." - Ian Mikyska

Overlapping Transformations (2022)

Tons

if you could wish , would you wish to rise ?
do you see the peaks of helioparticles ?
can you trust this earthly base and
will you fall to your systems ?

was i darkening the universe ?

> María Emilia Pérez (Venezuela) Artista sonora y visual multidisciplinaria. 
> https://linktr.ee/vermillion_project < 
> https://sites.google.com/view/mariaemiliaperez/ <
> https://linktr.ee/bioportraits < 
> https://cafecito.app/vermillion_project < 
> Dedicada al paisajismo sonoro, grabación de campo, archivo audiovisual, diseño sonoro, producción sonora y visual. Enfocada en la naturaleza: #fieldrecording #soundartist #bioacoustics #ecoacoustics #soundecology

Picaflor Bronceado en José Mármol - Provincia de Buenos Aires

María E. Pérez

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