dubstep style track with minimal bass & added rap

MICHAEL JACKSON - ENDLESSBLAME VS SNEAKYMIKE

Booking

Tel: +972-55-660-2144
Email: thepsycoholics@gmail.com

Psycoholics is a Psychedelic Fullon Trance project based in Israel. It is a collab between two members who are producing psychedelic music.

First is Haim Mandel who is known also for his Chillout project Soundremo, he is the analog monster in this project and he loves his analog instruments and he do wonders with it. Haim is a long time drummer and has a unique twist with his drums & percussions.

Rude Rabbit aka Shlomo Man is a graduate of yoav gera school of sound. He is a music producer for 15 years and in his back catalog you can find plenty electronic and live music productions. 

The Psycoholics project came out to the world bringing out an energetic, fully psychedelic and powerful psytrance experience with its unique Israeli flavor.


Social Links


Official Website: http://www.psycoholics.com/
Facebook: https://www.facebook.com/thepsycoholics
Soundcloud: https://soundcloud.com/psycoholics
Beatport: http://www.beatport.com/artist/psycoholics/439788
Youtube: https://www.youtube.com/user/thepsycoholics


Experimenting with&nbsp;Beats &amp;&nbsp;Bass 
(no set genre) The blame is endless..!





Bred for his skills in magic; $n€åK¥ is the stuff myths, legend, and fairy tales are based. For real! No bravado.

$n€åK¥ is a huge presence both physically (6’5 with lower-back length red hair) and in terms of the energy he exudes. He’ll be the first person you notice in a room at a cool Pittsburgh show/party as he crowd surfs over your head. Most known for his high-flying, explosive live performances; he has opened up for acts as diverse as the Flaming Lips, Wiz Khalif, Matt and Kim, Yo Majesty!, Chairlift, Flosstradamus, People Under the Stairs, Electric Six and even Wang Chung.

If forced by threat of water boarding to describe his sound $n€åK¥ will confess to being an amalgamation of: Andrew WK, Prince, Wayne Coyne, André 3000, Jim Morrison, George Clinton, Jesus, Buddha, Bruce Lee on acid, from the future, in a parallel universe with a very high cosmological constant, but more so in vibe than actual sound cocktail.

Pulling more influence from art movements (esp. Dada, Beat, Fluxus, and Pop Art), theoretical physics, and ancient yoga texts than the staggering array of music he constantly consumes (right now: obsessing over The Beach Boys’ Smile) $n€åK¥ crafts sound tapestries in the context of popular music that remanufactures into something new, different, and at times very much “out-there”. 

$n€åK¥ turns life into art like every single day. For nearly a decade he’s been occupying a huge warehouse space where he’s ran a recording studio, thrown epic rollerskating parties [www.youtube.com/user/TheHoodGangTV?blend=19&ob=5#p/a/u/4/vZPb8yTwPSs], built indoor zip-lines, and where he now teaches yoga. Oh if those walls could talk! They’d talk some shit.This space reflects the full-time devotion to art/divergent thinking characterized in his music. 

$n€åK¥ boycotts gasoline (he rides his bicycle everywhere, and keeps it local), natural gas (brrrrr), television, fast food, malls, suburbs, and microwaves. Beyond music, beyond art, far beyond the social network popularity media manipulation contest we call the current mutation of the “music industry”–$ñ€åK¥ is on a quest to discover new truths about the nature of the universe, become a mystic, and be a prominent factor in making the world a better place. Since having an epiphany during a transcendent experience at The Flaming Lips’ Bonnaroo 2007 performance, $n€åK¥ has intensified this journey to evoke the human race to evolve. 

$n€åK¥ is a lightning rod for creative energy and people. This fact is amplified by the talent assembled on the EP’s remixes. Pittsburgh’s most talented producers are represented such as Melosun (aka Comic Strips), RSK, BWS label-head Ag Ag Lady, and high school phenomenon Boyfindery. One of $n€åK¥’s more useful super-powers is the ability to bring remarkable individuals together and provoke them to create.


The new EP I Look Like $ñ€åK¥ released on Brokewhore records is as versatile, interesting, weird, and appealing as the man himself. With songs ranging from party to experimental rap, electro punk and synth pop and employing tropes from electronic sub-genres such as glitch, juke, dub step, bounce, electro-house, freestyle and minimal techno the album is a reflection of how textured and varied the Pittsburgh music scene is.

The lead single “I Look Like Lil B” combines most of the influences mentioned above and sticks-and-moves from the stance of a Soldier Boy-esque swag-rap context. From this point of departure, $n€åK¥ freaks this sub-genre out to the boarders of something resembling Chicago juke. It kind of sounds like a poltergeist provoked panic attack or spitting rap down the rabbit’s hole. The premise of the song is essentially a reaction and partial tribute to fellow odd ball Lil B [www.npr.org/blogs/therecord/2011/01/27/133245953/lil-b-understanding-raps-new-rebel] and lyrically dives head first into a magic mirror of ego analysis, absurdist self-grandiose martyrdom, point-of-view channel surfing, and other decadent pop culture amusements. Yeah, go ‘head, tweet about it, custy. 

“Make Noise” is an older track which features ex-girlfriend and collaborator Juliet Bey aka Powell that got specially refitted with some sub treatment for this occasion. This track is greatly informed by contemporaries such as The Death Set, Juiceboxxx, Best Fwends, and Ninjasonik all of which $n€åK¥ had shared a stage and drank 40’s with; no doubt.

“How to Party” features a verse from long time collaborator and fellow front man from $n€åK¥’s first band, the undisputed most partyingest band, cult legends, the Høød Gåñg. Probably the most get hype track on the album, it’s propelled by a driving, shape-shifting beat and samples a traditional African music vinyl, Chris Farley, and New Kids on the Block. Clearly $n€åK¥ and Drunk Monkey know how to party, kids. Take notes.

Sure a bunch of knuckleheads have thought themselves slick by sampling the irresistible Willow Smith hit, but none have ventured down such slippery slopes of the unconventional. All such efforts are trumped by “Hair”. One part show tune, one part Lil Wayne meets David Blaine, one part down the center of $n€åK¥’s scalp between some 32inches of fire-mane. Ripe with puns and homophones, this song is an autobiographic love letter to $n€å¥’s hair. 

Do you believe in time travel? $n€åK¥ does. He is slowly refining his techniques via a regular, dedicated Bikram ¥oga practice and astral launching, the old fashioned way. I mean really who better to inform us about the latest trends than someone several seasons ahead of us. “I’m From the Future” is a love story of sorts; boy meets girl, boy losses girl, boy time-travels back to save the relationship, upon arrival realizes what an incredible waste of time the whole ordeal has been, and can’t remember what reality was like before forever altering the space-time continuum. The nightmarish turmoil that all would-be Doc Browns must face after they fall off the toilet, hit their head, and conceive their take on the flux capacitor. Who among us can’t relate?

In closing, I Look Like $n€åK¥ is undoubtedly one of the most important releases in these early end days. So do yourself and those you love a solid, fuck with it, or risk being eternally boring. This is what democracy looks like. Believe it.

MICHAEL JACKSON - ENDLESSBLAME VS SNEAKYMIKE

endlessblame