Feed The Kitty isn’t just another LA band. Technically, they’re an LA/Orange County band, but the real point is that around these parts they’re known for working harder than any band in SoCal.
   This self-managed trio plays 300 shows a year, from Hollywood to Dana Point to New York City to Europe! With a few thousand gigs already to their credit they long ago must have gone Top 10 on the all-time list of Most Shows Ever Played By A Rock Band! You know, probably.
   Feed The Kitty’s third studio album, Westbound & Down, features “California Country Girl,” which has been heard on 88.5 FM and K-EARTH 101 radio in Southern California. “Whenever I play ‘California Country Girl,’ I can count on listener response,” says 88.5 FM deejay Jim Nelson. “Feed The Kitty sounds great on the air.” They are working on their next album now, once again recording at Dave Grohl’s famed Studio 606 in Los Angeles with producer John Lousteau (Foo Fighters, John Fogerty, Rush).
   In the three minutes a week that Feed The Kitty isn’t playing a gig or recording an album, they’re busy making mini documentaries (well, okay, just one; it’s called Feed The Kitty: The Movie and it’s a lot of fun) or running around placing songs in films and TV shows, including in the Oscar-nominated Ryan Gossling movie Lars And The Real Girl and in National Lampoon’s Cattle Call, and the TV show Rogue used three of their tunes. And because sleep apparently isn’t necessary when you’re young, handsome, and in the self-described hardest-working band ever, Jed and Jack host the popular Feed The Kitty Power Hour on healthylife.net every Wednesday from 2-3pm (LA time).
  Feed The Kitty’s music is available on iTunes and everywhere music is sold, and on stages anywhere and everywhere seemingly all the damn time.

We're not like all the other Snakes, Venice California.

Rough cuts of some riffs waiting to be developed. Ventura Ca looking for collaborators to hash out some songs and maybe record in the future.

_As the dust picked up in the desert, the moon set behind the mountains and the ocean made amends with the land. It was here, at this place, we found ourselves.
We are Rosechild_

After spending the better part of a decade touring, gigging, and putting out music, somewhere along the way, Down and Outlaws became veterans of the San Francisco music scene. Loud, visceral, and self-assured like few rock bands are these days, the quartet continues to impress audiences up and down the west coast with a singular brand of punk-influenced desert rock, and a heart and soul based firmly in the classics. This is music to blast with your windows down, as you leave the city in your rear view. 

Following years of hard work, ambition, and plenty of disappointment, “Gas Money” is D&O’s purest release yet. Recorded over a year at the Complex in San Francisco with George Rosenthal, “Gas Money” is a retort to critics, naysayers, and anyone who might tell D&O what they should try to be. Recorded mostly in a few takes and with minimal overdubs, “Gas Money” is a raw album, showcasing a group of musicians at the top of their game, making music for themselves, as it should’ve been all along.

A Diamond Heart Production 
Vanessa Silberman
info@adiamondheartproduction.com

TV & FILM SYNC LICENSING:
Quick Sync Music
Melissa Aubert
Melissa@QuickSyncMusic.com

M.R. Snakes is following