Disquiet Junto Project 0720: One from Two
The Assignment: Combine a pair of your recent tracks.

Step 1: You just recognized something. Two tracks you’ve been working on but haven’t finished would work better if you turned them into one single track.

Step 2: Choose two of your recent works-in-progress.

Step 3: Combine — by whatever means you see fit to employ — the two tracks from Step 2 into a single track.

Deadline: Monday, October 20, 2025, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0720

Disquiet Junto Project 0720: One from Two

SNR selection 24-Oct-2025

In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

Autumn Whispers (feat. Fr. Harris)

Composition and piano performance: Anastasiya Ihnatovich
Orchestration and arrangement: Franck Ancelin

The music video is available here: https://www.youtube.com/watch?v=aURLed2mkaQ

Up Until Then (Ft. Franck Ancelin)

Up (Ft. Franck Ancelin)

A slow, laid-back funk groove with jazzy sax, clavinet, deep fender jazz bass, and abstract synth textures.
Smooth, atmospheric, and slightly cinematic — the kind of track that lives between a modal jam and a chill-out or lounge beat.

Performed by DD - clavinet, electric bass, abstract synth, drum program.
With Miguel Yanover - Tenor saxophone

For this @disquiet challenge:
https://llllllll.co/t/disquiet-junto-project-0720-one-from-two/

Golpe de Suerte - disquiet0720

La course aux etoiles, (magical moment Anime)

I found two tracks, each named by the default naming protocol of my recorder. So one file was poetically name "240315_001" and the other, even more evocatively, "241212_0001." The first is a sparse piece using just the wing pinger, with almost as much space as sound. The second is equally restrained, but darker and more properly ambient. I can't recall how I created that track or what instruments were used. The two tracks seem to complement one another with each filling in the empty spaces of the other. Minimal effects were added in Logic - mainly just some reverb with motion algorithms. For fun, I asked Chat GPT to use the two numbers to create a title and image for the track and among the suggestions was "Voltage Bloom," which seems rather fitting. 

disquiet720

Disquiet Junto prompt 0720 asked us to take two separate works in progress and realize that they work better together. 

My WIP drawer is pretty full but I couldn't easily find two pieces that wanted to talk to one another. Finally I took several recent piano sketches and dumped all of their MIDI performance data into a single project in Logic. I tend to record left and right hand parts separately to facilitate revoicing, so I had a good collection of chunks to play with. I started stacking, rearranging, muting, soloing, and transposing different combinations of parts until I found a pair that sounded interesting. I ended up doing very minimal editing to stitch them together, and the two parts are not even in the same key, but I think that the tension and dissonance work somehow. 

Finally I wrapped the whole thing in a little pastiche of two friends sitting at a piano having fun gluing the pieces of a song together. 

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/

Dancers on Pins (disquiet0720)

A combination of two unpublished electronic sequences I have recently been working on, sounds form various sources.

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Two into One Will Go (disquiet0720)

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Twinkle (disquiet0720)

Lines of Light

After a long hiatus, a new track for @disquiet. Glad to be back!
Stitched together from a couple of unfinished pieces of the recent and not-so-recent past, amongst them bits of an Ae-ish pad/beat, a clicks-and-cuts w.i.p. with a rejected Fender Jazz Bass B-line, various bits and bobs that I abandoned fairly soon after starting them. Basically, improvising with leftover bits, which is how most encym tracks tend to happen anyway. 
So big thanks to Mark for this just-my-cup-of-tea assignment.
Enjoy!

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Clang [disquiet0720]

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Fractured Continuum

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