“Engee Dadon – Depopulation” is a prophetic, socially charged concept that frames modern hardship as a quiet war on ordinary people—especially the poor, the faithful, and the youth.

It speaks on systemic pressure rather than instant destruction:
not bombs, but stress;
not bullets, but policy;
not chains, but debt, confusion, sickness, crime, hopelessness, and distraction.
From an Engee Dadon lens, Depopulation is about how:
Governments neglect housing, food security, healthcare, and mental wellness
Youth are pushed into violence, prison, migration, or early death
Churches lose power while money, vanity, and fear are worshipped
Technology replaces jobs faster than people can survive
Communities shrink—not always by death, but by displacement, silence, and despair
The message isn’t conspiracy for shock value—it’s warning music.
A cry for people to wake up, return to God, rebuild community, protect life, and reject systems that profit from suffering
In true Engee Dadon fashion, Depopulation balances:
Spiritual fire 🔥

Street realism

Caribbean truth-telling

Prophetic accountability


It’s not just a song or idea—it’s a medz, a checkpoint, a mirror held up to society saying:

> “If we don’t change direction, the people will disappear—
not overnight, but generation by generation

DEPOPULATION

eNGee dadon
Formerly known as DJ Pickney

Nasheer Garth Walters, a/k/a eNGee dadon, was born on the first of August, in the rural seaside town of Annotto Bay in the Parish of St. Mary in Jamaica. 

eNGee is a multitalented artist who writes, sings and produces music which has a dual purpose, to entertain and to educate. His style is a blend of unique and original lyrics and rhythms performed with high emotionality, drama and humor.  He presents a new interpretation of Reggae in the dancehall style, reinventing it and taking it to a new level.  The typical dancehall music style features lyrics which are raw, which appeals to a discrete audience who appreciates its expressive and explicit lyrics.  eNGee employs a more subtle approach, which allows him to connect with a wider audience, taking reggae music to the heights seen by one of his first mentors, Bob Marley. 

eNGee’s newest singles Sting Retards and 1800yardpimp fully demonstrates his wit and musical style.  Sting Retards is a summary of the artists in attendance and their performance, at Sting 2008.  In 1.800yardpimp, eNGee features international recording artist Red Rat, in a light tongue in cheek look at the world’s oldest profession through the eyes of the providers, the commodity they trade is girls. In their words “a bear gal we a sell.”   Another recent single, Immigrant, was released in January, 2009. It is a political commentary on the immigrant experience in America.  In Immigrant, eNGee reminds President Barack Obama that immigrants work three jobs just to survive and deserve a chance to live the American dream.

eNGee believes that his music touches people because his “lyrics inspires them and gives them confidence in themselves while at the same time they can relate to the music and dance to it at the same time.”  He will continue this trend with his upcoming releases which addresses current issues such as youth and guns, society’s reliance upon and relationship with the internet and cellular phone usage.

eNGee was known as a gifted child, full of creativity and talented in the performing arts.  His need to broaden his wings as an entertainer was not supported in his Christian home, so with a sense of purpose and adventure, he left home in search of a future as a musician and entertainer, at the tender age of eleven. 

At age fourteen, eNGee was discovered by Disc Jockey Youthman Troy, who regularly would spin tunes at the Roof Night Club in Ocho Rios.  eNGee was oftentimes the winner of the Talent Contest held there on Tuesday evenings.  Youthman Troy took him to Kingston and recorded eNGee’s first single called “God is my closest friend”, a dance hall song which was played frequently at the Roof Night Club.


DEPOPULATION

eNGee Dadon