Name: gnaucelie - RadioAlhara | Sonic Resistance Practices ep. 6 by vena.platform
Duration: 1 h

Japanese Lil Mofo pleases us with one sunny hour of soulful house, 90's dance and joyful drum n bass, all set for open airs season (?).

more infos and tracklist at www.lyl.live

Lonely Only (23/04/21) w/Lil Mofo

A murky ride through dystopian techno and hard dance from a new kid on the block.

Read more: http://ra.co/podcast/798

@wantonwitch

Resident Advisor podcast

RA.798 Wanton Witch

Il y existe un chêne blanc en l’Etat uni de Georgia. Au décès d’un certain colonel Jackson autour des années 1820, son testament indique : That the said W.H.Jackson for and in consideration of the great affection which he bears said tree, and his great desire to see it protected has conveyed, and by these presents do convey unto the said oak tree entire possession of itself and of all land within eight feet [2.4 m] of it on all sides.

The Tree That Own Itself aurait germé autour du milieu du XVIème siècle et c'est deux siècles plus tard qu'il obtient un droit légal à disposer de lui-même. En 1942, la foudre lui tombe dessus, il se rompt, chute, et devient chablis. Mais c’était sans compter sur le germe d'un de ses glands planté et qui lui succède dans ses droits en tant que Son of the Tree That Own Itself.

C'est une fable, une anecdote, mais par son caractère grossièrement anthropomorphique, et assez rare pour nous esquisser un rictus, elle nous met finalement en face des manquements profonds de nos ressources imaginaires pour penser "l'arbre" et le vivant dans la pensée occidentale. 
L'histoire nous dit voici l'individu arbre, voici le père et voici son fils. Voici l'espace de sa croissance potentielle, périmètre du devenir de l'individu arbre.... Mais toujours, l'identité de l'arbre nous échappe et se dissous dans un tissu interconnecté. L'identité transmute, se meut et se floute.

J'ai poussé la fantaisie fictionnelle à imaginer une sorte de centre de cure et bien être pour les arbres. Les arbres y viendraient avec leurs deux jambes pour se ressourcer la sève. Pour prendre des bains de boue, des massages d'écorce pour défaire leur nœuds, pour regagner une verdure d'antan, retrouver du cœur au feuillage et cicatriser les initiales d'amoureux gravées. Les arbres viennent prendre répit des termites, des fourmis, des piverts, des champignons, des pucerons... mais surtout des coulées de bétons, et lames d'acier. Voici la bande son que je m'imagine dans un tel environnement. C'est un trait d'esprit pour essayer à partir de mes lunettes et sensations humaines de m'imaginer pousser quelques racines et devenir un humanoïde feuillu qui se possède lui-même.

NEST 𓆇𓆇𓆇 Tree Resort w/ Nek (11.12.2012)

Welcome to the first volume of Sharing Plates—a new club-focused mix series from myself.

For the inaugural mix, I’ve recreated my set from last October’s day-to-night edition of Bleached Club at The Glove That Fits. I played downstairs from 7 til 8 PM with a loose brief of “hard and fast”. I immediately knew I wanted to move from 150 through 174 BPM—initially resetting the dance floor before steadily climbing up to modern 2-step drum & bass. Big tempo jumps are a tricky thing to balance without sacrificing flow, but I was feeling insanely inspired to try after a mad experience at Bang Face the weekend before.

Though I’d spun on radio and in record stores a couple of times, this was the first time I’d ever played in a club. Years before I even knew what DJs actually did, I’d always fantasised about playing to a proper dance floor. This was a real bucket list moment. 

In classic me fashion, I prepared by spending too many hours feverishly mixing at home with a rotating carousel of potential tracks, slowly arriving at a folder of music I felt confident in. Even if I don’t end up playing exactly the same tunes in exactly the same order as I do at home, something about knowing my exits allays the shaky pre-show jitters. 

For whatever reason that day, everything just sort of clicked. I got over my nerves really fast and locked in. It was the most fun I’d ever had playing and, bizarrely, as a fervent bedroom DJ, it was to a room full of people. 

Stupidly, I decided not to record the set that night. At the time, it was just another thing to worry about. Since then, though, I’ve found myself returning to that night with fondness. I decided to go back through my Rekordbox history and recreate the set I played that night, mixing as close to how the show actually flowed as possible.

Shouts out Karpo, FETCH* and the rest of the Bleached Club crew for inviting me to play. Having my debut club set be at such a wicked party will be a memory I’ll treasure forever.

Track list:  
Skee Mask — Cerroverb {Ilian Tape}
Untold — Test Signal {Hessle Audio}
Air Max ’97 — Ice Bridge {Timedance}
???
PARA — Infinite Jank Zone {Incurzion Audio}
Samurai Breaks — Oshee {Worst Behaviour Recs}
Fonzo — Ring Ring ft. Capo Lee {ec2a}
MJK & Impey — High Konga {Obligated Records}
Ziyiz — Asemia {early reflex}
Sinistarr — Turn Up (w/ Hyroglifics) {Hooversound Recordings}
Addison Groove — 160 Cowbells {Worst Behaviour Recs}
Chunky Strapz X Slinki — Watch My Feet {Self-Released}
Jensen Interceptor — Break Fluid {International Chrome}
Nectax — Twin Turbo {play:musik}
Nectax — Voychek {Over/Shadow}
Samurai Breaks & Napes — Frog Mob {Time Is Now}
Koherent — Bleep Test {Overview}
PARA — VVITCH {Incurzion Audio}
Kasra & Gardna — Spaceman (QZB Remix) {Critical Music}
Skeptical — Frozen {Commercial Suicide Records}
Digital & Spirit — Phantom Force (Fracture’s Astrophonica Edit) {Phantom Audio}

***Recorded on a pair of CDJ2000-Nexus 1’s and my trusty Xone:92 at home in South London.***

Sharing Plates Vol.1

Melbourne based producer YL HOOI share an hour of dub, electronics, postpunk and more every month... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/yl-hooi/episodes/yl-hooi-6th-march-2025

YL HOOI 060325

World's Most Beautiful Music: 31st March '25

patricccio takes Exa-Terra for an hour of genres infused with dub, grime and deconstructed club with a very deep vibe, to be found on Rinse.fr

EXA-TERRA with patricccio - 21 Mars 2025

gnaucelie is a musician and producer from Milan. The project is based on dub-techno, d&b and ambient research focusing on organic and ecstatic elements. 

Releases include “the hill’s clearing” LP and the following ambient tracks “comet cliff collapse from Rosetta perspective” and “the Hare of Inaba”,  in which the narration aspect plays a key role together with music production. 

The set comes with a pair of unreleased tracks, between off-road techno and dub. 

Cover: facc1

Tracklist: 

01. The Siren is a Simple Device (Cut) - Driftmachine, Ammer, Ted Milton

02. Split - Nova Varnrable

03. Rhythms Rattle on Deaf Pawns - Mutamassik

04. Perdido (Cut) - ROOi, Jaijiu, Nafftero

05. Wet Drip - Champagne Dub

06. DEUS ex Maloya (Cut) - Jako Maron

07. Olive Green (feat. Franco Franco) - Weird Weather

08. End Cut - Junior Loves

09. 87 (unreleased) 

10. Lost & Delirious (Cut) - Maara & Amor Satyr

11. Demeter’s daughter - gnaucelie

12. Evering Dub - giesse

13. Bad Apples - Objekt

14. They Scared of us - Ancient Indigenous Africans, Lengai Loita, Mutamassik

15. Los Redoblantes de la 26 - Jaijiu

16. Tecnocumbiero Vegano - ROOi

17. Ritmo Actual - Toma Kami 

18. 88 (unreleased) 

19. Vai estragar a camera - DJ Narciso

20. 140/160 (Mashup) - Namkibembe Embaire Group

21. I’m a stranger, but you’re strange - Nova Varnrable, Nova Mhyre

22. Sgozzano - Paola Idrontino

gnaucelie - RadioAlhara | Sonic Resistance Practices ep. 6

DJSet 100% Vinyles comme d'hab ! 

Premier extrait du dernier Set en cours de finalisation... encore 2 semaines max
On commencera sur du lourd, du dark pour finir en sucette 

Pour la tracklist du Set complet c'est par là 
https://soundcloud.com/filours23/sets/yipi-set?si=d399dcde66f34611a825ac8083bca5e8&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

et les autres sons sur le profil

YipikaYeah Pauvre Con ! Part 1

Fears the Dreaded Ceremony / Thunderdome Hardcore - V . 14

fmhex

Vena is a platform and label focused on organic forms of sonic interventions while exploring sustainable models of community exchange.

Rooted in Soundsystem culture, our approach is shaped by a deep engagement with local territories, generating layered narratives at the intersection of subcultural movements, collaborative design, and editorial practices.

Like the veins of a multifaceted organism,
the project moves through nomadic gatherings, acting as a catalyst for transformative events and forward thinking productions driven by continuous and authentic research from an outer-national perspective.

Each experience becomes a tool for cultural translation, fostering alternative ways of critical connection by embracing the complexity of collective artistic expression.

gnaucelie - RadioAlhara | Sonic Resistance Practices ep. 6

vena.platform

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