Name: Shipping - Clouded (Reprise) by Ian Handsley in H.U.V.A NETWORK
Duration: 4 min 40 s
Description: https://ianhandsley.bandcamp.com/album/detach

H.U.V.A NETWORK

In between

The Beginning

https://ediz.bandcamp.com/album/meat-ep

Meat EP is a stripped-down collection of contrasts

an ambient piece drift around the edge, unsolved

a sparse transmission

the title track leans into electro, sharp, minimalistic

"Gate Keeper" reappears as a dub echo

DOWNLOAD

S0Z3

https://ianhandsley.bandcamp.com/album/detach

Shipping - Clouded (Reprise)

Live at Glastonbury Festival 2005

Symetric Lifes (Live)

Access to the Long Fields (Live)

Rain Geometries (Live)

Pre-order 'Golden Times 1' on EP/DL here: http://phonofile.link/golden-times-1

Electronic producer Max Cooper and ambient master Tim Hecker rework Ben Lukas Boysen on his new EP 'Golden Times 1' – out on Erased Tapes, June 30th 2017.

Championed by many including BBC Radio DJ Mary Anne Hobbs as the standout track from his most recent album 'Spells', Boysen’s 'Golden Times 1' forms the very heart of his new EP with the same name. Boysen entrusted none other than Max Cooper and Tim Hecker to meticulously shape and lure the title track plus second single 'Nocturne 4' into two entirely separate territories, yet never drifting too far away from their original soundscapes. With 'Evensong' the composer himself contributes a previously unreleased piece. It is yet another example that Boysen is still opening new and unexplored doors in a bid to challenge the existing realm of contemporary music he is very much a part of.

Words from Ben and Max, May 2017:

“Spells was somewhat of a conceptual release for me, so the choice of the remixing artists and where the original material could be taken was very important. Max and Tim, both being role models for me ever since I began listening to their work and who delivered this incredible abstraction, I felt were spot on for this release and were dream candidates to work with. Their ability to re-direct and even re-invent the original material, partially subtle, and with an almost brutish sense of imagination, honors the originals deeply.” — Ben Lukas Boysen

“Ben has been one of my most listened to artists of the past year or so. His last two albums in particular, have meant a lot to me, and provided me with focus when I needed it. So I was excited to have a chance to remix his work. I felt like I couldn't improve on his idea, but what I could do was take what was the core for me, and expand it. It was just a matter of running with the feeling I got from his original, sticking with his melodic forms and original instrumentation, and letting the growing intensity continue along it's established path to the only possible end point of total annihilation in chaos and distortion. My version is almost a continuation of his original if it was allowed to blossom into percussive format, rather than a traditional remix.” — Max Cooper

The golden EP cover art was created by Torsten Posselt at FELD as an extension from the initial album artwork he also created for 'Spells'.

TRACK LISTING

1. Golden Times 1	
2. Evensong 
3. Golden Times 1 (Max Cooper Remix)
4. Nocturne 4 (Tim Hecker Remix)

Ben Lukas Boysen - Nocturne 4 (Tim Hecker Remix)

H.U.V.A network- Ephemeris

not really sure what this is...a combination of a few styles that I like.

Forthcoming on http://soundcloud.com/the-lost-gterma

enh - Cicadarama

Second track off the new Billow Observatory album, entitled "III: Chroma/Contour", out on Azure Vista Records on February 8th! Preorder from: azurevistarecords.bandcamp.com

Album info:

III: Chroma/Contour is the third album from Billow Observatory, the collaborative project of Danish producer Jonas Munk (Manual, Ulrich Schnauss collaborator and more) and Michigan native Jason Kolb (Auburn Lull). The album's nine tracks eschew the pulse and rhythm that defined the duo's previous effort (II: Plains/Patterns) in favor of sparse melodic possibilities and a more abstract palette of sounds. Chroma/Contour suggests looking both 20 years forward and twenty years back, while forgetting the present altogether. Much of the album plays out as a study in minimalism: the texture and colour of each sound is being explored in miniscule detail, with enough space in the soundfield to allow each sonic constituent to breathe fully. There's a conceptual dimension to several tracks on the album, with guitars, analog synths and voices being mangled by samplers, computer software and a broken dictaphone into pure abstraction. But simultaneously there's a melodic undercurrent, revealing a deeply emotional aspect of the music. Tracks such as Color In The Six, Iris and Soft Logic convey a melancholic sense of awe, a profoundly calming glimpse of the sublime. 

As with the best ambient music, the power of these nine pieces lies in their open-endedness and suggestive potential. Rather than imposing on the listener and presenting a flawless, fullyformed aural landscape, the music creates an evocative space for the listener to explore and expand in.

Billow Observatory: "Bright Lands Rising"

Non-album single from new ambient trio PCM. learn more at: https://n5md.com/artist/PCM

PCM - Ma

Originally aired 9th November 2008 on Fluid Radio.
Only Solar Fields music in this mix.

Solar Fields - Jupiter Sessions Part 1 (Originally aired 9th November 2008)

Pre-order here:
http://felte.bandcamp.com/album/billow-observatory
http://boomkat.com/vinyl/601376-billow-observatory-billow-observatory

Buy Now

Billow Observatory - Slow Billows

"Adnasjur" - large wave or waves, coming off a succession of lesser ones

Music by Hammock
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Hammock - Adnasjur

Fascinating track from a fascinating album!

Review:

www.fluid-radio.co.uk/2012/12/woob-have-landed/

Woob - If I Don't Make It Home

All my mixes are on Mixcloud (link below). 


Shipping (dub/deep techno) & enh (ambient/downtempo)

Shipping - Clouded (Reprise)

Ian Handsley

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