A single-take improvisation on Nord Piano, Viscount Legend Live, Novation BassStaton2, and Novation Summit, all processed by the modular using Lubadh and Clouds, with a little EHX #1 echo and Strymon BigSky for good measure. 

The scent of a rose
In the forgotten greenhouse,
A fluttering ghost.

Merle Bardenoir is a French musician, artist and poet carrying an ambient project called Glamourie. Imbued with symbolism, his universe blends avant-garde and folklore, nature and fantasy. Ranging from traditional drawings to fantastic short stories, his multidisciplinary creations display an elegant and mysterious sensitivity.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 12th April 2023

haiku by Merle Bardenoir https://glamouriemusic.wordpress.com

picture by Nathan Wright https://unsplash.com/@cozmicphotos

Scent Of A Rose(NaviarHaiku483)

took SOMA Enner, tried to make some inspiring ground for others

The Loneliest Number Part 1/3 (disquiet0591)

Field recording of an electrical transformer at the University of Debrecen (Hungary) slowly transformed with GRM BandPass and GRM Reson.

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

Transforming A Transformer For Éliane [Disquiet0595]

You Are My Morning Star Naviarhaiku492

This Disquiet Junto is the 600th weekly project! The source audio is a set of seven wav files provided by fellow Disquiet member [@marcus_fischer](https://llllllll.co/u/marcus_fischer) to be remixed in any way that might be imagined.

More on Disquiet Junto Project 0600: Reaching Out at https://disquiet.com/2023/06/29/disquiet-junto-project-0600-reaching-out/

Reaching Out [Disquiet0600]

Building on Marcus Fisher's (https://soundcloud.com/marcus_fischer) tracks 'hands held', 'worn path' and 'walking' - the first two of these combined and frozen in a granular sampler's buffer (beads), and hits from the third used to excite a resonator (rings). Some arrangement and processing in ableton, with 'hands held' bookending the final track.

--

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/

Please credit Marcus Fischer when posting your track.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

This project’s cover image is a detail of a photo by Marcus Fischer.

disquiet0600 - ha/wo/wa

This is my response to the 600th @disquiet Junto project. Many thanks to @marcus_fischer for the samples for this track.

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

This project’s cover image is a detail of a photo also by Marcus Fischer.

Reaching Out (disquiet0600)

I set a track to record from the master track while I randomly switched back and forth between the 7 stems using the solo button on the different tracks.  Then made three tracks of this new recording, one original, one where I'm playing with warping, and the last I'm playing with "pitch hack" (a Max 8 effect in Ableton).  Then I did the same thing with these 3 tracksthat I did with the original 7: switched randomly between them and recorded the result.

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/

Please credit Marcus Fischer when posting your track.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

This project’s cover image is a detail of a photo by Marcus Fischer.

The 6hund00rd Club (stems by Marcus Fischer)(disquiet0600)

Disquiet Junto Project 0600: Reaching Out
The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer.
More info on Disquiet Junto: disquiet.com/0600

This is the 600th Disquiet Junto. 600 weeks of fresh music! Congratulations to Marc Weidenbaum @disquiet and all the Disquiet Junto community for this important achievement!
This week I had the pleasure of re-working a collection of Marcus Fischer's wav files from which I selected nacre_voit and no_input_matrix_mixer files.
I decided to keep focusing on the higher part of the spectrum, just as I did on my previous disquiet 0599. I used synths and norns clone to interact and/or mangle the two selected .wav files.
It was difficult to keep things interesting and having control of everything while keeping an eye on the timing of such process.
For this recording I set up Morphagene to play nacre_voit.wav as a reel. The output was sent to a mult and then split to a mixer and to QPAS and Mimeophon for effects, then into the mixer with a non effected output.  
Arp 2600 clone and 0-Coast produces an high pitched voice that is similar to Marcus Fischer's nacre_voit.
Fates is running Gemini script with no_input_matrix_mixer.
The latter two are then effected with Hologram Microcosm Granules, Haze, 3rd preset. On previous takes I also tried Graintopia and Twine.
It's been the longest process I've ever had with any Disquiet Junto since my (recent) first submission (0590). For this last assignment I collected 13 different takes, it's a process that could have resulted in even more if I didn't restrain myself to call it finished. 
Lesson to be learnt is to keep patch simples: for this one I had complex patches running as I was trying to better understand all the capabilities of my newly arrived NANO Caixa 104 case, but the process of keeping everything under control and improvising without overdubs has been demanding. I think this one has suffered of a strange kind of horror vacui. 

Synth Voice.
Both synths are controlled via MIDI through Arturia Keystep.
• 0 Coast. 
Maths Voltage circuit: Stepped out and Arp's S&H out patched in. The outputs modulates MLTPLY and OVRTN params.
DYNAMIC out to ARP Filter VCO1 input
LIN FM controlled by ARP Triangle LFO
•ARP
VCO 2  Square normalled to Filter.
VCO 2 Sine patched to Filter Control VCO 2 in
VCO 1 Square + Filter Output are sent to Ring Mod channels 2 and 1 respectively.
Filter is set to self-oscillate.

•Modular Synth
Morphagene out -> (Morphagene) mult -> Caixa 104 Mixer 1L 1R
(Morphagene) mult -> QPAS in -> QPAS LP out-> Mimeophon in -> Mimeophon out -> Caixa 104 Mixer 2L 2R
Morphagene CV out -> Mimeophon µ in
Morphagene EOSG out -> Mimeophon Hold in

Caixa LFO 1 Square -> mult -> QPAS radiate L in, QPAS Q in, Mimeophon Clock in
Caixa LFO1 Triangle -> Morphagene SOS in

Caixa LFO 2 Square -> mult -> QPAS !¡!¡ L in, Wogglebug Clock in, Caixa Precision Adder X in
Caixa LFO 2 Triangle -> Caixa Precision Adder Y in 

Caixa Precision Adder -> Sum out -> Morphagene Gene Size in, Moprhagene Slide in

Wogglebug Stepped out -> QPAS Freq 1
Wogglebug Smooth -> Caixa S&H in
Wogglebug Woggle -> Morphagene Varispeed
Wogglebug Woggle Audio out -> Wogglebug speed in
Wogglebug INT Clock out -> Caixa S&H Trig in

Caixa S&H out -> QPAS Freq 2 In

Mimeohpon Delay Gate Out -> QPAS ¡!¡! R in

Generation (Son Of 0599)(disquiet0600)

A collaboration with Jogging House, 42 characterful dusty patches for TAL Sampler.
Foresting - to cover an area in forest // in this case to add the energy, calm and peaceful stillness of the forest to your music.
Forest bathing/Shinrin Yoku - the conscious and contemplative practice of being immersed in the sights, sounds and smells of the forest. It was developed in Japan during the 1980s, and in 1982 Japan made this form of mobile meditation under the canopy of living forests a part of its national health program. Researchers, primarily in Japan and South Korea, have established a growing body of scientific literature on the diverse health benefits.
The inspiration for the sounds is the love that Boris and I both have for being out in nature and the calm, therapeutic energy we feel when immersed in the forest.
Created with a range of eclectic and interesting hardware synthesis, samplers and fx.

Foresting - Demo1

basking
in the New Year's sun...
my trashy hut
 

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd January 2023

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Jonathan M. Hethey https://unsplash.com/photos/photography-of-grass-with-sun-light-ka9D9DiEVvw

Basking (NaviarHaiku521)

In search of imperfection.
Professional sound design for manufacturers and composers
Consultant & Sound Designer for:
Novation, Native Instruments, Arturia, Unfiltered Audio, KiloHearts and more.
https://store.emptyvessel.co.nz