enxpl series [collaboration with PSYCHIC LIBERATION]

2022_Jul

i can't find Sterni

liminality

Wweeekly

dj of d

video: https://www.youtube.com/watch?v=V2-rRJmZg6M

xquisite releases is proud to present ‘Summer in Sexilia’ the new album by Cecilia

On the winding roads of escape, running away from the burning city's suffocation, in search of air, Cecilia drowns in the thick, elemental romance of Sexilia island.

The landscape oozes and recalls the radical desire of adolescent souls, a chaste and mystical resistance which flutters and strolls above through ditches, railroad edges, highway exits, stinking alleys owned by starving cats.

Sparse and sculptural breaths, the songs are drunk with melancholic infatuation.

“Summer in Sexilia” is a sensory encounter with the great despair in which the lover's courage takes shape once again, sublime, hanging on the memory of the shining stars.

In the hallucinated Summer of Sexilia, the ground trembles, the hands get dirty and the world craves for real tenderness and silent ecstasy.
credits
releases August 6, 2021

all music by Cecilia, with thanks to Isabella Lovestory, Bashar Suleiman, Yalei Shen for vocal features

cover artwork by Justine Neuberger

graphic design by Aleski Tammi

mastered by Oscar Khan

Cecilia - grave

City & i.o - Chaos is God Neighbour [APP005]

01. Desolate Revenant (06:39)
02. Breach (06:27)
03. Omnistack (06:23)
04. Catacomb (05:38) [with Dis Fig]
05. Descendant Cross (05:28)[with x/o]
06. Bleak Chain (05:13) [with x/o]
07. Unkind (04:44) [with Dis Fig]
08. Bomb-blasted Stack (03:52) [with vvilms]
09. Atlatica (03:24)
10. Circling Orc (03:07)
11. Temprorare (02:22)
12. Marrow (02:20)
13. -20+20-20+20-20+20-20 (02:10)
14. Granular Heater (01:34)

Total running time: (59:59)

City & i.o are:
AW — Audio engineering, synth
FC — Vocals, accordion
MP — Drums, guitar, sampler
VX — Vocals, strings
WB — Guitar, synths, piano

Tracks 4 & 7 written by Dis Fig
Track 5 & 6 written by x/o, City & i.o
All lyrics written by the vocalists
Additional production on track 5 by Aaron Wharton
Track 8 features an extensive sample of an untitled piece by vvilms

Artwork by John Blanche
Additional artwork, design, and Tortured Cybernetic Abomination logo by Jesse Osborne-Lanthier
Sigil by Julian Butterfield
Mastered by Aaron Wharton

City & i.o are from British Columbia, Canada.

Chaos Is God Neighbour

City & i.o - Unkind (feat. Dis Fig)

The Humble Bee - 'Light Trespassing'
Format: CD / Digital
 Release Date: December, 2021
Cover image by Craig Tattersall

"Like the last embers of a fire burning"

https://motionward.bandcamp.com/album/the-humble-bee-light-trespassing

MWCD001: The Humble Bee, 'Light Trespassing'

dusted light cinema

https://www.nts.live/shows/guests/episodes/sophia-zhuravkova-4th-may-2022

Sophia Zhuravkova - 040522

In the Abyss: Music for Weddings

Gåvor

https://xtclvr.bandcamp.com/album/c-u-ragged-pink
cover sabrina zambrano

saltyskin - C U

Through the haze of a particularly warm Sunday morning comes the dulcet sounds of S-Pill. Hailing from Jeju island, the selector, producer, dj and more has provided a particularly personal sounding montage of a morning in his life. His taste, impeccable, full of emotion and a slight hint of reservation. All best enjoyed with a cup of tea, or coffee in hand while walking through your morning paths.

Tracklist:

 Meta - Ambiente 1 (Original Mix) [Kabalion]
 Illuvia - Stellar Darkness (Original Mix) [Hypnus Records]
 Urbano - Forget Your Memories (Original Mix) [Lanthan.audio]
 Wa Wu We - A Sudden Song of Eternity (Original Mix) [Hypnus Records]
 Stefan Vincent - 27 Weeks In Orbit (Original Mix) [Non Series]
 Marcelo Antonio - Ocean's Outro (Original Mix) [Antiterra]
 Polygonia - Idylle am Waldgewässer [Huinali Recordings]
 Doctrina Natura - Astral [Oslated]
 Arthur Robert - You Cannot Hurt Me (long version) (Original Mix) [Figure]
 TM404 - Ulf Eriksson (Original Mix) [Kontra Musik]
 dubspeeka - Surge-Mb4 (Original Mix) [Skeleton]
 Monoder - Stop Beating Heart (Original Mix) [KONTAKT]
 Tobias. - E.M.A. (Original Mix) [Konstrukt (NL)]
 STFSHD - 1.5 (Original Mix) [Dolly]
 Inhmost - Morning Light [Huinali Recordings]

@sjp0
S-Pill on Instagram: www.instagram.com/s_pill_/

www.itsdelayed.com
www.instagram.com/_itsdelayed_
www.facebook.com/itsdelayed
t.me/itsdelayed

Sundays are for... S-Pill

The Oxbow Lake (16/06/22) W/ Lara David

00​.​340042

Holding the tension of opposites is a theme running throughout the work of Angelo Harmsworth, and the six pieces comprising Vent are no exception. Inspired by the different and oftentimes clashing forces comprising our weather systems, the New Mexico-born but now Berlin-based musician and producer envisioned his “compositions as micro-ecologies,” wherein “powerful waves push off one another.” The patterns emerging from this captivating music represent some of Harmsworth’s most complex to date. Swells of foreboding frequencies and jarring maximalist textures may bear down on listeners, yet an undercurrent of bliss–so deeply submerged it borders on the subliminal–manages to infuse even the most tumultuous moments of Vent with a calming groundedness.

And also like the climate, especially in the age of the Anthropocene, this cassette unfolds in ways that are profoundly unpredictable. An artist known for his ability to span the divides separating underground noise, sound design, ambient and industrial, Harmsworth ensures that each successive piece makes a radical break from what preceded it. This quality becomes particularly apparent when contrasting sides. The nearly harsh-noise, distortion-charged moments punctuating Side A are nowhere to be found on Side B, which reveals moments of vast, spectral beauty that reflect his roots in the desert landscapes of the American Southwest.

Of course, this kind of sonic breadth only comes with experience, of which Harmsworth has plenty. Steadily recording and releasing experimental music since the early 2010s, he has worked with some of the sub-underground’s stand-out imprints, including Angoisse, Bathetic Records, Total Black, and Opal Tapes. Placed in the context of his impressive catalog, Vent can be seen as both a continuation of what came before and a bold new development.

---

Angelo Harmsworth is a musician & sound artist whose works tends to fluctuate between austerity and decadence. Currently based in Germany, he has been published by a network of experimental labels in addition to his own imprint, Lime Lodge. 

releases July 26, 2022

Recorded by Angelo Harmsworth
Audio finalized by Glyn Maier
Artwork by Angelo Harmsworth
Design by RJM Vanderheyden

Vent

Angelo Harmsworth - Drag Net Capture (ENXPL15)

https://soundcloud.com/dj-swisha, 
https://soundcloud.com/acemo,
https://soundcloud.com/kush_jones, 
https://soundcloud.com/moma_ready

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

DJ SWISHA, AceMo, Kush Jones & MoMa Ready B2B @ The Lot Radio 07 - 13 - 2022

mixes

f053 - harriet

Thanks to https://soundcloud.com/usofusofusofusof.

(+)earth w /Usof

f061 - carolf

Watch the music video here: https://www.youtube.com/watch?v=kJEos2XfIiE

listen/buy the full album,  𝑾𝒊𝒔𝒉 𝒀𝒐𝒖 𝑾𝒆𝒓𝒆 𝑵𝒊𝒄𝒆𝒓 [ENXPL19]:
https://enmossed.bandcamp.com/album/wish-you-were-nicer
https://psychicliberation.bandcamp.com/album/enxpl19-wish-you-were-nicer

Video by Adriana João
Sound by usof
Audio finalized by Glyn Maier

https://adrianajoao.com
https://linktr.ee/usofusofusofusof
https://enmossed.org
https://nickklein.work

Wish You Were Nice

watch

Brat [ENXPL19]

Taken from the new Ben Frost EP -
'V A R I A N T' - out on vinyl and download on 8 December 2014 through Mute / Bedroom Community.

The limited edition EP features remixes of tracks taken from the latest album A U R O R A  by British producer Evian Christ (following his critically acclaimed Waterfall EP and work with Kanye West); Downward label boss and techno producer Regis (previous remix credits inc. VCMG, Terence Fixmer), Good by Air affiliated experimental artist Dutch E Germ (previous remix credits inc. Fatima Al Qadiri and Mas Ysa); Australian duo HTRK and raster-noton recording artist Kangding Ray.

Get A U R O R A here: iTunes - http://smarturl.it/auroraiTunes
CD - http://smarturl.it/auroraCD
Standard Vinyl - http://smarturl.it/auroraLP
Coloured Limited Edition Vinyl Boomkat - http://boomkat.com/vinyl/969946
Rough Trade - http://www.roughtrade.com/albums/81850

www.ethermachines.com
www.facebook.com/theghostofbenfrost
www.twitter.com/ethermachines
www.benfrost.bandcamp.com
www.myspace.com/theghostofbenfrost
@benfrost

www.mute.com
www.bedroomcommunity.net

Get A U R O R A 

Ben Frost :: 'Venter' (Evian Christ TF 12" Mix)

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing in Japan, China, Taiwan, Germany, England, the US, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

STACKED

ENXPL21 - MAKOTO OSHIRO - A1. TALK TALK TALK

Makoto Oshiro, from Okinawa and now based in Berlin, has developed an artistic practice spanning sound, site installation, field recording, language, instrument design, and more for over a decade. His performances and installations have spanned the globe, regularly appearing across Asia, Europe, North America, and further - often collaborating with other artists, most recently with Nick Klein on the album 𝑺𝒑𝒂𝒄𝒆𝒅 released by the cult Italian label Superpang last year.

𝑺𝒕𝒂𝒄𝒌𝒆𝒅 documents four live and studio performances from 2020-2023 in Tokyo and Berlin, and marks Oshiro’s first solo album since 2014. Small electro-mechanical devices made by Oshiro, which he calls 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴, are coaxed into physically generating sound by rapidly opening and closing relays. The speed of the relays is controlled by Oshiro, producing a distinctive clicking (“𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪…”) at lower speeds - then bursting into squeals, squawks, and drones at their maximal activity, occasionally creating sympathetic harmonics with the surface they have been placed upon. Functioning as acoustic oscillators, numerous 𝘬𝘢𝘤𝘩𝘪-𝘬𝘢𝘤𝘩𝘪𝘴 build a richly layered environment, approaching sonic phenomenon at its most fundamental aspects.

These recordings bridge installation and performance, machine and organism, abstract and physical, subconscious and rapture - especially on the title track 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, with over 40 minutes of densely unfolding square waves and their superpositions.

Listen loud, lay down, walk around, meditate, stretch, and wander through the void.

𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 𝑻𝒂𝒍𝒌 and 𝑵𝒆𝒘 𝑷𝒉𝒂𝒔𝒆 recorded at UdK Berlin Sound Studies and Sonic Arts Studio in 2022.
𝑾𝒂𝒏𝒅𝒆𝒓 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑽𝒐𝒊𝒅 recorded at Morphine Raum (Berlin) in 2023.
𝑺𝒕𝒂𝒄𝒌𝒆𝒅 recorded at Permian (Tokyo) in 2020.

–--

Makoto Oshiro is a Berlin-Tokyo based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and movement of objects. In live performances, he uses self-made tools and instruments that are based on electronic devices, every day materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference.

He is also a member of the live installation / performance group The Great △(夏の大△) with Takahiro Kawaguchi and Satoshi Yashiro, and runs the label Basic Function. 

---

Audio finalized by Glyn Maier
Design by Dominique S

Stacked

Makoto Oshiro - Wander Through The Void (ENXPL21)

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, with an interest in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series.

Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed. Glass elevators, an unknown hotel lobby piano recital, office toilet rants, windowside night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

---

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue.

She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event 𝘚𝘰𝘳𝘳𝘰𝘸 𝘊𝘭𝘶𝘣 𝘚𝘦𝘰𝘶𝘭 since 2019. 

---

Voices by Windy Kim, Carl G., Schang09
Piano by Sungeun Lee
Audio finalized by Glyn Maier
Design by Dominique S

Accept All Cookies

Jiyoung Wi - Walking Tumor (ENXPL22)

Moa Pillar (@moarock) returns with his second LP, ‘Hymns’, on Karelian label Full of Nothing. To be released on July 26th, ‘Hymns’ follows the epic album ‘Humanity’ (2015).

Offering up five tracks of transcendental heavy bass and beats, Moa Pillar aka Fedor Pereverzev, slams the worlds of authentic folk, tribal music, forward thinking electronica and dark techno together, unapologetically creating illuminating effects on his latest LP. Refusing to follow convention, Pereverzev produces his own, soul elevating sound art with his eclectic textures and sounds.

Each track on ‘Hymns’ challenges the traditional meaning of its namesake. Even the meditative ‘And the Moon Stopped’ has an undercurrent of darkness offering, itself listening like a sacrifice to the higher energies. Developing a niche sound the producer explains; “my music is all about energy, no physics, it’s about the spirit”.

Pereverzev first rose to prominence during his late teens after setting new age trends in the Russian beats scene circa 2009. Two years after the excellent ‘Hunting' EP, Moa Pillar began to experiment with harder sounds and different forms, leading him to the sounds he creates today. Outside of Moa Pillar, Pereverzev is one of Russia’s leading sound designers and co-founder of audio-production studio, Monoleak – they have recorded music for the likes of NASA and Mercedes. He has also enjoyed great success with film Bonfires and Stars premiered at Visions du Reel Festival, which follows him to the Caucasus where he collaborated with local folk musicians.

Hymns

Bandcamp

And the Moon Stopped

Composed and recorded in Bandung, October 2017
Mixed in Montreal and Milan May 2018.
comes with a photo-zine, available on Haunter Records bandcamp.

https://heith.bandcamp.com/merch/sangkakala-malaikat

Sangkakala Malaikat

HOB12: Serena's Flowers In The Sun by Piano Princess (@baojiaxiang2)

Artwork by Nicholas Zhu

Download

Piano Princess - 'Serena's Flowers In The Sun' (HOB12)

Liverpool’s @breakwavedj is about to release Carcass the second EP on her newly founded @meinenacht imprint. The offering comes from Belgian producer @obsequies , associated artist of Beurrschouwburg and @shape-platform . Ahead of tomorrow's release you can pre-listen to "Chrysalide" remixed by ssaliva. Furthermore, Thomas Romana has talked to Breakwave and Obsequies.

Check our website for details: https://www.zweikommasieben.ch/en/interview-breakwave-obsequies

Pre-Listen:  Obsequies – Chrysalide (ssaliva Remix)

Ayin, the indigo goat, the son of the forces of time, became the lord of the knowledge gates, when he lighted up the lamp of the moke with the 26 black diamond delivered by the musk and burned the orchid root.

Samekh, the light-blue hippogriff, the daughter of the reconcilers. She had the heritage of being the bearer of life when one day she received the stanchion of Visnuh. Therefore she headed to the mountain of Apollo, who impressed on her the fate of destroying the dog-headed centaur. As the oracle predict, she burned him in the aloe wood, as a gift for the blue rush, and she saw the temperance, like a breath of wind, spreading allover the earth.

Today Ayin and Samekh, the devil and the temperance, after having gone up the 90.900 steps of the stars, enter the house of Zaddi, the daughter of the firmament, she who dwells between the waters, to manifest theirselves as human, eagle and peacock.



The day of the great conjunction,
when Saturn and Jupiter enter Aquarius, the double negation, the neither neither.
Entering the no-nonsense season,
light a purple candle,
the nights now begins to grow shorter,
the sun enters Capricorn,
marked by the six of swords.



Our aim is the death of the anthropocene.


♅ ♄ ♃  ￼￼♒︎ 

꧁꧂



Written & Produced by Heith
Strings & Artwork by VISIO

21122020 (Strings Of Visio)

deep green

§ focused on contemporary sound and growth
✔ hand-constructed out of recycled materials as possible
♥ all proceeds to positive endeavors