Two Wings were formed in 2009 when singer/multi-instrumentalist/visual artist Hanna Tuulikki and guitarist/singer Ben Reynolds finally sat down and wrote a song together after years of crossing paths in Glasgow's ever-fecund left-field music scene(s).

Tuulikki’s experimental song-based project Nalle was described by Wire Magazine as “easily some of the most convincing free-folk the UK has ever produced”. Tuulikki was also a member of free form jazz folk ensemble Scatter and the Family Elan.
Reynolds' numerous releases as a solo artist include the 2009 solo guitar album How Day Earnt Its Night, released by New York’s Tompkins Square Records. Reynolds was also a guitarist in critically acclaimed psych-folk band Trembling Bells, and has
collaborated with Alasdair Roberts and Baby Dee.

As something clicked between Reynolds and Tuulikki, more songs followed, and Two Wings took flight with a glorious hybrid of Ceilidh band stomp, deep-fried Acid-Country twang, 1970s Me Generation Soft Rock harmonies, Memphis soul, Olde English
mediaeval-isms and the noise and smoky breath of basement bar folk dives when the 'F' word still meant something magical. All this was channelled into Two Wings' world even more as they expanded to incorporate fellow travellers Duncombe, Wilson and
Williams. Two Wings became a roaring, raucous beast of a band, and most of the fruits of Reynolds and Tuulikki's song-writing partnership appeared on their debut album, Love's Spring, released on Tin Angel Records in 2012.

“a warm-hearted fusion of vintage Americana and English folk-rock, complete with brass fanfares and soaring guitar breaks” - The List

"Their approach is still earthy and ramshackle, and as ever, Tuulikki’s voice instantly identifiable and oddly passionate” - The Wire

Peter J Taylor is a Composer, Guitarist from the UK, creating the founding sounds of Action Beat, he currently composes for multiple guitars. Using extended techniques, custom tunings and adaptive notation, Taylors music explores the harmonies of micro-tonal change in overtones. Making music with both site specific compositions and a touring ensemble, the music is both adaptable and challenging to both the participator and listener.  Taylor can be described sounding in comparison to Rhys Chatham, Glenn Branca, Boredoms, and has performed nationally and internationally playing with hundreds of musicians.

2013 saw the release of Vilification, written for 8 guitars, bass and drums. Recorded at Dubrek Studios with Justin Dean and mastered by Denis Blackham at Skye Mastering. Vilification comprises of 6 compositions and is released on 180gm Clear Vinyl, Fortissimo Records.  Claustrophobic, tense and euphoric, Vilification is a maelstrom of tones, hidden voices and driving beats. Exploring the harmonies of micro-tonal change in overtones, abandoning repetition and AABA structures for a musical narrative and creating a noise record with elements of improvisation. 

In 2010 Taylor finished work on his first album “MATE”. Recorded & mixed by Harvey Birrell at Southern Studios London and Mastered by Colin Mclean (Dog Face Hermans, The Ex). Featuring members of House of John Player, Hired Muscle, Infinite Men, Gabriella Cilmi. Comprising of Eight compositions written for an Ensemble of 6 Guitars and one drummer. This has been performed by a regular ensemble of both national and international musicians. Being completely self funded and released to critical acclaim on Fortissimo Records in August 2010.

In 2009 Taylors first major composition written for 26 Guitars and Drums saw its European premiere in Austria at ARS Electronic, Linz during the European Capital City of Culture.

Currently looking for commissions: acompanythatmakeseverything@hotmail.com

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