Mesopotamia ENKI

"Headbanger" (2012), 1:05

Headbanger is inspired by the following John Cage quote:

"I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.' "

Considering Cage’s influence on electroacoustic music, I felt it would be appropriate to make a reference to his first electroacoustic composition. Headbanger concludes with an allusion to the constant note record heard at the beginning of Imaginary Landscape No.1 (1939).

Download this track from cdbaby.
http://www.cdbaby.com/cd/seamuselectroacousticmin 

Download this track on iTunes.
https://itunes.apple.com/us/album/seamus-electro-acoustic-miniatures/id595770490

Headbanger

Excerpt from "GATES" (2013), 8:20

Completed in 2013, "GATES" is an electroacoustic composition that was partly inspired the Pleiades constellation. A musical mapping of an image of the constellation occurs in the middle and at the conclusion of the composition. One can hear this depiction in the “wood block” timbres. The composition begins with a complimentary relationship between periodic and non-periodic sounds; the sustained sonorities are engraved with a variety of successive fleeting noises. Recurring timbre themes and the transition from ephemeral to sustained sonic activity suggests a binary structure. The composer is grateful for the many musicians who participated in recording sessions.   

GATES (Excerpt)

𝐒𝐔𝐌𝐄𝐑𝐈𝐀𝐍 𝐃𝐄𝐄𝐏 - STORIES OF A HIDDEN PAST by ShAnkAri & ∆ N D ∆ R ∆

∆ N D ∆ R ∆ on Soundcloud
https://soundcloud.com/dj_andara

ShANkAri on Soundcloud
https://soundcloud.com/anneaude-bonnet


Have you ever questioned the sudden evolution gap bringing mankind straight from the state of ape to a level of knowledge and art making it build pyramids, Angkor Vat, and so many architectural jewels that still remain mysteries to us, and that we simply still couldn’t reproduce today, despite the high technical level we reached ? 

What happened in Mesopotamia ? 
More important : WHEN ? 
We don’t come with answers...
We just want to initiate a questioning process…

VIDEO
https://www.youtube.com/watch?v=ONIl0imHgB8

https://planetibiza.net
https://newsportal.planetibiza.net
----------------------------------------------------------

Sumerian Deep ❤️

𝐒𝐔𝐌𝐄𝐑𝐈𝐀𝐍 𝐃𝐄𝐄𝐏 - STORIES OF A HIDDEN PAST by ShAnkAri & ∆ N D ∆ R ∆

Ancient Mesopotamia and Arabic Instrumental Music: Magnificent Rhythms of the South Arabian Desert, Revival of Sand and Wind, The Desert of Love

Ancient Mesopotamia and Arabic Instrumental Music

Organized Sounds

Get 'Daniele Di Martino | Dizharmonia' here: https://lnk.to/DanieleDiMartino_Dizharmonia_StilvorTalent

Close collaborators of the label along which they have released a string of acclaimed sorties, Berlin-based producer Daniele Di Martino and Androgyne Audio head exec Dizharmonia return to the fold with their debut joint four-tracker. An attempt to express the "inner symphony of a certain moment", this special delivery taps into various backgrounds and influences, amongst which the Italo sound certainly holds a special place. Here Di Martino and Dizharmonia's versatility shines through in epic manner as they give full vent to the wider segment of their palette. Deftly oscillating between stadium-sized firepower and more intimate narratives, the pair draws from either mythical or real-life places and space to engineer his own widescreen vision, connecting with the deep emotional worlds of their audience. This new instalment doesn't differ, as it reveals a potent quartet of assets for the club, ready to take on the most demanding crowds and party scenarios to express its full potential.

Helming the A side, Dizharmonia kicks things off on a clearly Italo-informed / newbeat-tinted note with 'Mesopotamia'. Firing away an heavyweight arsenal of free-flowing synth arpeggios and sizzling basswaves against an elating tapestry of washed-out pads, its cavernous echoes slashing from above stretch their otherworldly menace bar after bar. The substerranean 'Nestos' goes a more understated route, softer in tones and openly foraying down the deeper layers of consciousness. Interlarded with emotional piano chords falling like ambrosian drops and buzzing synth stabs, the track takes us on a slo-mo poetic journey across polychromatic trancey soundscapes. Di Martino's lead slab - 'Blade Runner' - reels off a dystopian club dynamic very much akin to that of the eponymous sci-fi masterpiece, blazing with incendiary synthlines, lethal breaks and a truly epic buildup to tie it all together. Clad in shadows, his second contribution - 'Dark Moon' - tops the release off on a slightly more laid-back and nostalgic momentum, moving from luminous circles down raucous sound strata as Di Martino showcases his knack for crafting riveting club ordnance that gracefully combines cinematic immersion with potent dance floor appeal.

Dizharmonia – Mesopotamia [Snippet]

From an unreleased remix of Emre Tenker's Void II; this layer of music is entirely by me, and was originally overlaid on the ambient drone sound by Emre.

Void 2 (remix layer)

Short unprocessed jam from a Korg Opsix session.

alg1 test5 three layers (aka study for inside pt. 3)

iTunes: http://onelove.im/1HelJbp
Beatport: http://onelove.im/1HefuV2

After a massive 2014, which included the release of singles Tear Them Walls Down & In The Zone and remixing the likes of Tigerlily, Joey Suki & Elroy, Chris also mixed his first ever compilation, Melbourne Bounce 2 (which cracked the top 5 on the iTunes Dance Chart in Australia.) 

Chris now returns to onelove with his first release of 2015 and what a beauty it is. Chris’s signature bounce and energy meets Middle Eastern inspired melodies, which feels like this tune was conceived in the heart of Mesopotamia.

Babylon has already gained support from Australia’s #1 DJ Will Sparks who played it at a sold out Goodlife Festival in Brisbane 

http://onelove.im/Babylon_Goodlife 


iTunes

CHRIS BULLEN - BABYLON

second mix

Şaheser

İtidal

(II) Nippur was regarded as the city of life. No king ever lived there, it belonged to gods and humans, both striving together to balance the forces of chaos.

• Lost Memories - Armen Miran, Djivan Gasparyan
• Gold Town - Stavroz
• Gilgamesh - Elfenberg

1.8.19

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Nippur

exploring sonic environments

@voidensphere

https://linktr.ee/emretenker

Nippur

emretenker

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