Jungle Kitchen returns with a beautiful EP that takes us deep into a world fusion paradise. The EP combines elements of kora, tabla and voice of Martin Dubois with the delicate production of Jungle Kitchen duo Baptiste Sejourne and Pablo Vicencio. The mixture of sounds from around the world pull from inspiration of these globetrotting musicians. The three original tracks are accented beautifully with powerful remixes from Kusht, Biralo, and Sariel Orenda. From Bali to Mali, India to South America ­ Overture lands to open the heart and mind to new horizons as borders dissolve. 

Credits:
- Baptiste Sejourne: Music production, cello, synthesizers.
- Pablo Vicencio: Music Production, multi percussion, synthesizers, mixing
- Martín Dubois: Kora, tabla, voice.

Remixes: Kusht, Biralo, Sariel Orenda
- Alghosa Credits
Tamara Mayela: Vocals
Kartikeya Vashist: Flute

Art: Jetter Green 
IG: @jettergreen

Jungle Kitchen, Tamara - Alghosa

The separation consciousness between mind, body and soul, between the immaterial and physical, between the symbolic and tangible, between the seen and unseen is the root of all toxicity. We are all One. There is no Separation. Separation is an illusion of the dualistic mind.

"We are here to awaken from the illusion of our separateness." Human beings are not separate from each other or Nature. We are totally interrelated and our actions have consequences to all. What we do to others we do to ourselves.

"Enganchando lo Sutil" means in some way a connection that our higher self make to the subtle escence of life, something for what our conscience wish.
realizing in our energie fibers the diferent layers or dimensions that belonging of this experience.

is not just one reality where we are living and nature show us in a subtle way, we need to be fast , powerfull and very sensitive to "Enganchar" this  frequencies, this vibrations, perceptions to widen and to enrich our conscience.

Donwload

Enganchando Lo Sutil

Pre-Order 7" or digital -> http://wonderwheelrecordings.bandcamp.com/album/como-yo-santero

Since its formation in 2001, Novalima has been breaking down boundaries, uniting seemingly irreconcilable genres, communities and generations to create an inspiring movement that has revolutionized the music scene in their native Peru. Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. 

Throughout 2014 Novalima has been recording what will be their new album, Planetario to be released in June 16 on Wonderwheel Recordings. The name of the album reflects its worldwide feel as it has been recorded in various locations around the globe including collaborations by top local and international musicians. A few of these recording sessions were done in Colombia which has given some of the new tracks an Afro-Colombian vibe and takes their exploration of deep Afro rhythms into the future. Collaborations include Sidestepper vocalist Eka Muñoz, as well as members from La-33, Pernett and La Mamba Negra, plus other worldwide artists such as Marc de Clive Lowe (UK/NZ), Panko from Ojos de Brujo, Kumar (Cuban rapper based in BCN). Remixes from the album are already underway with Bomba Stereo, Quantic and Nickodemus already lined up.

The debut single from the album, “Como Yo” (to be released May 19th on digital single and 7” vinyl) pays homage to a fallen bandmember and troubadour named Mangue, telling his story moving from town to town and venue to venue playing music, remembering and keeping something from each place he visited. Upon his passing, his only wish would be that there would be no tears and that all his friends and family would enjoy life as he did while he was on this planet…living it to the fullest. The deep, heartfelt lyrics honoring their friend are underscored by an appropriately celebratory musical vibe with rolling percussion, twinkling synths, and a sing-song chant chorus reflecting the spirit of the song.: “Gozen La Vida Como Yo” -  Enjoy life, like me (Like I do)
Novalima Facebook Fan Page:  https://www.facebook.com/novalima.official

Novalima Soundcloud https://soundcloud.com/novalima/sets/novalima-showcase-1

Planetario

Como Yo

Pre-Order 7" or Digi

Novalima - Como Yo

Lounge Lizard

Edit of 'The Belldog' By Eno, Moebius & Roedelius.

KayDog (Ruff Demo)

higher (extended).wav (remaster)

El Pasaje

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In the year 1997, Nickodemus & Jay B met through friend & music fanatic Eddy Plenty. At the time, Nickodemus was DJ'ing at Organic Grooves & Giant Step parties & experimenting with sampling from his record collection from around the World. Jay B was writing music & experimenting with the latest in computer programming software. Their shared love for fat beats of soul, funk, trip hop, jazz from around the World was the common ground that made for a quick music making synergy. In the 1st year working together, they managed to make the following songs as well as a few remixes & unreleased beats that never made it off of the DAT recorder. We hope you enjoy these songs from the Brooklyn Beat Cave in 1997.

free download

Samsara pts 1 & 2

El Bacalao edit on a Cumbia favourite instrumental recorded back in 1964 by Alex Acosta Y Su Orquesta!
Taken from the album "Alex Acosta Y Su Orquesta - Alex Acosta Y Su Orquesta"
https://www.discogs.com/Alex-Acosta-Y-Su-Orquesta-Alex-Acosta-Y-Su-Orquesta/release/9690003

Alex Acosta Y Su Orquesta - La Gozadera (El Bacalao Edit)

Stream & Download: ffm.to/zenitnadir

Dengue Dengue Dengue continue expanding their carefully created aesthetic on their new album ‘Zenit & Nadir’ by diving into the deep and rich musical history of Afro-Peruvian music, already hinted in the first single ‘Ágni’, which is the inversion of the traditional Afro-Peruvian rhythm Ingá. The ongoing exploration of the vast and rich musical heritage of the descendants of the former African slaves in Peru has become the main focus of their new album. 

Their interest in Afro-Peruvian music has led them to meet and record extensively with several members of the Ballumbrosio family, a renowned musical dynasty in Peru that has kept Afro-Peruvian musical traditions alive, masters of rhythms like landó, festejo and crioullo music, with traditional dances and instruments such as the iconic quijada - a rattling percussive instrument made out of a donkey’s jawbone. 

The introduction of live recordings with the Ballumbrosio brothers has given a whole new dimension to their always-expanding sound, and they feature extensively all throughout the album. As they were such an integral part of the recording process it made perfect sense that they would contribute to expand Dengue Dengue Dengue’s memorable audiovisual performance as well, and have began playing live shows together this year. The marriage between the traditional and organic percussion of the Ballumbrosios with DDD’s hypnotic electronic production has created a whole new chapter for the band. 

After debuting in 2012, they established themselves as a driving force in the thriving South American digital cumbia scene, but have since expanded their hybrid approach to music to introduce more references such as kuduro and zouk - and more recently the above mentioned Afro-Peruvian styles - which they fuse with traditional Latin American rhythms to build a sonic identity that is hypnotic and dark, while simultaneously festive and life-affirming. 

With the band being a visual project as much as a musical one, their carefully created aesthetic can be immediately noticed in the iconic masks they wear, often referencing traditional or indigenous elements while being artful and futuristic, a striking visual representation of their approach to music. Their new masks, which are being debuted on their upcoming tour, were handcrafted by Barcelona-based artists Twee Muizen.

Dengue Dengue Dengue - Llæ

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