@axeletelier: Muchas gracias de verdad! Crítica constructiva/destructiva/de-constructiva es bienvenida!

Sindrome Sky

2013 - 10 Años

El Río

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Derrok - El Río

unleashing this piece for the sc heads
new music coming soon ( )

Haze

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

Frente al min la substanco / Frente a mi la sustancia / In front of me the substance
rito kandelfesta / ritual purificador / purifier ritual
forportu de mi la ke aborenas / llévate de mi lo que aborrezco / take away from me what I loathe
la ke makulas min / lo que me mancilla / what taints me.

Preskaû sento ke estas infinita / Casi siento que es infinito / Almost feel it is infinite
dronigas mia senlimeca honto / ahoga mi inmensa vergüenza / drowns my shame
tiu oceano kaptato en bankuvo / océano capturado en bañera / ocean capturated in a bathhub
utero ŝtelita de senlima patrino / útero robado de madre inmensa / womb stolen from immense mother.

Partitura
(PDF) https://db.tt/HDdkj5v0
(MuseScore) https://db.tt/ceu21W5Z
Ilustración tomada de www.miyaando.com


Higiene II

Joe McPhee: B-flat and E-flat alto clarinet, Roland MC202 Micro Composer synthesizer
 
Bryan Eubanks: Open-circuit electronics (sinetones)
 
 
 
What constitutes an unidentified sighting, the rarely heard ‘alien’ clarinet playing of Joe McPhee and the ineffable electronics of Bryan Eubanks? Penultimate Press is extremely proud to produce My Undocumented Alien Clarinet: a strange sensual addition to the ever inquisitive McPhee canon. My Undocumented Alien Clarinet is a beguiling document of a performance held at Alternative Books, Kingston, NY, Sunday, August 6, 2006 under the auspices of the Pauline Oliveros Foundation’s New Vanguard Series. My Undocumented Alien Clarinet captures a unique intimate improvisation exploring the outer reaches of the form. 
 
Joe McPhee, (b.1939 USA) is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He has collaborated with Pauline Oliveros, Graham Lambkin, Peter Brotzmann, Evan Parker, Raymond Boni among many others. With a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections and reach for music’s outer limits.
 
.. His magical take on avant-garde sax remains one of the wonders of the scene. He still has one of the most beautiful tones on the planet, even when he’s reaching for jazz’s outer limits." - Time Out NY
 
Bryan Eubanks (b. 1977, USA) is a musician composing electronic and acoustic works for small ensembles, solo instruments, and custom generative software; improvising in collaboration; and working with acoustic holography, a stereophonic recording and diffusion technique.
 
Artwork by Jerry Starpoli
Liner notes by Joe McPhee 
In memory of Jerry Starpoli 
 
http://www.penultimatepress.com

Joe McPhee and Bryan Eubanks - My Undocumented Alien Clarinet (excerpt)

Vessel - Order Of Noise LP
Released October 15th on Tri Angle Records
LP, CD & Digital

https://itunes.apple.com/be/album/order-of-noise/id561807627?ign-mpt=uo%3D4
http://boomkat.com/cds/573632-vessel-order-of-noise
http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=355228
https://bleep.com/release/38846


Vessel - Court Of Lions

Pain Manager

Holly Herndon - Movement

Purchase from RVNG: http://smarturl.it/hh-movement-rvng
Purchase from Bandcamp: http://smarturl.it/hh-movement-bcamp
Purchase from iTunes: http://smarturl.it/hh-movement-itunes
Purchase from Amazon: http://smarturl.it/hh-movement-amazon

www.igetrvng.com
www.hollyherndon.com

Buy Direct

Holly Herndon - Fade

setcps(130/120/4)

hush

let maxmax = 1.2
let minmin = 0.4

xfade 1 $ every 4 (slow 2) $ every 8 (fast 2) $ stack [
  striate 32 $ layer [slow 8, slow 4, ghost] $ slowcat [
    s "gra:2 ~ gra:2 gra:2" # pan 0.3 # gain 0.8,
    s "gra:2*2 ~ gra:2*2 gra:1 gra:2*2 gra:1" # pan 0.7 # gain 0.4
  ] # gain 0.8 # orbit 2 # rot 4 "[gra:4 ~ gra:4 gra:1] [gra:6 ~] gra:1" # freq 128,
  slow 4 $ s "gra:2*2 ~ gra:4 gra:4*3 gra:2" # gain 0.6 # freq 756 # pan 0.2
] # room 1.2 # lfo 2

d2 $ layer [id, slow 16, slow 32] $ stack [
  s "gra:2 [gra:2 gra:2] gra:2 [gra:2 ~ gra:2 gra:2] gra:2 [~] gra:2 ~ " # freq 64 # cutoff 1024 # pan 0.2 # legato 0.25,
  slow 2 $ s "[gra:2*4] gra:2 gra:2 [gra:2 ~ gra:2 ~] gra:2 [~] gra:2 [gra:2 [gra:2 gra:2] gra:2 [gra:2 ~ gra:2 ~]]" # freq 128 |+| 8 # cutoff 1024 # pan 0.8 # legato 2
] # lfo 2 # speed (fmap ([2,1,3]!!) $ markovPat 16 2 [[3,5,2], [4,4,2], [0,1,0]])

xfade 3 $ slow 2 $ every 8 (stut 2 0.5 0.5) $ layer [id, slow 16, slow 32] $ s "<gra:2(6, 12, 2), gra:2(2, 16, 2), gra:2(2, 32, 4)?> { gra:2(6, 12) gra:2(2, 12) }" # freq 512 |+| 12 # cutoff 2048 # speed (fmap ([2,1,3]!!) $ markovPat 16 2 [[3,5,2], [4,4,2], [0,1,0]])

d2 $ fast 2 $ s "gra:2*2 ~ gra:4 gra:4*3 gra:2" # gain 2 # cutoff 32 # freq 128   # pan 0.2
# room 2 # lfo 2

hush

d1 $ stack [
  slow 4 $ "chin:5 ~ [chin:5 [chin:6(2, 8)] ~] ~ ~ ~" # gain 0.7 # room 0.8,
  slow 2 $ "~ chin:6 [ [~ chin:5] ~ [chin:6(8, 8, 2)] ~]" # gain 0.6 # room 0.9,
  "chin:4 ~ [ [chin:6 ~] ~ [chin:6(4, 8)] chin:4]" # gain 0.8 # room 1,
  fast 4 $ striate 128 $ "bd:5 ~ [bd:5 [bd:6(2, 8)] ~] ~ ~ ~" # freq 1024 # gain 0.6
]

d2 $ layer[id, slow 4, slow 8] $ every 4 (stut 2 0.5 0.5) $ s "bd [~ bd:4 ~ bd]" # gain 1.07 # room 0.9

xfade 5 $ layer[slow 4, fast 2] $ stack [ slowstripe 8 $ sound "mt:5 mt:5 ~ [mt:5 ~]" # gain 0.7, sound "mt:2(6, 16, 2)" # room sine*2 # gain 1.2] # freq 2048  # cutoff 250

d5 $ layer[id, slow 4, fast 2] $ stack [
    stack [ slowstripe 8 $ sound "mt:5 mt:5 ~ [mt:5 ~]" # gain 0.6, sound "mt:2(6, 16, 2)" # room sine*2 # gain 1.1] # freq 2048  # cutoff 500,
    slow 2 $ slowcat [
       sound "909 909 ~ [909 [ ~ 909 [909 909?] 909]]" # pan 0.3,
       sound "[[909 909] [ ~ 909 [909 909?] 909]] [909 909] ~ [909 [ ~ 909 [909 909?] 909]]" # pan 0.6,
       sound "[909 909] [909 [ ~ 909 [909 909?] 909]]" # pan 0.5,
       sound "[[909 909] [ ~ 909 [909 909?] 909]] [909 909] [909 909 909 909] [909 [ ~ 909 [909 909?] 909]]" # pan 0.8
    ] # cutoff 2500 # gain 0.85 # freq 300 # lfo 5 # gain 1.29
]

hush

d6 $ every 8 (stut 8 0.15 0.01) $ layer[id, fast 2, slow 4, slow 8] $ sound "<{rs rs(22,4, 2)} rs(2, 16), rs(3, 16, 4), rs(4, 16, 8), rs(2, 16, 16)>" # cutoff 1500 # hcutoff 2000 # gain 0.75 # freq 128 # room 2.2

d6 $ every 8 (stut 8 0.15 0.01) $ layer[id, fast 2, slow 4, slow 8] $ sound "<{909 909(22,4, 2)} 909(2, 16), 909(3, 16, 4), 909(4, 16, 8), 909(2, 16, 16)>" # cutoff 1500 # hcutoff 2000 # gain 0.75 # freq 128 # striate 8 32 # room 2.2

ALBA

Bioma

HOLOMETABOLA EP - 20/April
Electronic and algorithmic compositions from Chile.

Higiene II

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