Le nombre de fois que j'ai écouté cette version, j'adoooore..suis un ami de B.Picot ! Congrat tu déchires grave...

Bastien avait raison moi je suis amoureux

brilliant !! loving it. best version yet :)

best coldplay cover I've found on sc so far

Beautiful arrangement, gorgeous voice! Merci.

Banshee

Golf - All in all
Videoclip available here : https://www.youtube.com/watch?v=jkuTVxkQ9K8

All In All (Original Version)

EP "Hyphen Hyphen"
Get it here: https://itunes.apple.com/fr/album/hyphen-hyphen-ep/id1006613691?l=en 
Pre order "Times" album here: https://itunes.apple.com/fr/album/times/id992927140?l=en 

02 - The Fear Is Blue

Cover by Julia & Haïlé Jno-Baptiste
additional keys by Wendy Milton

Trouble - (Cover Coldplay)

Out Now On Cold Busted
------------------
1. Go Slow
2. Jungle Law
3. Need Somebody
4. Enigma
5. Old Song
6. Taboo
+ 5 more tracks on the full album

“Nostalgic, soulful and, of course, boogie-woogie.” That’s how Belgian DJ producer Boogie Belgique (AKA Oswald Cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. Taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producer’s forte. This is pleasingly evident on Volta, the latest Boogie Belgique album for the Cold Busted label. 

“Jungle Law” gives a glimpse into Boogie Belgique’s sonic palette. Tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. Soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. Album opener “Go Slow” shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. It’s a beautiful concoction, and Boogie Belgique delivers on many aspects of this style throughout his eleven track album. Volta is a satisfying trip in an aural time machine. 

.
Kid Loco - “Really great tracks and moody vibes.”
Tim ‘Love’ Lee (Tummy Touch) – “I love it!”
Ohmega Watts (Ubiquity Records) - "This album captures the essence of boogie and breakbeat funk with atmospherics that definitely take you on an auditory journey.”
Dr Rubberfunk (Jalapeno Records) - "Good solid collection of grooves and dance floor movers! 'Need Somebody' is probably the stand out for me … nice St. Germain vibes.”
Dogu (Ancient Astronauts / Switchstance) - "Some nice grooves here."
Gavin Hardkiss (Hawke) – “I likee!”
Stereo 77 (Plimsoll Records) – “Perhaps my favorite Cold Busted release.”
Dom Servini (Wah Wah 45s) – “’Jungle Law’ is a banger.”
Jeannie Hopper (WBAI FM (New York) - “Beautiful!”
Enne (Electunes / Karmaloft Music) – “’Enigma’ is really nice.”
DJ Kid Stretch (Warriorz Records / Goodgroove) – “This is seriously dope.”
Mr. Bristow (Subtek / Detox) – “Really feeling this, it’s lovely!”
Bruno From Ibiza (Ibiza Global Radio) – “Cool stuff!”
Richie Hartness (untitledmusic) – “Stunning and superb! One for the Deep Beats shows for sure.”
Igor Marijuan (Ibiza Sonica FM) – “Great release to be supported at Ibiza Sonica.”
SimonG (Deep South Audio, New Zealand) - "More eccentric antics for the floors and turntables … reminds me of a cross between DJ Food and Coldcut. Very nice."
DJ Nartak (Klassik Lounge Radio Show) - "Belgians can boogie! Fun listening … intelligently made with style and charm."

.
Available now from Beatport: https://is.gd/3b9pjw
Junodownload: https://is.gd/L3UBp5
iTunes: https://is.gd/l1nSnx
and Bandcamp: https://is.gd/zSyc31

Label and Artist Links:
www.coldbusted.org
www.soundcloud.com/boogiebelgique

Volta

Volta (album sampler)

Boogie Belgique - Volta (Cold Busted)

How long (live session)

Stream/buy : https://idol.lnk.to/AlterReal_NIUC
Production: EAC Records

Single: Nothing Is Under Control

Nothing Is Under Control

Alter Real - Nothing Is Under Control (feat. Timsters)

EP released on Nowadays Records

BUY IT ON ITUNES : https://itunes.apple.com/fr/album/morning-in-japan-ep/id651383740

Morning in Japan

I Don't Wanna Go

I Don't Wanna Go (Acoustic Version)

Thanks to Jean de la Fontaine, everybody now knows the difference between the oak and the reed. One boasts a certain virile majesty, a welcoming shade, an apparent strength and solidity. The other is seemingly so fragile, yet of a suppleness that allows it to bend without ever breaking. 

A symbol of the ability to endure everything and anything, of being able to stand fast during even the toughest of times, Roseaux (Reeds) is a musical project that is understated, yet impassioned and utterly compelling, born amidst the stormiest times yet seen in the annals of the recorded music industry. Roseaux is a collective that brings together a radio music scheduler (who’s also a DJ) and various musicians, artfully blending the skills of a guardian of musical knowledge and all the artistic feeling that characterizes a group of musicians who have each taken many different paths in the pursuit of their passion.

Roseaux began with Emile Omar, a music-lover with tastes as diverse as they are insatiable who sniffs out sounds without regard for the dictates of musical convention and genre. Some ten years ago his musical inquisitiveness led him to take on the management of Radio Nova’s record collection and then to play his part in finding the musical ingredients for the station’s celebrated ‘Grand Mix’ of innovative sounds. This gave him the opportunity to create Nova Tunes compilations and box sets – an eclectic essence of rare refinement drawn from a selection of new sounds and past musical wonders. Ever since his teenage years, Emile has also been adept at getting people on the dance floor – so adept, in fact, that he now DJs at themed evenings, delving into a repertoire of  classic soul, house, reggae, disco and tropical music. In this way Roseaux’s roots are firmly anchored in a cultural subsoil that comes straight from the racks of record dealers who specialize in a very unusual type of music – that which is able to delight the body and fire the soul at the same time. 

About 5 years ago Emile developed the desire to venture where it seemed that his status as a non-musician must surely bar him: the field of making music. 
Ever since Brian Eno knocked the ivory-tower idea of the existence of such a thing as musical legitimacy on the head, ever since Lee Perry, King Tubby and Tom Moulton turned the mixing table into an integral part of the creative process, ever since hip hop and electro DJs were able to demonstrate that creativity could be channelled through turntables and samplers in a kind of musical collage, the definition of what it is to be a musician has radically changed. 
He contacted 2 musician friends (musicians in the traditional sense of the word), cellist Clément Petit and multi-instrumentalist Alex Finkin, to ask them if they wanted to join with him in creating an album that would be based on the arrangement of ten or so of his favourite songs taken from a whole range of different genres.
The three got down to work, with Emile discovering Aloe Blacc, long before the American singer made the headlines with the hit I Need A Dollar. 
Although Aloe Blacc had little singing experience at the time, he launched himself into Emile’s project with enthusiasm and open-mindedness in equal measure.
Roseaux is therefore the product of a meeting of minds and hearts between an enlightened amateur and a group of musicians whose talent and adaptability made this project possible and gave it its artistic unity. 

The same lack of musical dogmatism as evinced by Emile’s choice of music for the Radio Nova playlist and his evenings on the turntables is on display here in the shape of such little-known gems as Strange Things by the Jamaican John Holt, Indifference by grunge band Pearl Jam, Patti Labelle’s More Than Material, Try Me by Esther Phillips and Clarao da Lua by Brazil’s Nazaré Peirera. The most famous track is undoubtedly Walking On The Moon by The Police. A world away from ‘carbon copy’ style cover versions,  each of the ‘guest tracks’ gets its own special treatment whereby it metamorphoses into something completely different (in the eyes of anyone who is familiar with the original version) and utterly enchanting. These are not covers in the narrow, generally accepted meaning of the word – they can best be classified as reinterpretations or even complete rewritings of songs. So, the Jamaican feel of Rad Bryan’s Girl you rock my soul gives way to polished folk guitar arrangements and string instruments, the swaying rhythm of Walking On The Moon falls into line with the jazzy footsteps of Nina Simone, John Holt’s rocksteady Strange Things takes the road to Rio, Missing You, the 90s underground house hit from Kim English is transformed into a soul ballad, before dropping into a long, cross-fade on the Fender Rhodes electric piano, Bill Evans style.

Could it be this way of gently bending these songs to their will that was the inspiration behind the name ‘Roseaux’? Or perhaps it’s the air of elegance that emanates from the album as a whole, a melancholy tide of post-soul and nocturnal jazz lapping against the shores of this scattering of songs through which the gentle, caressing tones of Aloe Blacc wend their way? One thing is certain, with Roseaux, Emile Omar and his partners have succeeded in investing this project with more than just a certain unity, more even than an identity – they have given it a soul. 


Trouble - (Cover Coldplay)

Enchantée Julia

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