reawakening

Heavy Sky

Le moniteur silencieux / Silent Monitor

This is an excerpt from a live session with https://soundcloud.com/hems on KORG SV-1 and myself on guitar and effects.

Now available through Neotantra on their fine tʌntrə VII compilation: https://neotantra.bandcamp.com/album/t-ntr-vii


Recorded in 2016 at New River Studios, London N4.

Sound engineer: Joseph Martin-Kelly

tʌntrə VII

Fleetingness

Buy from Neotantra

Fleetingness feat. Hems (Live at New River Studios London) -- Out now on Neotantra

Original composition by https://soundcloud.com/marcolucchi
soundcloud.com/marcolucchi/zaubergesang
https://marcolucchi.bandcamp.com

Marco Lucchi : analog synth, found sounds, tape and treatments
Remixed by Liquid House at Hadean Studio (June 2020)

Carl Oscar Borg - On the Rim, Grand Canyon, Arizona

Headphones recommended !

Zaubergesang (Remix)

Boson Spin - Sphervior

Disquiet Junto Project 0450: Texture Analysis
The Assignment: Create a piece of music from sounds related to working with rocks.

Welcome to the 450th consecutive weekly Disquiet Junto project. Thanks to everyone who has participated, supported, and pitched in along the way.

This project is the third of three that are being done over the course of as many months in collaboration with the 2020 Musikfestival Bern, which will be held in Switzerland from September 2 through 6 under the motto “Tektonik” (“Tectonics”). For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the second year in a row that the Junto has collaborated with Musikfestival Bern. Select recordings resulting from these three Disquiet Junto projects will be played on a listening booth at the Steinatelier on September 5, as well as being aired on Radio RaBe (rabe.ch), an independent local radio station partnering with the festival.

Step 1: Download the field recordings made at Carlo Bernasconi AG, a company that has been working in stone for over a century. The sounds range from machines to manual tools to spatial ambience.

Step 2: Listen for aspects of the recordings that attract your ears. Focus on textures in particular.

Step 3: Create a piece of music combining elements from as few or as many as you chose in Step 2.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0450” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0450” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto and #musikfestivalbern so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, August 17, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, August 13, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0450” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 450th weekly Disquiet Junto project (Texture Analysis — The Assignment: Create a piece of music from sounds related to working with rocks) at:

https://disquiet.com/0450/

This is the third of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

The Rocks - disquiet0450

Time Slip

Noksidam::::::
https://soundcloud.com/user-302613679

Noksidam - Are You Here? (Senglar R U There? Rmx)

Marco Lucchi : toy harp

23 ottobre 2020

***

Morning, that comes but once,
Considers coming twice -
Two Dawns upon a single Morn
Make Life a sudden price -

Emily Dickinson

toy harp n°5

Piano, Synths, Bowed upright basses, filters.
Ambient electro-acoustic soundscape for this haiku:
⠀
Magnolia in full bloom…⠀
But waking I find⠀
a chill November morning⠀
⠀
Poem by John Hinks
Photo by DD (Paris, November 2020)

Composed and performed by Daniel Diaz

@naviar-records
@flownblue
https://www.naviarrecords.com/about/naviar-haiku⠀

Dedicated to Diego Maradona (Oct 30th 1960-Nov 25th 2020)  RIP
⠀

a chill november morning (naviarhaiku360)

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness