electromusik3

My May Favs

Radio Activity

Original track:  https://soundcloud.com/drannic/caravan

Caravan

A mix between soaring strings and a shifted rhythm, complex harmonies, all this to obtain this sensation of flying on the fantastic landscape of Mars. A dangerous flight where we meet unknown entities. A paradise or a hell? 
Absynthus dreams of remixing this flight live in a fantastic ride in virtual reality.
Phil is a composer who created many video games in the 80s and 90s.  
"Flying on Mars" Phil dreams about it every night, Steph is afraid of it. Sensations, emotion, vertigo, enjoyment. Take this trip with us.  Thanks for following us.

Flying on Mars

FLYING ON MARS (Absynthus)

Caution:
Please don´t listen if you are driving a car (except on empty highways)
or if you need to concentrate on something else!

Illegal Money Transaction (The Final Attempt)

I have found another asset from Special Cecilia which I found very inspiring and very beautiful. 
Cecilia´s original can be found here: 
https://soundcloud.com/specialvocals/aca-cecilia-destins-lies

I hope you will enjoy our collaborating again!

Below are Cecilia´s Lyrics:
Ici et là de par le monde il semble que l'on soient plusieurs
Appellés à répendre de la lumière, à l'encontre des ténèbres
Chacun à sa manière, chacun de son côté, mais nos destins sont comme liés

Beaucoup d'entre nous ont souffert et ont surmonté leurs peines,
beaucoup connaissent les galères et ont résolu leurs problèmes
beaucoup ont encore dur, mais on garde le coeur pur
les intentions honnêtes

Je suis le capItaine de mon propre navire,
je garde le contrôle, je veux pas qu'il chavire,
tant de monde à explorer, de choses à partager
surfant sur les vagues de la destinée

Destins Liés

Destins Liés |  🆂🅿🅴🅲🅸🅰🅻 🅲🅴🅲🅸🅻🅸🅰 & N.o.b.S.

Our instrumental version of The Rolling Stone's "Sweet Virginia"
Many thanks to Joerxworx for the harmonica! 
https://soundcloud.com/joerxworx

Sweet Virginia

Secondary Flow

Opus71

Inside  

Shadow of century

Thanks to POLSTEAM BELUGA for the help in the mix and for adding his unique touch to that song.

Cry or don't cry, but continue to feel what is life.

https://soundcloud.com/polsteam-beluga

Inside

Cry don't cry feat POLSTEAM BELUGA

Cry Don't Cry Feat POLSTEAM BELUGA

https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-4

#6600ff Track 1st ALe

Since lately I have not been able to settle into a creative frame of mind,
I felt that in order not to lose what little comprehension I have managed 
achieve in working this music software, I might stay in practice by taking a detour.

From early on in life I have greatly admired the compositions
of Johann Sebastian Bach.

Since I had the scores of his Brandenburg Concertos
[...... The Six Brandenburg Concertos
[...... and the Four Orchestral Suites
[...... in Full Score
[...... Published by Dover, 1976
[...... ISBN 0-486-23376-6
[...... Library of Congress Catalog Number 76-12016

I thought I would try to blend a little Electronix 
along with the Period Instruments to see how that might play out.

Before letting this piece loose on everyone, I had the privilege of being able to receive some much needed criticism on my technique from a wonderful performer and SC supporter:

Mr. Bouzouki: https://soundcloud.com/mrbouzouki

He was able to help demystify the application of side-chaining for me.
On a physical mixing board, I had done a lot of it, though I didn’t know to call it that, 
yet how it was accomplished on the DAW kept eluding me.

The problem that needed addressing was the excessive amount
of REVERB that inevitably accompanies my tracks.
Often the native effects for a selected instrument
had its own effects bus, which I was never able to see (until recently).
So if it didn’t have enough of or the kind of REVERB I was looking for,
I added it in-line, which ended up supplying too much of an overly complicated (and somewhat unmanageable) EFFECT.

Hopefully, I have trimmed enough of it off at this point
that you will be able to hear all of the notes from all of the instruments
without having to imagine that they must be there somewhere in the mix.

One final admission:
The only thing possibly worse than my sense of pitch is my sense of tempo.
I have never been able to sight read music,
so to play a piece, it is always necessary to just memorize it.
Even then, having a metronome means nothing.
So, for all of you that are in a similar situation,
thank heavens for DAW technology.
It has made the joy of music a possibility for the masses
of us who have the tenacity to claim it for a hobby.

Brandenburg 4 Movement 3

2A-1 warm hall 2.5se c

Taken from forthcoming Oh Boy series on bandcamp https://velumbreak.bandcamp.com/album/oh-boy-1

Secondary Flow

EnigmaCurry