LIVE / DJ BOOKINGS:
Worldwide - sinan.ors@roamartists.com
N. & S. America - bowen@teamwass.com

SHOWS:
https://linktr.ee/romaremusic

MGMT:
romare.music@gmail.com

Now releasing music as @Benyayer 

Live / DJ bookings: info@bnyr.net

www.bnyr.net

mgmt - www.heartfeltmanagement.com

Gramatik Discography:
Re:Coil Part II (2019)
Re:Coil Part I (2017)
Epigram (2016)
Coffee Shop Selection (2015)
The Age Of Reason (2014)
SB4 (2013)
#digitalfreedom (2012)
Beatz & Pieces Vol. 1 (2011)
No Shortcuts (2010)
Street Bangerz Vol. 3 (2010)
Water 4 The Soul EP (2009)
Street Bangerz Vol. 2 (2009)
Street Bangerz Vol. 1 (2008)
Expedition 44 (2008)
Dreams About Her EP (2008)

For bookings please contact:

machinofm@gmail.com


https://machinomusic.bandcamp.com/



MACHINO
Originally from Mexico, the Los Angeles-based producer Machino is known for his electro-tinged EBM productions. He’s been perfecting his craft for over a decade now since his beginnings in punk bands before his excursion into electronic music—the gritty intensity of his musical beginnings have directly influenced the approach to the project’s sound. This inherent toughness collides with the sleek precision of dance music built for the club, which resonates through punching kicks and unbridled, distinct track arrangements. From eerie analog fuzz to distorted, ghostly samples, Machino’s tracks embrace an intense darkness that few can achieve: aggressive and haunting, there’s much to unlock if you dare to plunge in.

Machino’s live sets are jagged, angular dance experiences that are created off-the-cuff—it is about the moment and the intimacy of his surroundings. No two performances are alike: each set creates an aggressive tension that causes the dancefloor to erupt as he blends harsh beats with electro elements and ferocious, running basslines. His remarkable performances have landed him at several prestigious events such as Sonar, Mutek and Boiler Room, while his productions have been found on Tresor via Helena Hauff's Kern Compilation as well as other labels like X-IMG and 99cts Records. Most recently, he released the electro-industrial collaborative ‘‘Parafernales‘‘ EP alongside Andi via Mannequin Records.

Ludovico Einaudi is known the world over through films and TV. His music has featured in titles including Black Swan, Doctor Zhivago, This is England and many more. In 2011 his track I Giorni was played on Radio 1, and his haunting melodies are timeless in their beauty.

Follow me for new and bespoke recordings straight from the label.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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