Those on the outside will never understand...

House of Disco is a record label run by Magnier which is dedicated to unearthing joy for your earlobes

For bookings email: 
david@thebuildingsociety.agency

Bookings: 
Worldwide: alexandra@higher-ground.de
North & South America: inbal@prismaartists.com
Management: cg@285.group
Voiceover: sue@sueterryvoices.com

The music of this artist is not heard, it is felt.
He has not only established himself as a DJ and producer but also as a refined music selector,among other brands that find in him the experience of having been a key player in the electronic music scene of the white island.
He is currently collaborating with the radio station "IBIZA GLOBAL RADIO" where he has his own radio show called "WARM UP" every Mondays from 18h-19h with his electronic sound.This artist has defined his style positioning himself in Ibiza as one of the most emblematic producers and residents. His great gift is the sensitivity with which he interprets his sessions and the creativity to take listeners to different soundscapes full of originality and fresh air. One of his latest productions, "Slip through my fingers", is proof of this and you can find it through the prestigious label Robsoul records. Or in his more electronic side with his "Homeland" for the "Looking Back" label.
His devotion to permanently investigate innovative sounds has attracted the attention of several greats of the international electronic scene. Among them is the legendary Carl Cox who has chosen one of his productions released on Hector Couto's Roush label and has amplified it in one of his multitudinous sets. This track has also been selected to be part of the Amnesia Ibiza compilation CDHe found a very special way to interpret house and other styles mixing sounds in a way that distinguishes him from many DJs. His music seduces, traps and when you least expect it you are inside a sound world where the bpm beats in unison with your heartbeat. Those who follow him wherever he plays do so with the certainty of knowing that each song chosen has a meaning chained to the previous one and the one that will follow. As the session grows, so does the desire to dance. The audience connects with his sound not only from the dancefloors, but from a state of enjoyment where by letting go of the body, they release their emotions... those that are born when you listen to good music.
Before becoming the resident of BLUE MARLIN IBIZA for almost a decade, and where he shared booth with DJS of international stature as LOUI VEGA, KERRY CHANDLER, LUCIANO, TECHNASIA, NIC FANCULLI, UNER, TODD TERRY, DJSNEAK, HECTOR COUTO, UNER DOSEM toured many booths, cities and countries such as Russia, Switzerland, France, Abu Dhabi, Doha, London, Portugal, Albania and Italy He could also be heard at Space, El Divino, Pacha, Café del Mar, Las Dalias and many other clubs where, in his footsteps, his footprints were marked. Throughout his career he was nominated for 3 years in a row by Deejaymag magazine for Best Newcomer Dj, Best Resident Dj and Best Dj of the Year.
But for him, success is just a fad. The only recognition he pursues is that of his audience to whom he gives himself as those who love, with all his honesty.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

armada | formerly known as dynamic

war music. lets run this shit back.

frequency pain is out now!

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