I was in Birmingham International train station, boiling hot after being used to Glasgow's wet sunless summers. I filled up a waterbottle and the electronic advert next to the dispenser was emitting this electronic drone. The music you hear is taken from that 20 second recording. 

It was a boring, uncanny moment, where I was vacantly processing our worsening climate emergency and how amazing it is that things can just keep going on.  

The title comes from Judge Hehir's sentencing of the Whole Truth Five in July 2024 stating that “whether or not we are facing the end of the world is neither here nor there" and that humanity “coming to a fiery end” is irrelevant". A shocking denial of reality and punitive measure in face of very real global catastrophe. And a deeply resonant instance of society's inability to see what's coming.

'facing the end of the world is neither here nor there'

La Serpiente presents 'Searching for the Sublime' [08.04.25]

Audio by Formen (Album Version)
Artwork by Formen

Bandcamp

Formenlehre 01b

PureData - construct_11

Buy: https://scapeone.bandcamp.com/album/calisto-rising
Stream: https://share.amuse.io/BA47Tg3-CbuG

Calisto Rising

Variants of the Form

Buy: https://scapeone.bandcamp.com/album/a-certain-interupt
Stream: https://share.amuse.io/TiQp47OoLKE5

A Certain Interupt

The Happiness Patrol

Auva Duhr is back with a new EP titled 'nomansland'. Dancefloor minded and for dancing minds. This is the openings track 'Nomansland'. Please visit Bandcamp to listen and buy the full EP
https://auvaduhr.bandcamp.com/album/nomansland-ep

°°°promo°°° 'Nomansland' - by Auva Duhr (new EP)

Honey, I love you

I don’t know what’s real and I don’t think I want to

Recorded, mixed & mastered on 29 Oct & 01 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, samples, effects.

This original version of "Go Ahead, Ernie” was submitted as part of Naviar Haiku 617: An Autumn Nightfall

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

Photography/Art - Jim Lemanowicz, 30 Oct 2025, Massapequa train station, Massapequa, NY, USA

Music & art © 2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see www.naviarrecords.com/haiku-music-challenge

Go Ahead, Ernie (naviarhaiku617)

November 2007. Winter is coming closer. The track here is based on some of the source material for the 2004 album release Signal to Noise, mainly a single recording of a longer pad sound of a Yamaha SY 77 synthesizer. It has been sampled, transposed, filtered and layered a few times to get to the final result.

http://www.roberthenke.com/downloads/free_track_2007_11.html

Robert Henke Oomoo

Empty Space is an artistic platform based in Biel/Bienne, Switzerland. We explore the interactions of physical media, their characteristic formal languages, and their modes of functionality. To achieve this, we focus on projects that experiment with various art forms, aesthetics, and crafts. Our goal is to create works of art that challenge conventional modes of production and reception.

To bring each project to life, we collaborate with different artists, blending their distinctive approaches and methods into something new. Depending on the medium, many of our productions are conceived as one-of-a-kind pieces or one-time performances.

Empty Space operates as a non-profit association, with all revenue either supporting the artists or being reinvested in future projects.