RAAR 5 YEAR mix

ФАЛЛ 2°21

Your 2021 Playback

spotify version: https://open.spotify.com/playlist/480li3Z9kcJT7ufZ3jO5YJ?si=72f38b142aae4676

cute ear candy music :3

layers of identity

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Hidden - Xertz
Sugar Armor - 7038634357
Dein Augen - JakoJako
Magnolia - Croatian Amor, Scandinavian Star, Alto Aria
fetva - votum
Olhos I - Pandit Pam Pam
Look Away, I love U - Ava*
Parabiotic Dream - Dasychira
Fire-Toolz - 🔥🛠 Theme
500 & emotegi - march of bucentaure
HERBARIUM - Surf Ski 2
Reverie - Quit life


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♡♥1𝘴𝓽 ꪑ𝓲᥊♥♡

techno je všechno

The Brvtalist is pleased to premiere a new track from Punktmidi. "Birds" comes off the new compilation from Cologne's Katana Records. It's the label's second v/a and this one brings 14 tracks of hard techno and more with a host of exciting emerging names across the techno spectrums. Today we premiere this great one from Punktmidi which delivers techno rhythms with an icy trance touch.

Out on digital formats. Visit: katanatechno.bandcamp.com/ for more.

@katanatechno
@punktmidi

PREMIERE: Punktmidi - Birds (Katana)

untethered

The Brvtalist is proud to present a new mix from Ćyan ID. The Tbilisi-based DJ and producer drawns from a wide array of influences and ideas absorbed through his formative years in the Tbilisi techno scene. His sound is an emotive blend and amalgamation of body music, post-punk, rave and aggravated techno. Expect destructive drum programming and pulsating rhythms. Today we host this killer set of his vicious sound.

@cyanidtechno
https://www.facebook.com/cyanidtechno
IG : cyanidtechno

New Brvtalism No. 304 - Ćyan ID

⃝○

Piano translation of my favorite Jerome's Dream song.
Photo by @video.loss

Its More Like A Message To You

A I W A - Some Time Maybe

Produced by @talistotalisto
Written by Ms Nina & Talisto & Diego Adrian
Mastering by FST
Cover artwork by FIFA 2000

℗ KLACK
Stockholm 2017

Ms Nina & Talisto - Noche de Verano

CHAM-PANG
Tant pis 81-82

www.tnzr.org/tnzr055

A1. Bella V
A2. Oriental intrigue
A3. Ziggurat
A4. It may be acid rain, my love
B1. Tant pis pour les heures de sommeil
B2. Presqu'heureuse
B3. Come se dice

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Best known as an electronic duo, Cham-pang became a fixture of the Montreal new wave scene in 1981 with the release of a two-song EP on YUL Records (“Tantum Ergo” b/w “Ne mourrez pas”). The session featured Men without Hats’ Allan McCarthy on electronics and Yvel Champagne on vocals, although the group also depended on contributions from Mario Spezza of Rational Youth and Pyer Desrochers. A multidisciplinary artist with a singular voice and an arresting presence, Champagne then joined force with experimentalist Bernard Gagnon whose works at the time ranged from free improvisation to electroacoustic music. He recruited former bandmate Angel Calvo, of new wave outfits Vex and Rational Youth, as well as Robert M. Lepage, whom he knew from his early years with the Experimental Music Workshop. Long-time Cham-pang collaborator Pierre-Laurier Lamarche and Daniel Lajoie completed the group, helping give it a new direction both sonically and performance-wise.

This LP contains material composed ahead of a defining concert at the Cégep du Vieux-Montréal’s Tritorium in April of 1982.

Chroniques (Reviews)

** Sortie officielle (official release date) 25-10-17 **

"Bella V" (Cham-pang : Tant Pis 81-82)

An ethereal, unresolved presence fading into the stereo field, Hilja breathes into life with a haunted synth line and self-sampling vocal hook that instantly creates an enchanted space. Hilja is the debut album by Glasgow-based musician Maria Rossi aka Cucina Povera. Named after a style of southern Italian traditional cooking associated with precarity and making-do, a philosophy of simplicity and stoicism that applies perfectly to the spare but beautiful music Rossi experiments with. Hilja’s marriage of minimal synth, field recordings and the hymnal dexterity of Rossi’s vocal performances creates a new language, sometimes literally, to be spoken in some mythological Fourth World we’ve yet to create.
 
Originally from Finland, Rossi brings an acute sense of space, surroundings, and practicality to her working practice, with each composition often relying on a limited sound palette to create deeply affecting messages which transcend language. Cucina Povera’s power is to communicate purely, often down to the solo-choir nature of Rossi’s multi-layered voice, an achingly beautiful instrument which has seems to have an innate spirituality in its grain. The tension between the means and the end is at the heart of Cucina Povera, the invocation of a kind of secular spirituality at times using nothing but Rossi’s voice. Indeed there’s almost a Dogme-like purity to the arrangements: Elektra is a soothing song based around the lapping waves of Rossi’s wordless backing vocals and a simple field recording of stones knocked together. Kehoitus is completely a cappella, a haunted fairytale told in glossolalia, evoking a quasi-religious experience with very little.
 
For music often minimal and simple there’s a boldness that belies Hilja’s status as a debut. Rossi allows each word, each sound and rhythm to exist in its own space, finding its own relationship with its surroundings. Mesikämmenen Veisu is perhaps the most ecclesiastical sounding composition here; burbling water trickles below a virtuoso vocal, with incredible arrangements in several registers undulating above. A meditation to relieve hunger and restriction, it’s a perfect summing up of Hilja, a music ambient but completely earthed, finding enchantment in what you have to hand, the realism of magic, the magic of realism.

Cucina Povera: Totean

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

digisurf

don't own the rights to this track. Any problems please message and will be removed.

Distinkt - $pice

Scroll of Sorrow (Feat. Guayaba)

-I've got an idea
-small fish can swim too
-when it rains
-one day I'll grow up

dream all day long<3

melodies I grew in my little garden

Will Clarke - Let’s Rave EP

Available here  https://lnk.to/TRICK019

Will Clarke debuts on Trick this November with ‘Let’s Rave EP’, featuring Daddy Dino and remixes from new talents Ammara and Meg Ward. Will Clarke’s catalogue has marked him out as one of house music’s hottest names in recent times, with releases for Kneaded Pains, We Are The Brave, Drumcode, and of course his own All We Have Is Now all causing huge damage on dance floors and sales charts. Here, on Patrick Topping’s increasingly essential Trick imprint, Will Clarke dives in with the aptly titled synths-and-stabs driven ‘Let’s Rave’ before teeing up the first of two collabs with Trick mainstay, Staten Island’s Daddy Dino. ‘Negativity (feat. Daddy Dino)’, one of the hardest tracks to grace Trick to date, is a thundering techno number punctuated with anxiety-inducing builds and Dino’s pitched down vocals, while ‘Die With Me On This Dancefloor (feat. Daddy Dino)’ takes a trippier, groove-based vibe and features one of the years most infectious hooks from Dino. ‘Let’s Rave EP’ is rounded off with a set of quality remixes from two relative newcomers, Ammara and Meg Ward. London’s Ammara twists ‘Let’s Rave’ into a no-messing acid assault that displays her love of seriously big sounding tracks while Newcastle’s Meg Ward uses the 303 to take things in a slightly deeper yet no less heavy direction.

♡♥1𝘴𝓽 ꪑ𝓲᥊♥♡

emrys