enjoyed this composition....very soothing tones and rhythms 

I think you made an excellent choice regarding the complexity/simplicity of the rhythms--powerfully arranged.  The isolated and random tones that collect as the track progresses seem to "pop" 
from the built-up energy of the main pulse.

Love how the sound progresses, having fun "sequencing" it by clicking within different parts of the track... :)

sound art for disquiet0623

found drum machine from the street.
last bit of charge from the previous owner.
makes malfunctions.

More on this 623rd weekly Disquiet Junto project, Kinda Bluetooth (The Assignment: Experiment with the sonic qualities of a failing signal), at: https://disquiet.com/0623/

About the Disquiet Junto: https://disquiet.com/junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0623-kinda-bluetooth/

residual energy thief (disquiet0623)

Jam with Music Thing Modular Workshop system, contact mic and drum sample 

Workshopping

Back after a lengthy absence from the Disquiet Junto.

The prompt aligned perfectly with my ongoing research into bell-like tones through ring modulation and frequency shifting, inspired by Oren Ambarchi's work, in particular "Grapes From The Estate" (Touch). 
Electric guitar, mostly harmonics, through ring mod plus some atrocious, violent guitar bits and bobs from my archive. 

Hope you enjoy!

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Unring [disquiet0682]

HOUSEWIFE 9, COUCOU CHLOE - LICK

a slow thaw

Taken from the album 'Myth of Equilibrium' released as LP and Digital.

C. Lavender 'Dimly Lit Exit' (EMEGO 281)

My contribution to the 62nd disquiet-junto on Soundcloud.

1-800-dial-a-sine is composed of a 350 Hz, 440 Hz and 480 Hz tone. Why? Well, as it turns out, a dial tone is 350 Hz and 440 Hz (held steady) and an audible ring tone is 440 Hz and 480 Hz (for 2 seconds on and 4 seconds off). 

I used these as the base for making this piece. Most of it was done in Bidule and then i also ran a tone through a pitchshift and widi plugin to make the pulse.  I was planning on making some complex rhythms but ended up happier with the simple pulse.

--I've had a bit of an addiction over the years to telephones and the sounds they make and have a shrinking collection of phones from the 50s, 60's and 70's.

For more on this 62nd Disquiet Junto project visit:

http://disquiet.com/2013/03/07/disquiet0062-lifeofsine

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

-----

Original call:


Disquiet Junto Project 0062: Life of Sine

This week's project involves making music from the basic building block of sound: the sine wave. 

You will compose and record a piece of music using just three different sine waves, and nothing else — well, nothing else in terms of source material, but the waves can, after the piece has gotten underway, be transformed by any means you choose. 

These are the steps:

Step 1: Devise which three sine waves you will employ. They should be different from each other in some evident way.

Step 2: The track should open with just one of the sine waves. 

Step 3: Add the second sine wave at 5 seconds. 

Step 4: Add the third sine wave at 10 seconds.

Step 4: Only at 15 seconds should you begin to in any way manipulate any of the source waves.

Deadline: Monday, March 11, 2013, at 11:59pm wherever you are.

Length: Your finished work should be between 1 and 4 minutes in length.


1-800-dial-a-sine [disquiet0062-lifeofsine]

return of batboy

driftwood (early mix)

I really wanted to say something about 2020, but there's nothing I could say that you haven't heard or thought yourselves already.

thanks for listening. you're good kids.

/ mikael

(made, as always, on Reason Suite 11 with Nektar Panorama P6. mixed on sennheiser HD-650 with the excellent Sonarworks plug-in. mastered on ozone 9.)

2020 project

half life

‘Strange planet music begins’ when a civilian passenger starship makes an emergency landing on an unexplored planet and the crew and passengers emerge to take a look around…

More on this 469th weekly Disquiet Junto project, [Missing in Caption] (The Assignment: Make music that pushes the constraints of descriptive television captions), at:

https://disquiet.com/0469/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Rune Vallesether, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/9U2HvQ

https://creativecommons.org/licenses/by-nc-sa/2.0/

Strange Planet music begins (disquiet0469)

I am a composer, sound designer and media artist. I like creating environments through sound, and exploring the sonic qualities of found sounds, field recordings and 'machine languages' of everyday things. I get inspired by constraints.
I have performed internationally as 1/2 of the duo Coin Gutter, and received international awards for the my installations and performances as part of Manufacturing Entertainment.
I work with performance artists, dancers, theatre companies, film/video artists, animators etc, creating experimental sound design for their work.

1-800-dial-a-sine [disquiet0062-lifeofsine]

Emma Hendrix

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