Youtube Channel
http://www.youtube.com/thesoundyouneed

Music at its finest.


musicsubmissionsuk@gmail.com

hiphop HipHop HIPHOP hip-hop Hip-Hop HIP-HOP hip hop Hip Hop HIP HOP 
trap Trap

Trap 
Trapstep 
Trap-step 
Trapstyle 
Trap-style 
ustrap 
uktrap

Fecamp born August 3, 1985,

Composer since 2006 an amateur soft, he recorded his first demo at the age of 21 who had no result.

It makes passing on Future Radio then it continues in this way to produce electro dancers until the end of the period tecktonik.

He then made a musical pause and resume the occupational composition in late 2012, he met artists such as Blow Cox Mayer Morissette, China Blizzie, Jhon Clark to work on titles ...

The result is an album coming in preparation for late 2013 early 2014

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

La scène musicale orléanaise compte parmi elle et ce depuis 1998 un DJ Producteur et réalisateur DeeJay Suga. Un DJ qui sait s’approprier la scène et c’est pendant les années 2000 qu’il s’encre dans les soirées Hip Hop & RNB. Son parcours éclectique lui permet de collaborer dans un premier temps avec le groupe KOMI-T 1.4 pour la sortie d’un premier album. Par la suite, cette fructueuse collaboration générera la sortie d'un autre album. Il devient alors le producteur et DJ officiel du groupe KOMI-T 1.4. L’ascension de DeeJay Suga prend de l’ampleur au fur et à mesure que son talent se fait reconnaître.
 À partir de l’année 2004, il met en place une collaboration avec une autre figure de la scène hip Hop son acolyte de toujours DJ Max Killa. Ensemble, ils enflamment le dancefloor français, de Paris à Nantes en passant par Potiers et bien évidemment Orléans. C’est à l’occasion des premières parties de JAMADOM, KRYS, de CUT KILLER DJ BATTLE mais aussi de DJ GOLDFINGERS  qu’ils conquirent le cœur des clubbers de l’hexagone. Dès lors, DeeJay Suga devient le DJ résident des célèbres discothèques Orléanaises Bakoua Club et du Sango Club. DeeJay Suga développe sa musique en se basant sur l’échange et le partage ce qui le mène toujours à être en quête de renouveau. C’est donc tout naturellement qu’en 2009 débute une nouvelle aventure, l’épopée Suck my Suga, un réel tournant dans la vie musicale du DJ.

Après s’être produit dans les plus gros événements en région centre, (SWAGG ON ,DEEJAY SUGA BIRTHDAY, LA BEACH DE TOURS, PIMP MY PARTY),WHAT'S YOUR FLAVA, DeeJay Suga vous propose sa net tape en exclusivité et en téléchargement gratuit !


Une étoile de la scène musicale à suivre …

Contact booking club: teamdeejaysuga@gmail.com
+33658423051


Official SoundCloud profile of M83 aka Anthony Gonzalez

Are you ready for a new adventure? New m83 album 'Fantasy' is out March 17: http://m83.it/fantasySo

We are Tin Jonic. Sunny Tech House cross 90's Deep Vibes. Booking: tinjonic@gmail.com.

Looking for a repost? Submit your tune now:
http://www.melodicsoundsnetwork.com

Melodic Sounds Network: 
https://soundcloud.com/melodic-sounds
https://soundcloud.com/the-groove-dealer
https://soundcloud.com/dope-musique
@the-lighthouse-records

House Of Vibes is part of Melodic Sounds Network, a collective of music channels, music blogs and record labels working together to promote new artists and expose the best of electronic music.

To submit a track/demo/mix please visit: 
http://www.melodicsoundsnetwork.com

Emma Lefevre is following